Viking Fonts and Art Collection
For a PDF of art samples click HERE
Click any font to see a larger sample.
Vafthrudnir is a new, original font design which draws on the tradition of Germanic uncial and early gothic calligraphy. It is designed to be extra bold and somewhat rough-hewn, for use in title design, and features variant versions of many of the characters. Click here to download the working trial version of Vafthrudnir for either WINDOWS or MacOSOr you can purchase this font online and get it quickly by email, including all the alternate and additional characters – BUY IT NOW
In previous collections we’ve tried to preserve and give access to the graphic arts traditions of groups like the Celts and Russians. This collection does the same for Ancient Germanic culture. While we call this the Viking collection, it draws on a broader scope of early Germanic design, from the pre-Christian era through the early middle ages. The sources are not limited to Scandinavia, but include the breadth of German culture from the Franks to the Saxons to the Normans and beyond.
The main component of our first release in this series is our Viking fonts. These include both fonts based strictly on historic sources and fonts which are modern interpretations of the Germanic calligraphic and inscriptory tradition. The starting point of the collection are the Futhark and Surtur fonts. These are based on historic runic inscriptions. Futhark contains the traditional runic alphabet, while Surtur adapts the style of ancient runes to the Latin alphabet. Early Germanic calligraphy was heavily influenced by the lettering of Celtic missionaries. The Volund, Koch Gothic and Martel fonts represent this early medieval tradition. Volund is a pure Germanic uncial. Koch Gothic is a hybrid of Germanic uncial and later gothic lettering styles based on lettering by Rudolph Koch. Martel is a somewhat modernized interpretaion of Frankish lettering. Two other historical fonts are Ranegund which is based on Merovingian courthand lettering from the Viking period and Altenburg which is based on northern German lettering from that same period. For ;the necessary element of practicality and a bit of fun we’ve added in Taranis, Vafthrudnir and Walhall which are modern reinterpretations of early Germanic lettering. Walhall is based on lettering by Art Nouveau designer E. Doepler. Taranis is based on an early 20th century modernized Germanic uncial which has become particularly associated with the Vikings. Vafthrudnir is a new original font based on Germanic uncial and developed by Dave Nalle. Finally, to complete the collection we have a unique set of decorative initials based on designs by A. R. Bowker which draw on the serpentine wood carving traditions of the Vikings.
While the primary component of this collection is the fonts – four of them are entirely new releases (Volund, Koch Gothic, Vafthrudnir & Fafnir) – we’ve also added in a few bonus items to make the collection more varied and give a taste of what’s to come in the future. These include some selected borders, frames and emblems based on designs from antique illustrated books on Germanic mythology. These include both color and black and white decorative pieces, many of which are very striking.
As we did with our Celtic collection we plan to expand this collection in the future. We will eventually add more fonts and especially additional art, including a substantial selection of illustrations of Germanic mythology by artists like Arthur Rackham and N. C. Wyeth. Future expanded releases will be available to those who get this initial release at a special discounted upgrade price.
All of our Viking fonts are available individually, or you can get the full package with all the fonts plus the selected borders and decorations for just $59. The package is compatible with both Windows or MacOS, and includes both TrueType and Postscript fonts. .You can order our Viking collection directly from our online store – CLICK HERE TO ORDER
New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
Wolfram is a great example of early 20th century type design. It is bold and intended for use in posters and signage, but it has rough outlines for a mock antique look. It also has an unusually wide footprint for a very striking look.We originally produced Wolfram in the mid-90s, and it has been somewhat revise[...]
BUY NOW TRY DEMO Custom Preview You may recall a couple of months ago when we had some font samples posted on the page to vote on. Well, the winner of the vote by a significant margin was a sample of lettering by Samuel Welo, and now as promised, it is available as our newest font: Carillon. They f[...]
Every year around Halloween we come out with a new font that fits the spirit of the holiday, drawing on all sorts of sources for inspiration. You can find our past fonts in our Halloween Font and Art Collections. The font for this year is Undertaker, based on title lettering from Creepy magazine, the classic h[...]
BUY NOW Back in 1995 I designed a card game called Quest for the Grail and formed a publishing partnership to produce it called Stone Ring Games. I did a bunch of design work for the game, including designing a unique title font called Marmyadose. Marmyadose was a unique font, but it was too fancy to[...]
