Viking Fonts and Art Collection
For a PDF of art samples click HERE
Click any font to see a larger sample.
Vafthrudnir is a new, original font design which draws on the tradition of Germanic uncial and early gothic calligraphy. It is designed to be extra bold and somewhat rough-hewn, for use in title design, and features variant versions of many of the characters. Click here to download the working trial version of Vafthrudnir for either WINDOWS or MacOSOr you can purchase this font online and get it quickly by email, including all the alternate and additional characters – BUY IT NOW
In previous collections we’ve tried to preserve and give access to the graphic arts traditions of groups like the Celts and Russians. This collection does the same for Ancient Germanic culture. While we call this the Viking collection, it draws on a broader scope of early Germanic design, from the pre-Christian era through the early middle ages. The sources are not limited to Scandinavia, but include the breadth of German culture from the Franks to the Saxons to the Normans and beyond.
The main component of our first release in this series is our Viking fonts. These include both fonts based strictly on historic sources and fonts which are modern interpretations of the Germanic calligraphic and inscriptory tradition. The starting point of the collection are the Futhark and Surtur fonts. These are based on historic runic inscriptions. Futhark contains the traditional runic alphabet, while Surtur adapts the style of ancient runes to the Latin alphabet. Early Germanic calligraphy was heavily influenced by the lettering of Celtic missionaries. The Volund, Koch Gothic and Martel fonts represent this early medieval tradition. Volund is a pure Germanic uncial. Koch Gothic is a hybrid of Germanic uncial and later gothic lettering styles based on lettering by Rudolph Koch. Martel is a somewhat modernized interpretaion of Frankish lettering. Two other historical fonts are Ranegund which is based on Merovingian courthand lettering from the Viking period and Altenburg which is based on northern German lettering from that same period. For ;the necessary element of practicality and a bit of fun we’ve added in Taranis, Vafthrudnir and Walhall which are modern reinterpretations of early Germanic lettering. Walhall is based on lettering by Art Nouveau designer E. Doepler. Taranis is based on an early 20th century modernized Germanic uncial which has become particularly associated with the Vikings. Vafthrudnir is a new original font based on Germanic uncial and developed by Dave Nalle. Finally, to complete the collection we have a unique set of decorative initials based on designs by A. R. Bowker which draw on the serpentine wood carving traditions of the Vikings.
While the primary component of this collection is the fonts – four of them are entirely new releases (Volund, Koch Gothic, Vafthrudnir & Fafnir) – we’ve also added in a few bonus items to make the collection more varied and give a taste of what’s to come in the future. These include some selected borders, frames and emblems based on designs from antique illustrated books on Germanic mythology. These include both color and black and white decorative pieces, many of which are very striking.
As we did with our Celtic collection we plan to expand this collection in the future. We will eventually add more fonts and especially additional art, including a substantial selection of illustrations of Germanic mythology by artists like Arthur Rackham and N. C. Wyeth. Future expanded releases will be available to those who get this initial release at a special discounted upgrade price.
All of our Viking fonts are available individually, or you can get the full package with all the fonts plus the selected borders and decorations for just $59. The package is compatible with both Windows or MacOS, and includes both TrueType and Postscript fonts. .You can order our Viking collection directly from our online store – CLICK HERE TO ORDER
New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
When we did a font (and a feature article) recently based on a design by Alexander Rodchenko, the result was a very cool font, but while it was based on Rodchenko lettering, it is not the style most associated with his work. The tall thin look of the Rodchenko font is less typical of his work than the heavier,[...]
BUY NOW TRY DEMO Custom Preview Doge is a new font based on samples of late-renaissance period lettering from Venice, preserved and reproduced by early 20th century calligrapher and designer J. M. Bergling. It has some similarity to some of our other fonts based on lettering from the same period[...]
BUY NOW TRY DEMO Custom Preview Startling Stories was a pulp-era science fiction magazine known for its lurid covers by Earle K. Bergey and its eye-catching title designs. It was a companion to Thrilling Wonder Stories and Fantastic Stories. The magazine was very successful in the immediate pos[...]
BUY NOW TRY DEMO Custom Preview Escargot is based on lettering from the cover of an early pulp novel I came across a couple of months ago. It's a strong example of a distinctive style of sign and poster lettering from the 1930, characterized by super high contrast between the weighting on the le[...]
BUY NOW TRY DEMO Custom Preview Yancey is a new font based on a hand-lettered design by Samuel Welo in the late 1920s. It is very much in the tradition of Art Deco designs of that period and designed for decorative titles of poster design uses. Yancey includes two versions of the character set,[...]
