Viking Fonts and Art Collection
For a PDF of art samples click HERE
Click any font to see a larger sample.
Vafthrudnir is a new, original font design which draws on the tradition of Germanic uncial and early gothic calligraphy. It is designed to be extra bold and somewhat rough-hewn, for use in title design, and features variant versions of many of the characters. Click here to download the working trial version of Vafthrudnir for either WINDOWS or MacOSOr you can purchase this font online and get it quickly by email, including all the alternate and additional characters – BUY IT NOW
In previous collections we’ve tried to preserve and give access to the graphic arts traditions of groups like the Celts and Russians. This collection does the same for Ancient Germanic culture. While we call this the Viking collection, it draws on a broader scope of early Germanic design, from the pre-Christian era through the early middle ages. The sources are not limited to Scandinavia, but include the breadth of German culture from the Franks to the Saxons to the Normans and beyond.
The main component of our first release in this series is our Viking fonts. These include both fonts based strictly on historic sources and fonts which are modern interpretations of the Germanic calligraphic and inscriptory tradition. The starting point of the collection are the Futhark and Surtur fonts. These are based on historic runic inscriptions. Futhark contains the traditional runic alphabet, while Surtur adapts the style of ancient runes to the Latin alphabet. Early Germanic calligraphy was heavily influenced by the lettering of Celtic missionaries. The Volund, Koch Gothic and Martel fonts represent this early medieval tradition. Volund is a pure Germanic uncial. Koch Gothic is a hybrid of Germanic uncial and later gothic lettering styles based on lettering by Rudolph Koch. Martel is a somewhat modernized interpretaion of Frankish lettering. Two other historical fonts are Ranegund which is based on Merovingian courthand lettering from the Viking period and Altenburg which is based on northern German lettering from that same period. For ;the necessary element of practicality and a bit of fun we’ve added in Taranis, Vafthrudnir and Walhall which are modern reinterpretations of early Germanic lettering. Walhall is based on lettering by Art Nouveau designer E. Doepler. Taranis is based on an early 20th century modernized Germanic uncial which has become particularly associated with the Vikings. Vafthrudnir is a new original font based on Germanic uncial and developed by Dave Nalle. Finally, to complete the collection we have a unique set of decorative initials based on designs by A. R. Bowker which draw on the serpentine wood carving traditions of the Vikings.
While the primary component of this collection is the fonts – four of them are entirely new releases (Volund, Koch Gothic, Vafthrudnir & Fafnir) – we’ve also added in a few bonus items to make the collection more varied and give a taste of what’s to come in the future. These include some selected borders, frames and emblems based on designs from antique illustrated books on Germanic mythology. These include both color and black and white decorative pieces, many of which are very striking.
As we did with our Celtic collection we plan to expand this collection in the future. We will eventually add more fonts and especially additional art, including a substantial selection of illustrations of Germanic mythology by artists like Arthur Rackham and N. C. Wyeth. Future expanded releases will be available to those who get this initial release at a special discounted upgrade price.
All of our Viking fonts are available individually, or you can get the full package with all the fonts plus the selected borders and decorations for just $59. The package is compatible with both Windows or MacOS, and includes both TrueType and Postscript fonts. .You can order our Viking collection directly from our online store – CLICK HERE TO ORDER
New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
Wolfram is a great example of early 20th century type design. It is bold and intended for use in posters and signage, but it has rough outlines for a mock antique look. It also has an unusually wide footprint for a very striking look.We originally produced Wolfram in the mid-90s, and it has been somewhat revise[...]
BUY NOW TRY DEMO Tilbury is based on advertising lettering from the 1930s. It has a unique and stylish look reminiscent of a swashed italic brush script. Tilbury includes a full character set with upper and lower case, numbers and punctuation. It has fully customized kerning and spacing as well.[...]
I was out to dinner for my daughter's birthday and we went to a nice restaurant in downtown Austin called Boticelli's. Much to my surprise the logo of the restaurant was strangely familiar. It was in our Sprite font, shown to the right. In this new edition we have improved the kerning and spacing, expanded alt[...]
Phaeton is one of our earliest Art Nouveau designs, a lovely example of period title lettering based on French samples. This new release has some significant improvements to the outlines and additional characters added to the basic set. You can find Phaeton in our Art Nouveau Collection or order it individua[...]
I don't know what came over me one Halloween, but I couldn't get the idea of dancing skeletons out of my head. The classic dance of death, but a bit more expressive, with the skeletons working together to form the letters of a font. This resulted in the design for the Bonyeard font, where each letter is made [...]
