Finchley Font

Finchley Font

Finchley is a curious font from the transitional period between Art Nouveau and Art Deco. It’s heavy and very stylized and reminiscent of some of the fonts of the psychedelic period. It’s good choice for poster designs and it’s a bit scary looking and sort of appropriate for Halloween designs. The upper case is an alternative, distressed version of the …


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J. M. Bergling Art Nouveau Fonts

J. M. Bergling Art Nouveau Fonts

Over the last few years we’ve developed a number of fonts based on the hand lettering of early 20th century calligrapher J. M. Bergling. A lot of his work fits into the Art Nouveau category and of the notable calligraphers of the period his work particularly stands out as influential in the development of Art Nouveau derived poster lettering of …


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Hendrix Psychedelic Font

Hendrix is one of our most classic and most quintessential psychedelic poster fonts. It is based on hand lettering from a number of posters and album covers produced in the 1960s and the early 1970s. It is a very striking font, quite recognizable and identified with the period.


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Estoril Font

Estoril Font

Estoril is a bold display font with a unique look somewhere between the Art Nouveau and Art Deco periods. It’s typical of the kinds of advertising poster lettering which was highly influential on the nostalgic lettering styles of the Psychedelic period as well. It fits in well stylistically with both our Art Nouveau collection and our Psychedelic fonts. As for …


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Flambard Font

Flambard Font

Flambard is based on samples of extremely fanciful sign lettering from the Art Nouveau period. It has some characteristics in common with a few of our prior Art Nouveau font releases like Odeon and Finchley. We named it Flambard because the unusual letter shapes look rather like compressed flames. It’s very stylized, but still readable. Excellent for titles or decorative …


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Furbelow Font

Furbelow Font

What on earth is a ‘furbelow’? You may have heard the word in the phrase “ribbons and furbelows” and known from inference that it was something having to do with womens clothing. It’s actually decorative ribbon or ruffling applied to a piece of clothing, or in more general usage it’s defined as “something showy or superfluous; a bit of showy …


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Art Deco Font Collection

Art Deco Font Collection

Our Art Deco font collection includes a remarkable selectiion of fonts from the design movements of the 1920s and 1930s, focusing on the kinds of fonts which were generally associated with the decorative arts movement which developed out of the Arts and Crafts movement. Because we already have collections of Arts and Crafts and Art Nouveau fonts from related periods, …


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Art Nouveau Font Collection

Art Nouveau Font Collection

Our venerable Art Nouveau Font Collection is going to be going through some changes in the near future, with some of the content being split out and added to other collections to make our new French Art Nouveau, Victorian Fonts and Art and Secessionist Fonts and Art packages. This is your last chance to order the full package in this format before it is phased out.


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Jugendstil Art Nouveau Collection

Jugendstil Art Nouveau Collection

In the late 19th century there was an artistic Renaissance in southern Germany, led by the artists and designers of the Jugendstil movement in the area around Munich. While Jugendstil artists like Arnold Bocklin are often thrown in with the French Art Nouveau artists of the same period, their art was stylistically original and focused on Germanic themes and mythology. …


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Marfield Font

Marfield Font

Marfield is a fancy art nouveau era title font with relatively heavy character forms and neat little curled embellishments. The standard character set includes two different versions of most of the characters for nice variety. It’s an excellent font for headers, posters or other decorative uses. It will probably eventually be added to our Art Nouveau collection. You can try …


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Display Fonts Collection

Display Fonts Collection

Starting in the 19th century with the explosion of popular entertainment and popular-oriented art forms, one of new form of art was the design of posters and advertisements intended to catch the imagination and generate special interest in the audience. From the advertising found in magazines and decorative fronticepieces in books to the poster art movement in France, a consciousness …


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Floral Borders by Margaret Armstrong

Floral Borders by Margaret Armstrong

Margaret Armstrong was an artist of the early 20th century particularly known for her detailed Art Nouveau decorated book bindings, but she also did lovely floral borders which be useful for other design purposes, so we’ve collection some of them together into a mini-package for you to use.


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Book Cover Designs by Margaret Armstrong

In the early 20th century, before the advent of photographic covers and the common use of dust jackets, there was a renaissance in book cover design and decoration. Artists were hired by major publishers to decorate the covers of high dollar editions by major writers, producing some striking examples of applied art in the Art Nouveau or in some cases Art Deco style.


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Psychedelic Font Collection

The 1960s was a time when creativity flourished, in music, in literature and in the visual arts. This creativity found its outlet mostly in the counter culture, and one big aspect of that was in poster design for concerts at the great nightclubs of that era like the Fillmore. Rock posters of the 60s have a particular, identifiable look to …


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The Golden Book of Famous Women

Eleanor Fortesque Brickdale was one of the outstanding illustrators of the later Victorian era, even though she is not as well known as some of her male contemporaries. She was strongly influenced by the Pre-Raphaelites like Waterhouse and Millais, and studied with Lord Leighton. Her work also shows the influence of the Art Nouveau period and even the Impressionists, but …


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Featured Font: Slava

BUY NOW TRY DEMO Custom Preview Slava is based on lettering by legendary Art Nouveau master Alphons Mucha from his later post-Parisian period when he returned to Prague and did a lot of design work in support of the slavic nationalist movement. The letter forms still have many of the characteristics of his theatrical posters from the 1890s, but some …


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