BUY NOW TRY DEMO Custom Preview Mannering is a new font design derived from some samples of an uppercase letter set by Samuel Welo, with additional lowercase characters and numbers added to it in the same style. It is a sans serif font with calligraphic lines and distinctive embellished horizontal cro[...]
BUY NOW TRY DEMO Custom Preview Quicksilver was designed as one of the original featured fonts included in our Psychedelic Fonts Package. It was developed into a full font from a sample of lettering from Quicksilver Messenger Service's live album Summer of '68 and posters for shows associated with it [...]
BUY NOW TRY DEMO Custom Preview Squiffy is a fun font. It has a background in arts and crafts style font design, but rather than the regular, architectural character forms and arrangements, the characters are wild and irregular and highly varied. There are two distinct versions of every character, with[...]
It has taken a lot of hours of development, but we finally have our promised Walter Crane Initials font. Or should I say FOUR fonts, because in the process of developing the font it turned out that we ended up with more than we bargained for. One reason that there are four fonts is that there was so[...]
Lachesis was one of our earliest text font designs, a unique font deliberately designed to have an antique wood-cut look. It is based on samples of vintage type taken directly from letterpress type blocks found at the type museum in Barnard Maine, a great resource which closed a few years ago. Over the years La[...]
Every year around Halloween we come out with a new font that fits the spirit of the holiday, drawing on all sorts of sources for inspiration. You can find our past fonts in our Halloween Font and Art Collections. The font for this year is Undertaker, based on title lettering from Creepy magazine, the classic h[...]
BUY NOW TRY DEMO Custom Preview Highball is a bold font in every sense of the word. Yes, its weight is heavy and pronounced in the traditional meaning of bold, but it is also of an extreme height which could be considered bold, and of a boldly progressive style. Highball features a full character s[...]
When I was a kid I wasn't allowed to buy comic books, so when I began to earn some money of my own as a young teen, I hit that market right at the peak of the 1970s boom in alternative large-format comics which were much more salacious - with more gore and sex - than the comics I would have read as a kid. I wen[...]
Black Cow is a unique original font designed for our Horror Fonts and Art collection several years ago. It's one of the most interesting fonts in the large selection of fonts in that package, but it hasn't had the huge level of popularity which some of the other fonts have enjoyed. It has an all uppercase chara[...]
Click any font to see a larger sample. The new second edition of our Arts & Crafts font collection features 15 fonts based on designs from the Arts & Crafts movements of the late Victorian period. They are derived from designs from several branches of the movement, and demon[more]
With the premier of the fourth season of American Horror Story this Wednesday on the FX network, a lot of people will be seeing our Chelsea Studio in their high style commercials all over their cable networks. My teenage, horror-obsessed daughter drew my attention to their use of the font in the titles and it was gr[more]
I'm back at Typecon and things are in full swing now. There was a long but fascinating keynote presentation from Tobias Frere-Jones last night on type as security in banknotes. It was the main entertainment for the evening and went on an on for a bit. I actually had to cut out before I could ask my question - "Why ar[more]
There are many good things about Typecon and many nice things I could say, but instead I find myself seized with a compulsion to recast Typecon like old metal type that's melted down and mold into a new font. I've got lots of experience with conferences in a number of different industries, as an attendee. a sponsor,[more]
This is a special collection of borders (and three illustrations) drawn by Louis Rhead for William Morris' translation of The History of Oversea. These are striking borders in Rhead's unique art nouveau style, well suited to various adaptations. The collection contains 13 borders and 3 illustrations, the complete d[more]
A few years ago I wrote a review of Blue Genie Art Bazaar in Austin. Blue Genie is still there and going stronger than ever, in fact this year they've added additional space and a bunch of new artists. and in just a few years it has come to offer some real competition to Austin's classic Armadillo Christmas Bazaar. [more]
For years here at the Scriptorium we've been developing fonts and collecting unique art which is perfect for Halloween and putting it together into packages which we promote through our Boneyard Fonts site. After many years collecting fonts and art we've put together a gruesomely provocative collection of fonts and art[more]
For TypeCon we produced a special collection of Walter Crane Fonts and Art on a Flash Drive shaped like a business card. We have some of these left over after the event and nothing to do with them except sell them as a special item on our web page. The package contains five original Walter Crane fonts, including one[more]
- Designers: GIMP is Not the Answer
- Giving Your Page a Favicon
- Optical Illusion Skull Images
- Psychedelic Font Collection
- New Font: Sternhagen
- Silent Film Font Collection