BUY NOW TRY DEMO Continuing the theme we started a few weeks ago with the Vie Modern font and Grand Concours font., we are continuing to focus on fonts originating at the birth of Art Deco with the Paris Exposition of 1925. One of the exhibits was of design from the factories and design houses [...]
Hendrix is one of our most classic and most quintessential psychedelic poster fonts. It is based on hand lettering from a number of posters and album covers produced in the 1960s and the early 1970s. It is a very striking font, quite recognizable and identified with the period. This new release has some signific[...]
BUY NOW TRY DEMO Tantalus is a display font for titles with a basic Roman design and elaborately embellished characters. It features the more decorative versions of the characters in the upper case positions and a plain caps set in the lower case positions. It's a neat whimsical font and if you ne[...]
Sternhagen is a classically attractive font with a modernized gothic look which combines traditional elements from the high middle ages with a bit of Art Deco style. It will eventually be part of our Gothic Fonts Collections, but for now it is available singly.Sternhagen has a complete upper and lowercase charact[...]
BUY NOW TRY DEMO Custom Preview Quicksilver was designed as one of the original featured fonts included in our Psychedelic Fonts Package. It was developed into a full font from a sample of lettering from Quicksilver Messenger Service's live album Summer of '68 and posters for shows associated with it [...]
Pyle Gothic is based on lettering designed by Howard Pyle, from his Adventures of Robin Hood and King Arthur and His Knights. It combines elements of calligraphy and a simulation of primitive printing techniques.The original characters were carved into wood blocks from which the black and white illustrations wit[...]
BUY NOW TRY DEMO Vie Moderne is a new font based on Art Deco lettering from the 1920s. It is typical of the French Art Deco influenced fonts which were featured in association with the International Exposition of Modern and Industrial Art in Paris in 1925. Vie Moderne includes a full character s[...]
Butterfield is based on letting from a poster for the Paul Butterfield Blues Band. It can be found as part of Psychedelic Fonts Collection package. It has a unique look particularly characteristic of the 60s and especially suited to use on posters. It has a full set of numbers and punctuation, plus custom small [...]
BUY NOW TRY DEMO Custom Preview Escargot is based on lettering from the cover of an early pulp novel I came across a couple of months ago. It's a strong example of a distinctive style of sign and poster lettering from the 1930, characterized by super high contrast between the weighting on the le[...]
BUY NOW TRY DEMO Custom Preview Doge is a new font based on samples of late-renaissance period lettering from Venice, preserved and reproduced by early 20th century calligrapher and designer J. M. Bergling. It has some similarity to some of our other fonts based on lettering from the same period[...]
Click any font to see a larger sample. Of all the different types of font, the one style which seems to be in constant demand is script fonts. Over the years we've produced a lot of different styles of script fonts, mostly based on historic calligraph[more]
Click on any font below to view a larger sample. One of our most interesting recent releases is our Steampunk Fonts and Texture collection. It's a new set of fonts, many of which are new or in no previous collection, plus more than 20 original high-resolution metallic textures. It's every[more]
BUY NOW True Golden is a classic font based on a design by legendary arts and crafts designer and author William Morris. It is a special rendering of Morris' Golden type, based on printed samples rather than digitized steel type, preserving a more accurate representation of the look in print. True[more]
In the 1930s there was an explosion of popular literature in the form of pulp novels and magazines, featuring lurid covers and scandalous content in a diversity of genres from suspense to mystery to science fiction to westerns. Pulp novel covers had a distinctive style and that inclu[more]
Byam Shaw was a great English illustrator of the Victorian period. Stylistically he inherited many of the characteristics of the Pre-Raphaelite and Arts and Crafts artists of the earlier 19th century, putting him in the same category with other late-Victorian artists like Eleanor Fortescue Brickdale and William Russell[more]
I was exploring the listings on eBay recently and stumbled onto a listing for a book of sample type designs from the Ukraine, published in 1930. The images on eBay were not that informative, but I was intrigued, so I ordered it. It took quite a while for the book to get here from the Ukraine, but when it arrived I w[more]
Click any font to see a larger sample: The culture of the east entices and allures. From the stony walls of Petra to the fabled spires of ancient Samarkand, the the legend of the great days of Caliphs, Wazirs and brave adventurers outshines the modern era of oil and petty tyrrany. W[more]
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