New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
When we did a font (and a feature article) recently based on a design by Alexander Rodchenko, the result was a very cool font, but while it was based on Rodchenko lettering, it is not the style most associated with his work. The ta[...]
Rosalinde was first released in 1999 and it was one of our first attempts at an informal handwriting-style font. It is a bit more than just a regular handwriting font. It has some stylized characteristics and unusual character forms[...]
Film director Sergei Eisenstein was a major influence on the Constructivist movement through his collaboration with Alexander Rodchenko and by inspiring other artists of the era. Thus it seems appropriate that the final font i[...]
For our first font of the new year we're offering up the brand new San Lorenzo font. It's an original hand-drawn font with a rustic decorative look which is reminiscent of the ironwork on Mission Style furniture or decorative lettering cha[...]
In an article last week we explored the origins of the font used in Quentin Tarantino's Django Unchained and a bit of the history of the Django genre of films. That was part of the process of the development of an original font bas[...]
Gelderland is a new font based on some very old typography, taken from samples of brass type from the early 19th century. It is characterized by its very detailed decorative capital letters, with multiple overlapping flourishes which[...]
We originally released Paleos back in 2002. It was inspired by kinds of titles used for B grade movies in the cavegirl/junglegirl genre. Movies so bad that they're good in a way that appeals to cult movie fans. The concept is that the[...]
Leodegar is based on samples of 7th century Frankish hand lettering. The characters draw on the minuscule calligraphic tradition, but are a bit more decorative and somewhat whimsical. They occupy an appealing position somewhere betwee[...]
Gloriana was originally released in 1999 based on samples of hand lettering in an illustated childrens book from the early 1900s. It was one of several conceptually similar fonts we did during that period, including Gaiseric, Rosalin[...]
Chaillot is based on 12th century gothic calligraphy which has some characteristics of early black letter calligraphy and stylistic holdovers from late Carolingian lettering. It is a very bold and distinctive calligraphic style with u[...]
In working on graphic design projects I've been repeatedly frustrated by the lack of interesting medium-weight script fonts which are simple enough to be readable, but not too plain to be interesting. So with the latest project which neede[...]
In honor of Cyber Monday, which some people are now expanding to be a whole Cyber Week, we're releasing St. Ives, a new modernistic font with unique riser and descender characters which give it an unusual linear look. It will [...]
Nostromo is based on a sample of early 1900s period advertising lettering with a particularly dramatic personality and a look which really grabs the eye. The font includes all uppercase characters, with some variants, plus the unique [...]
Goodfellow was first released in the spring of 1993. It was based on Art Nouveau period metal type designed for titles and logos. It became a surprise hit when Tim Burton used it as the title font for his hit animated film A Nightmare Bef[...]
Bridgeport was first released in 2003 and is one of several fonts based on lettering by legendary artist and calligrapher Eric Sloane, including Queensland and Guilford. Bridgeport has the look of hand lettered capitals, with strong [...]
BUY NOW TRY DEMO Custom Preview Script fonts can be a real challenge to design, especially when they are designed to have interconnecting characters which require exacting kerning and character positioning. Whe[...]
It's the time of year when we do a lot of design for political posters and some of those projects need special fonts. On this kind of work we already get a lot of mileage out of fonts like Aventine and Atinson Egyptian, but we needed [...]
We're working on a number of projects based on designs by legendary 19th century codicologist Owen Jones, who is most famous for his Grammar of Ornament. One of those projects is his book One Thousand and One Initial Letters from 18[...]
Hadrianus was developed in 2001 as an addition to our Master Fonts selection of high-end text fonts. It was created to fill the need for a very formal Roman-style font derived from historic Latin lettering. It's one of our most attractive[...]
True Golden is one of the cornerstone fonts in our William Morris collection. It is a unique rendering of Morris' Golden type, which he based on samples of early Jensen typefaces. Our rendering of the style has a special, authentic lo[...]
BUY NOW TRY DEMO Malagua was originally released in 1999 and has been revised several times since then, culminating in this new release with improved weighting and additional special characters. MAlagua is based on [...]
Alexander Rodchenko (1891–1956) was one of the premier artists of the constructivist movement in Russia. Although he was a sculptor, painter and photographer, he is most remembered for his graphic design style in book and poster desig[...]
