Viking Fonts and Art Collection
For a PDF of art samples click HERE
Click any font to see a larger sample.
Vafthrudnir is a new, original font design which draws on the tradition of Germanic uncial and early gothic calligraphy. It is designed to be extra bold and somewhat rough-hewn, for use in title design, and features variant versions of many of the characters. Click here to download the working trial version of Vafthrudnir for either WINDOWS or MacOSOr you can purchase this font online and get it quickly by email, including all the alternate and additional characters – BUY IT NOW
In previous collections we’ve tried to preserve and give access to the graphic arts traditions of groups like the Celts and Russians. This collection does the same for Ancient Germanic culture. While we call this the Viking collection, it draws on a broader scope of early Germanic design, from the pre-Christian era through the early middle ages. The sources are not limited to Scandinavia, but include the breadth of German culture from the Franks to the Saxons to the Normans and beyond.
The main component of our first release in this series is our Viking fonts. These include both fonts based strictly on historic sources and fonts which are modern interpretations of the Germanic calligraphic and inscriptory tradition. The starting point of the collection are the Futhark and Surtur fonts. These are based on historic runic inscriptions. Futhark contains the traditional runic alphabet, while Surtur adapts the style of ancient runes to the Latin alphabet. Early Germanic calligraphy was heavily influenced by the lettering of Celtic missionaries. The Volund, Koch Gothic and Martel fonts represent this early medieval tradition. Volund is a pure Germanic uncial. Koch Gothic is a hybrid of Germanic uncial and later gothic lettering styles based on lettering by Rudolph Koch. Martel is a somewhat modernized interpretaion of Frankish lettering. Two other historical fonts are Ranegund which is based on Merovingian courthand lettering from the Viking period and Altenburg which is based on northern German lettering from that same period. For ;the necessary element of practicality and a bit of fun we’ve added in Taranis, Vafthrudnir and Walhall which are modern reinterpretations of early Germanic lettering. Walhall is based on lettering by Art Nouveau designer E. Doepler. Taranis is based on an early 20th century modernized Germanic uncial which has become particularly associated with the Vikings. Vafthrudnir is a new original font based on Germanic uncial and developed by Dave Nalle. Finally, to complete the collection we have a unique set of decorative initials based on designs by A. R. Bowker which draw on the serpentine wood carving traditions of the Vikings.
While the primary component of this collection is the fonts – four of them are entirely new releases (Volund, Koch Gothic, Vafthrudnir & Fafnir) – we’ve also added in a few bonus items to make the collection more varied and give a taste of what’s to come in the future. These include some selected borders, frames and emblems based on designs from antique illustrated books on Germanic mythology. These include both color and black and white decorative pieces, many of which are very striking.
As we did with our Celtic collection we plan to expand this collection in the future. We will eventually add more fonts and especially additional art, including a substantial selection of illustrations of Germanic mythology by artists like Arthur Rackham and N. C. Wyeth. Future expanded releases will be available to those who get this initial release at a special discounted upgrade price.
All of our Viking fonts are available individually, or you can get the full package with all the fonts plus the selected borders and decorations for just $59. The package is compatible with both Windows or MacOS, and includes both TrueType and Postscript fonts. .You can order our Viking collection directly from our online store – CLICK HERE TO ORDER
New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
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BUY NOW TRY DEMO Custom Preview You may recall a couple of months ago when we had some font samples posted on the page to vote on. Well, the winner of the vote by a significant margin was a sample of lettering by Samuel Welo, and now as promised, it is available as our newest font: Carillon. They f[...]
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BUY NOW TRY DEMO Our Munich font was first released in 1998 and has been revised several times since then. This latest version includes substantial improvements in the outlines of the characters and a new set of simple upper case initials. Munich is based on one of the classic lettering styles used on[...]
In an article last week we explored the origins of the font used in Quentin Tarantino's Django Unchained and a bit of the history of the Django genre of films. That was part of the process of the development of an original font based on the lettering used in the original Django, a process similar to what was p[...]
BUY NOW TRY DEMO Custom Preview Lyceum has the stylized shape and look of a font designed for the program at a lecture hall, hence the name. It is super bold but remains highly readable at fairly small sized, though the contrasts are dramatic. It features only an uppercase characters set because the st[...]
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BUY NOW TRY DEMO Custom Preview Escargot is based on lettering from the cover of an early pulp novel I came across a couple of months ago. It's a strong example of a distinctive style of sign and poster lettering from the 1930, characterized by super high contrast between the weighting on the le[...]
BUY NOW TRY DEMO Custom Preview Startling Stories was a pulp-era science fiction magazine known for its lurid covers by Earle K. Bergey and its eye-catching title designs. It was a companion to Thrilling Wonder Stories and Fantastic Stories. The magazine was very successful in the immediate pos[...]
Every year around Halloween we come out with a new font that fits the spirit of the holiday, drawing on all sorts of sources for inspiration. You can find our past fonts in our Halloween Font and Art Collections. The font for this year is Undertaker, based on title lettering from Creepy magazine, the classic h[...]
BUY NOW TRY DEMO Custom Preview Cosmic Dude was designed as one of the special original fonts developed for our Modern Poster Fonts package. The character forms are based on samples of hand lettering from a late 1970s rock show poster. The character set includes numbers, punctuation, uppercase letter[...]
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