BUY NOW TRY DEMO Vie Moderne is a new font based on Art Deco lettering from the 1920s. It is typical of the French Art Deco influenced fonts which were featured in association with the International Exposition of Modern and Industrial Art in Paris in 1925. Vie Moderne includes a full character s[...]
BUY NOW TRY DEMO Custom Preview Mannering is a new font design derived from some samples of an uppercase letter set by Samuel Welo, with additional lowercase characters and numbers added to it in the same style. It is a sans serif font with calligraphic lines and distinctive embellished horizontal cro[...]
BUY NOW TRY DEMO Power tie is based on a design for hand lettering from the 1930s. It was originally done as a conceptual design for signage in a men's haberdashery. It is a handsome, muscular font in the Art Deco tradition. It includes a full character set with numbers and punctuation, and a se[...]
BUY NOW TRY DEMO Custom Preview Iphegenia was one of our early designs, a creative advertising script font with a modern, hand-drawn look but regular character forms and a nice even line to it. It has high readability despite its decorative look and works well in combination with a variety of other fo[...]
BUY NOW TRY DEMO Custom Preview Our original Folkard font has achieved near legendary status as one of the most interesting calligraphic title fonts of the contemporary era. It has been enormously popular and appeared on movie titles, book covers, t-shirts and games. However it is not the only [...]
Vasilisa is based on Russian folk art lettering from the pre-revolutionary period. It is included in our original Russian Fonts and Art package. It is very readable in English but also includes elements of Cyrillic lettering. It is evocative of rural Russian life and fits well with the hand crafted peasant wood[...]
Sternhagen is a classically attractive font with a modernized gothic look which combines traditional elements from the high middle ages with a bit of Art Deco style. It will eventually be part of our Gothic Fonts Collections, but for now it is available singly.Sternhagen has a complete upper and lowercase charact[...]
Butterfield is based on letting from a poster for the Paul Butterfield Blues Band. It can be found as part of Psychedelic Fonts Collection package. It has a unique look particularly characteristic of the 60s and especially suited to use on posters. It has a full set of numbers and punctuation, plus custom small [...]
BUY NOW TRY DEMO Marquis Greeking is unreadable. It is supposed to be unreadable, because it is a Greeking Font, a font designed specifically to check layout and overall appearance without the distraction of the actual text. It contains variations of actual characters from our Marquis text font, w[...]
BUY NOW TRY DEMO Custom Preview Doge is a new font based on samples of late-renaissance period lettering from Venice, preserved and reproduced by early 20th century calligrapher and designer J. M. Bergling. It has some similarity to some of our other fonts based on lettering from the same period[...]
"We are saddened by the death of legendary type designer Hermann Zapf at the age of 96. His classic fonts like Optima, Palatino and Zapf Chancery set the standard for type design for the 20th century. Zapf's long career as designer and teacher was an inspiration to type designers around the world and made all of our l[more]
BUY NOW Platthand is a font based on examples of lettering drawn from Elizabethan period maps. The upper case letters are embellished with extremely ornate flouishes, very dramatic. Many alternate flourished versions of the characters are also included. The lower case characters are not embellished t[more]
The Pre-Raphaelite movement emerged in the mid-1800s as an attempt to return art to its traditional styles and themes. While the Pre-Raphaelites did draw stylistically on Renaissance models, the movement soon developed its own unique style and philosophy, producing art which was traditional, yet uniquely new. An artist[more]
I recently had an opportunity to visit the Texas Capitol building. It was very busy because the legislature was in session, lobbyists were skulking in the halls and student tours were everywhere. Despite the distractions I had an opportunity to observe and photograph some very impressive antique door hardware. The C[more]
Click any font to see a larger sample. Of all the different types of font, the one style which seems to be in constant demand is script fonts. Over the years we've produced a lot of different styles of script fonts, mostly based on historic calligraph[more]
Byam Shaw was a great English illustrator of the Victorian period. Stylistically he inherited many of the characteristics of the Pre-Raphaelite and Arts and Crafts artists of the earlier 19th century, putting him in the same category with other late-Victorian artists like Eleanor Fortescue Brickdale and William Russell[more]
For the next few days - maybe as much as a week - our site will be undergoing a fairly radical transformation as we implement an entirely new theme with new features and a radically different look. This may inconvenience you with the occasional downtime or bizarre disappearance or radical reconfiguration of certain [more]
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