Sighting: Buccaneer in Starbucks
It seems our fonts have invaded the world of “corporate coffee.” Earlier this week, while picking up a coffee for my daughter at the local Starbucks I noticed that they were selling mugs labeled “Austin,” presumably in an effort to make them seem less corporate and generic and more tied in to our local culture.
Having no larger interest in coffee or its marketing, the interesting thing to me was that the font they picked for the word “Austin” was our Buccaneer font, one of the featured fonts in our Howard Pyle collection. Even more interesting was that Starbucks, which turned a profit of over $150 million last quarter, apparently as a result of radical cost-cutting measures. Sadly one of the areas where they appear to be economizing is in the graphic design department, because based on subtle hints in the appearance of the letters it’s clear that they are using the shareware version of the font released way back in about 1994 rather than springing lose $24 from their corporate profits to actually pay for the font.
When Buccaneer was first released as a shareware font on AOL it had a very poorly executed capital “A” which is stood out like a sore thumb. It was quickly replaced in every commercial release of the font, including the version shipped to those who registered the shareware with a different version of the “A” which fits in better with the rest of the characters. As is the nature of the internet, that old version is still circulating 15 years later, probably stripped of its documentation and maybe even the headers with the registration info.
Starbucks or their design minions are hardly the first people to use a font without doing due diligence and checking to make sure they had a legitimate version of the font, but it seems ironic given their enormous profits and mercenary corporate image — perhaps doubly ironic that they should be trying to endear themselves to the Austin community while exploiting the work of a member of that community.
October 12, 2009 | Filed Under Uncategorized
New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
BUY NOW TRY DEMO Malagua was originally released in 1999 and has been revised several times since then, culminating in this new release with improved weighting and additional special characters. MAlagua is based on examples of rough hand lettering from the 17th century. It has characteristics [...]
BUY NOW TRY DEMO Custom Preview Highball is a bold font in every sense of the word. Yes, its weight is heavy and pronounced in the traditional meaning of bold, but it is also of an extreme height which could be considered bold, and of a boldly progressive style. Highball features a full character s[...]
BUY NOW TRY DEMO Custom Preview Yancey is a new font based on a hand-lettered design by Samuel Welo in the late 1920s. It is very much in the tradition of Art Deco designs of that period and designed for decorative titles of poster design uses. Yancey includes two versions of the character set,[...]
BUY NOW TRY DEMO Custom Preview Doge is a new font based on samples of late-renaissance period lettering from Venice, preserved and reproduced by early 20th century calligrapher and designer J. M. Bergling. It has some similarity to some of our other fonts based on lettering from the same period[...]
BUY NOW TRY DEMO Custom Preview Squiffy is a fun font. It has a background in arts and crafts style font design, but rather than the regular, architectural character forms and arrangements, the characters are wild and irregular and highly varied. There are two distinct versions of every character, with[...]
BUY NOW TRY DEMO Custom Preview Escargot is based on lettering from the cover of an early pulp novel I came across a couple of months ago. It's a strong example of a distinctive style of sign and poster lettering from the 1930, characterized by super high contrast between the weighting on the le[...]
Film director Sergei Eisenstein was a major influence on the Constructivist movement through his collaboration with Alexander Rodchenko and by inspiring other artists of the era. Thus it seems appropriate that the final font in our Constructivist Font Collection should be named after Eisenstein, especiall[...]
BUY NOW TRY DEMO Sarandiel is a new script font based on vintage hand lettering. It has complex flourished capital letters with simpler compatible lower case characters and numbers. It is carefully spaced and kerned and well suited the formal uses like invitations and certificates. It takes its nam[...]
I don't know what came over me one Halloween, but I couldn't get the idea of dancing skeletons out of my head. The classic dance of death, but a bit more expressive, with the skeletons working together to form the letters of a font. This resulted in the design for the Bonyeard font, where each letter is made [...]
BUY NOW TRY DEMO Grand Concours is based on lettering designed for a poster for the equestrian competition which was held at the Paris Hippodrome starting in the 1920s. The Grand Concours itself started in the 1860s, and is basically the French answer to an American rodeo. The font is unusual [...]
BUY NOW TRY DEMO Marquis Greeking is unreadable. It is supposed to be unreadable, because it is a Greeking Font, a font designed specifically to check layout and overall appearance without the distraction of the actual text. It contains variations of actual characters from our Marquis text font, w[...]
Every year around Halloween we come out with a new font that fits the spirit of the holiday, drawing on all sorts of sources for inspiration. You can find our past fonts in our Halloween Font and Art Collections. The font for this year is Undertaker, based on title lettering from Creepy magazine, the classic h[...]
BUY NOW TRY DEMO Tantalus is a display font for titles with a basic Roman design and elaborately embellished characters. It features the more decorative versions of the characters in the upper case positions and a plain caps set in the lower case positions. It's a neat whimsical font and if you ne[...]
BUY NOW TRY DEMO Custom Preview Cosmic Dude was designed as one of the special original fonts developed for our Modern Poster Fonts package. The character forms are based on samples of hand lettering from a late 1970s rock show poster. The character set includes numbers, punctuation, uppercase letter[...]
BUY NOW TRY DEMO Custom Preview Iphegenia was one of our early designs, a creative advertising script font with a modern, hand-drawn look but regular character forms and a nice even line to it. It has high readability despite its decorative look and works well in combination with a variety of other fo[...]
"We are saddened by the death of legendary type designer Hermann Zapf at the age of 96. His classic fonts like Optima, Palatino and Zapf Chancery set the standard for type design for the 20th century. Zapf's long career as designer and teacher was an inspiration to type designers around the world and made all of our l[more]
BUY NOW Barataria is an elegant text and titling font with some unique features that really stand out for designing decorative logos with an elegant vintage look. It has a bit of a piratical look, a sort of more refined alternative to our Windlass font. This revised version features smoother outline[more]
I recently had an opportunity to visit the Texas Capitol building. It was very busy because the legislature was in session, lobbyists were skulking in the halls and student tours were everywhere. Despite the distractions I had an opportunity to observe and photograph some very impressive antique door hardware. The C[more]
Here's a little something from a more innocent age, a set of three decorative floral borders designed by L. E. Wright for the book Mary's Garden a collection of nursery rhymes together with explanatory/elaborative stories also by Wright. There are just three borders, so it's not exactly enough for a package in its o[more]
I was browsing through the new release section in my local bookstore, enjoying the nostalgia of the printed book, when my eye was caught by an historical novel called "The Siege Winter." More specifically the cover design drew my attention, because it used one of our earliest fonts, Cymbeline. More particularly I was s[more]
William Morris was one of the founders of the Arts and Crafts Movement and closely involved with the Pre-Raphaelite artists of the mid-19th century. His ideal of integrating art, literature and graphic design inspired a generation of artists like Rossetti, Burne-Jones, Millais and Waterhouse. Morris was an artist, po[more]
There are only two things we can really be sure of in life, death and taxes. This is the season where we are most reminded of the grim specter of the tax man lurking just around the corner. We can't take away his burdensome presence, but maybe we can making it a bit lighter by reminding you that your investment in fo[more]
- New Font: Tilbury
- Optical Illusion Skull Images
- ebay uk only: How smart guys on this site. Surprised.
- Installing Fonts
- Monospaced Fonts and the Waffle House
- Sighting: Cymbeline Font in the Bookstore