Special Font: Demosthenes
Back in the 1970s my IBM Selectric Typewriter had a great font specifically designed for high readability when typing scripts and speeches called Orator. It has gone the way of most typewriter fonts, but we recently had a client who wanted something similar for producing scripts to feed to a teleprompter, so we took on the job of recreating that sort of font with some changes to address a few of the shortcomings of the original.
The result is Demosthenes, a very open sans serif, monospaced font with clean lines of uniform weight and a combination of large and small caps for high readability. It’s a very specialized font, but if you’re writing a script or cue cards or subtitles for use on screen it’s just the ticket. The name comes from the legendary Athenian orator.
Since it’s so specialized we’re not releasing it as a regular featured new font and we’re keeping the price low. It’s just $15 for Mac or PC in OpenType and TrueType format and you can order it from our ONLINE STORE.
January 6, 2013 | Filed Under Fonts
One of our upcoming fonts is the result of an interesting project, developing original initials based on designs by Walter Crane. We recently acquired an obscure edition of French tales of Reynard the Fox illustrated by Crane with a series [more]
In 2012 we released 18 new fonts. 14 of these were released as new, "featured" fonts and 4 were special releases as part of packages or promotions. The featured fonts also went out to our Font Club, while s[more]
Click any font to see a larger sample. In our imaginations we associate the colonial period with images of idealism, revolution and adventure. It was a time of great men and ideas and of rogues and vi[more]
I notice from our keyword tracking that we are getting a lot of hits from people looking for fonts from the movie Django Unchained. Not surprising give the striking retro-graphics which are common in Tarantino films. I suspect that most o[more]
Some while ago we added to our library an early 20th century book called Singing Games for Children which contains a dozen sets of detailed instructions for classic singing and dancing games for children - not the ones we're familiar with t[more]
Rudolfo brings some of the quirkiest character of the Renaissance to visual live and now it does it in an even more dramatic way with a new version that includes three complete separate variants of the font for maximum variety and imp[more]
With the release of our Arthurian Fonts and Art Collection finally looming at the end of this year, we've been putting out some mini-packages of Arthurian art by artists like Herbert Cole and Katherine Cameron. This mini-p[more]
Click any font to see a larger sample Our Art Nouveau collection is one of our most impressive font packages. It brings together all of our best fonts based on Art[more]
Traditionally certain of our fonts have gotten a lot more public exposure than others have. There was a time a few months ago when I thought I'd go nuts if I saw another book or game with Windlass on the cover. But the pattern is cyclic a[more]
One of the amusing things about Typeshow, our new font preview tool, is that it logs what people type in as their sample text. This provides an interesting insight into how it is being used and the personalities of the users. The number[more]
At the end of every year we put together a special sampler package of releases from that year. This year our 2012 Font and Art Sampler has a large and outstanding collection selected from the many releases we've had during the year. It's th[more]
Our first new release for 2013 is our collection of Constructivist Fonts based on poster lettering from the early post-revolutionary period in Russia, including designs based on the styles of famous designers of the period like Alexander Ro[more]
For a PDF of art samples click HERE Click any font to see a larger sample. Vafthrudnir is a new, original font design which draws on the tradition of Germanic uncial and early gothic calligraphy. It is desi[more]
Eleanor Fortesque Brickdale was one of the great illustrators of the later Victorian era, even though she is not as well known as some of her male contemporaries. She was strongly influenced by the Pre-Raphaelites like Waterhouse and Mi[more]
At the start of the previous century the Rhead brothers (Louis, George and Frederick) were leading figures in the California Arts and Crafts movement. They were heavily influenced by William Morris and the Pre-Raphaelites and are best know[more]
I'm on vacation in Maine with the family and happened to be visiting Bar Harbor, Maine's legendary tourist town. Among the many chic restaurants, my eye was caught by the sign on a brand restaurant called the Lazy Lobster, a little bistro [more]
Sometimes we stumble on strange backwaters of graphic arts history. One of those is the artistic tradition of creating images which appear normal, but also create a secondary image of a skull, an artistic optical illusion which was very po[more]
Back in the 1970s my IBM Selectric Typewriter had a great font specifically designed for high readability when typing scripts and speeches called Orator. It has gone the way of most typewriter fonts, but we recently had a client who wanted [more]
Edmund Dulac was one of the most prolific and most impressive illustrators of the early 20th century. His work covers a wide range of themes and styles, and is characterized by the strongly defined personality of the people he depicts and t[more]
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