Viking Fonts and Art Collection
For a PDF of art samples click HERE
Click any font to see a larger sample.
Vafthrudnir is a new, original font design which draws on the tradition of Germanic uncial and early gothic calligraphy. It is designed to be extra bold and somewhat rough-hewn, for use in title design, and features variant versions of many of the characters. Click here to download the working trial version of Vafthrudnir for either WINDOWS or MacOSOr you can purchase this font online and get it quickly by email, including all the alternate and additional characters – BUY IT NOW
In previous collections we’ve tried to preserve and give access to the graphic arts traditions of groups like the Celts and Russians. This collection does the same for Ancient Germanic culture. While we call this the Viking collection, it draws on a broader scope of early Germanic design, from the pre-Christian era through the early middle ages. The sources are not limited to Scandinavia, but include the breadth of German culture from the Franks to the Saxons to the Normans and beyond.
The main component of our first release in this series is our Viking fonts. These include both fonts based strictly on historic sources and fonts which are modern interpretations of the Germanic calligraphic and inscriptory tradition. The starting point of the collection are the Futhark and Surtur fonts. These are based on historic runic inscriptions. Futhark contains the traditional runic alphabet, while Surtur adapts the style of ancient runes to the Latin alphabet. Early Germanic calligraphy was heavily influenced by the lettering of Celtic missionaries. The Volund, Koch Gothic and Martel fonts represent this early medieval tradition. Volund is a pure Germanic uncial. Koch Gothic is a hybrid of Germanic uncial and later gothic lettering styles based on lettering by Rudolph Koch. Martel is a somewhat modernized interpretaion of Frankish lettering. Two other historical fonts are Ranegund which is based on Merovingian courthand lettering from the Viking period and Altenburg which is based on northern German lettering from that same period. For ;the necessary element of practicality and a bit of fun we’ve added in Taranis, Vafthrudnir and Walhall which are modern reinterpretations of early Germanic lettering. Walhall is based on lettering by Art Nouveau designer E. Doepler. Taranis is based on an early 20th century modernized Germanic uncial which has become particularly associated with the Vikings. Vafthrudnir is a new original font based on Germanic uncial and developed by Dave Nalle. Finally, to complete the collection we have a unique set of decorative initials based on designs by A. R. Bowker which draw on the serpentine wood carving traditions of the Vikings.
While the primary component of this collection is the fonts – four of them are entirely new releases (Volund, Koch Gothic, Vafthrudnir & Fafnir) – we’ve also added in a few bonus items to make the collection more varied and give a taste of what’s to come in the future. These include some selected borders, frames and emblems based on designs from antique illustrated books on Germanic mythology. These include both color and black and white decorative pieces, many of which are very striking.
As we did with our Celtic collection we plan to expand this collection in the future. We will eventually add more fonts and especially additional art, including a substantial selection of illustrations of Germanic mythology by artists like Arthur Rackham and N. C. Wyeth. Future expanded releases will be available to those who get this initial release at a special discounted upgrade price.
All of our Viking fonts are available individually, or you can get the full package with all the fonts plus the selected borders and decorations for just $59. The package is compatible with both Windows or MacOS, and includes both TrueType and Postscript fonts. .You can order our Viking collection directly from our online store – CLICK HERE TO ORDER
New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
BUY NOW TRY DEMO Custom Preview Iphegenia was one of our early designs, a creative advertising script font with a modern, hand-drawn look but regular character forms and a nice even line to it. It has high readability despite its decorative look and works well in combination with a variety of other fo[...]
Butterfield is based on letting from a poster for the Paul Butterfield Blues Band. It can be found as part of Psychedelic Fonts Collection package. It has a unique look particularly characteristic of the 60s and especially suited to use on posters. It has a full set of numbers and punctuation, plus custom small [...]
BUY NOW TRY DEMO Custom Preview Startling Stories was a pulp-era science fiction magazine known for its lurid covers by Earle K. Bergey and its eye-catching title designs. It was a companion to Thrilling Wonder Stories and Fantastic Stories. The magazine was very successful in the immediate pos[...]
