Walter Crane: The Baby’s Own Aesop
We’ve been collecting illustrated books by Arts and Crafts era designer Walter Crane for several years and we’re now reaching the point where we can start to release some of our Crane material in useful packages for contemporary designers who want to incorporate his unique aesthetic into their work.
Our first Crane release is a package based on The Baby’s Own Aesop, Crane’s hand lettered and fully illustrated edition of Aesop’s Fables originally published in 1887. Each page takes one tale from Aesop and presents it with illustrations, initials, borders, embellishments and decorative lettering. Our presentation of the book follows the model of our release of Howard Pyle’s Lady of Shalott. It includes a complete 60-page print-quality PDF facsimile of the book, plus high-resolution graphics of every page and illustration including the end-papers and covers. In addition there are emblems, borders, decorative elements and other resources which we have taken from the book and cleaned up and made ready to use for other purposes. All of this comes with a license allowing you to incorporate the material in your own designs and creations. The package is only $39 and you can order online and download the package immediately — but be warned, it’s a very large download.
We’re going to be following this package with other Crane packages, including a similar treatment of The Baby’s Bouquet and The Baby’s Opera which were companion pieces to The Baby’s Own Aesop. We also have a collection of fonts based on Crane lettering in development, like our recently released Crane Gothic font.
To see a sample of what is in this collection, try out the abbreviated PDF sampler which has lower resolution versions of selected images from the set. To purchase the whole package just order it online.
New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
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Alexander Rodchenko (1891–1956) was one of the premier artists of the constructivist movement in Russia. Although he was a sculptor, painter and photographer, he is most remembered for his graphic design style in book and poster design. His unique and dramatic style defined Russian popular art of the early Revol[...]
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BUY NOW TRY DEMO Custom Preview Edifice is a decorative titling font based on samples of lettering by J. M. Bergling. It has an architectural, constructed look to it. Very well suited to sign and poster design. It's stylish but still readable and clear. Edifice includes a full uppercase charac[...]
BUY NOW TRY DEMO Custom Preview You may recall a couple of months ago when we had some font samples posted on the page to vote on. Well, the winner of the vote by a significant margin was a sample of lettering by Samuel Welo, and now as promised, it is available as our newest font: Carillon. They f[...]
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BUY NOW TRY DEMO Custom Preview We've featured some articles on the designs of pulp novel covers from the mid-20th century, including s look at the fonts used in those designs. We've also released fonts based on those designs, like suspicion. These old book cover designs are a great resource for [...]
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Austin is a great center for the arts, not only music and film and other performing arts, but visual arts and all sorts of crafts. All these events and shows have to be advertised and the traditional method of getting the word out is through posters distributed all over town wherever people gather. I like to go arou[more]
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There are many good things about Typecon and many nice things I could say, but instead I find myself seized with a compulsion to recast Typecon like old metal type that's melted down and mold into a new font. I've got lots of experience with conferences in a number of different industries, as an attendee. a sponsor,[more]
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I'm back at Typecon and things are in full swing now. There was a long but fascinating keynote presentation from Tobias Frere-Jones last night on type as security in banknotes. It was the main entertainment for the evening and went on an on for a bit. I actually had to cut out before I could ask my question - "Why ar[more]
Click any font to see a larger sample. The new second edition of our Arts & Crafts font collection features 15 fonts based on designs from the Arts & Crafts movements of the late Victorian period. They are derived from designs from several branches of the movement, and demon[more]
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