BUY NOW TRY DEMO Custom Preview Roghwork is a unique font which combines a decoarative upper case character set with a simple set of lowercase characters. Designed primarily for use in titles and posters, the uppercase characters are based on samples of hand-drawn master designs for a set of roman-st[...]
BUY NOW TRY DEMO Tantalus is a display font for titles with a basic Roman design and elaborately embellished characters. It features the more decorative versions of the characters in the upper case positions and a plain caps set in the lower case positions. It's a neat whimsical font and if you ne[...]
I was out to dinner for my daughter's birthday and we went to a nice restaurant in downtown Austin called Boticelli's. Much to my surprise the logo of the restaurant was strangely familiar. It was in our Sprite font, shown to the right. In this new edition we have improved the kerning and spacing, expanded alt[...]
Wolfram is a great example of early 20th century type design. It is bold and intended for use in posters and signage, but it has rough outlines for a mock antique look. It also has an unusually wide footprint for a very striking look.We originally produced Wolfram in the mid-90s, and it has been somewhat revise[...]
BUY NOW TRY DEMO Custom Preview Yancey is a new font based on a hand-lettered design by Samuel Welo in the late 1920s. It is very much in the tradition of Art Deco designs of that period and designed for decorative titles of poster design uses. Yancey includes two versions of the character set,[...]
BUY NOW TRY DEMO Our Froissart font was first released in 2000 as part of our Medieval Fonts and Art package. It is an accurate recreation of the Littera Bastarda calligraphic style which was popular in the 14th and 15th centuries as gothic styles were losing popularity and there was a demand for s[...]
BUY NOW TRY DEMO Custom Preview Edifice is a decorative titling font based on samples of lettering by J. M. Bergling. It has an architectural, constructed look to it. Very well suited to sign and poster design. It's stylish but still readable and clear. Edifice includes a full uppercase charac[...]
BUY NOW TRY DEMO Our Munich font was first released in 1998 and has been revised several times since then. This latest version includes substantial improvements in the outlines of the characters and a new set of simple upper case initials. Munich is based on one of the classic lettering styles used on[...]
BUY NOW TRY DEMO Custom Preview Script fonts can be a real challenge to design, especially when they are designed to have interconnecting characters which require exacting kerning and character positioning. When we first developed Orphiel we did a lot of kerning work on it, but despite a g[...]
Phaeton is one of our earliest Art Nouveau designs, a lovely example of period title lettering based on French samples. This new release has some significant improvements to the outlines and additional characters added to the basic set. You can find Phaeton in our Art Nouveau Collection or order it individua[...]
BUY NOW TRY DEMO Custom Preview Highball is a bold font in every sense of the word. Yes, its weight is heavy and pronounced in the traditional meaning of bold, but it is also of an extreme height which could be considered bold, and of a boldly progressive style. Highball features a full character s[...]
Hendrix is one of our most classic and most quintessential psychedelic poster fonts. It is based on hand lettering from a number of posters and album covers produced in the 1960s and the early 1970s. It is a very striking font, quite recognizable and identified with the period. This new release has some signific[...]
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Here's a little something from a more innocent age, a set of three decorative floral borders designed by L. E. Wright for the book Mary's Garden a collection of nursery rhymes together with explanatory/elaborative stories also by Wright. There are just three borders, so it's not exactly enough for a package in its o[more]
If you don't already get our weekly (more or less) newsletter with free offers, discount coupons and links to our articles and new releases, this is the time to sign up. We're constantly putting new articles, new fonts, new reviews and new links to great antique art and design resources on our site. Every [more]
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In our endless acquisition of graphic arts resources we come across oddities from time to time. One of those is this collection of classic fairy tales told through illustrations by Frank T. Merrill, which were published in a series of children's books called Heart of Oak. They are here free to download as a bonus for [more]
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