New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
Classic Font: Black Cow...
Black Cow is a unique original font designed for our Horror Fonts and Art collection several years ago. It's one of the most interesting fonts in the large selection of fonts in that package, but it hasn't had the huge level of popul[...]
Featured Font: Locksley...
BUY NOW TRY DEMO We have done a number of fonts based on unique, historic movie titles. The most well known and widely circulated is our Captain Kidd font, but we have another historic movie font based on an even more f[...]
New Font: Plymouth...
As you may have noticed we've been doing fonts off and on for several years based on the hand lettering of early 20th century sign-painter Frank Atkinson. Past fonts based on his lettering include Atkinson Eccenteric, Atkinson Boomtown and[...]
New Font: Diomedes...
Once again we are calling on the classic early 20th century lettering work of J. M. Bergling to produce a new font with a timeless look which combines elements of text and titling styles for a versatile and elegant effect. Diomedes[...]
New Font: Big Show...
We've been working hard on developing a new package of fonts based on classic Letterpress designs and that package is almost complete. Rounding out the collection is our new Big Show font, which is a kind of a swanky 1960s take on the clas[...]
New Font: Original Django...
In an article last week we explored the origins of the font used in Quentin Tarantino's Django Unchained and a bit of the history of the Django genre of films. That was part of the process of the development of an original font bas[...]
New Font: Gelderland...
Gelderland is a new font based on some very old typography, taken from samples of brass type from the early 19th century. It is characterized by its very detailed decorative capital letters, with multiple overlapping flourishes which[...]
New Font: Bosphoros...
We don't normally like to follow the same theme too much with our new font releases, but because we wanted to put together a special package of fonts by J. M. Bergling we're following the release of Beaumains with Bosphoros, another f[...]
Classic Font: Paleos...
We originally released Paleos back in 2002. It was inspired by kinds of titles used for B grade movies in the cavegirl/junglegirl genre. Movies so bad that they're good in a way that appeals to cult movie fans. The concept is that the[...]
New Font: San Lorenzo...
For our first font of the new year we're offering up the brand new San Lorenzo font. It's an original hand-drawn font with a rustic decorative look which is reminiscent of the ironwork on Mission Style furniture or decorative lettering cha[...]
Featured Font: Mephisto...
Mephisto is one of our more popular classic fonts. It was designed in the mid-90s and has gone through a couple of updates, but it was past due for being revisited and thoroughly revised. This new version includes more unique arcane[...]
New Font: Fougasse...
Fougasse is a bold title font which has a unique combination of elements, including an unusually heavy weight, some unusual Art Deco period character forms and rough outlines to the character which are not too pronounced, but give i[...]
New Font: Serenissima...
Serenissima takes its name from a nickname for the city of Venice which means "The Serene One." It's a particularly inappropriate name considering what a huge and absolutely unserene effort went into the creation of this digital versi[...]
New Font: Barnabas...
Our new Barnabas font is the result of our Dark Shadows font design project. It's an original font inspired by the original titles for the Dark Shadows television show, but updated for a more contemporary audience with the upcoming re[...]
New Font: Elsene...
Elsene is a new font based on lettering by early 20th century illustrator Clara Elsene Peck, obviously taking its name from her middle name. It's based on her lettering and initials from the book Knocks Witty and Wise. A companion set[...]
Special Font: Guilford Crude...
When we were developing the Guilford font there was a whole set of early versions of the characters which ended up being discarded as the font was developed towards a more regular and consistent design. These older and quirkier varian[...]
Featured Font: Potsdam...
BUY NOW TRY DEMO Potsdam was one of our earliest font releases, first produced in 1992 based on samples of 19th century decorative German type. It was one of our first fonts designed for MacIntosh computer users and fol[...]
New Font: Treadway...
Treadway is a new, original design in the tradition of futuristic advertising scripts of the mid-20th century, inspired by fonts like Kaufmann and Gillies, but with a stronger, more clearly defined look, stripped down to its most st[...]
Featured Font: Abdiel...
Abdiel originated in 2005 as a custom design for a company logo. All they wanted was a few of the letters done in a flourished Renaissance style, but we decided to expand the effort for our own purposes to create a complete font with[...]
Classic Font: Alecto...
Alecto was originally released in 2002 and was one of the fonts developed for our Futuristic Fonts package. It has a unique science fictional look, combining some of the look of an OCR font with pure fantasy elements. It's just the k[...]
Featured Font: Munich...
BUY NOW TRY DEMO Our Munich font was first released in 1998 and has been revised several times since then. This latest version includes substantial improvements in the outlines of the characters and a new set of simple upper [...]
New Font: Langdon...
Langdon is our first new font of 2012. It's based on samples of hand-rendered poster lettering from the early 1900s by J. M. Bergling. It has a strong, distinctive look with demi-serifs and an art nouveau or art deco look. It's very m[...]
Classic Font: Gjallarhorn...
Gjallarhorn is based on uncial-style lettering by artist Willy Pogany from his titles for Padraig Colum's classic collection of Scandinavian myths, The Children of Odin. It is reminiscent of runic lettering carved in wood and is evocative o[...]
Classic Font: Hadrianus...
Hadrianus was developed in 2001 as an addition to our Master Fonts selection of high-end text fonts. It was created to fill the need for a very formal Roman-style font derived from historic Latin lettering. It's one of our most attractive[...]
Sighting: Buccaneer in Starbucks
It seems our fonts have invaded the world of “corporate coffee.” Earlier this week, while picking up a coffee for my daughter at the local Starbucks I noticed that they were selling mugs labeled “Austin,” presumably in an effort to make them seem less corporate and generic and more tied in to our local culture.
Having no larger interest in coffee or its marketing, the interesting thing to me was that the font they picked for the word “Austin” was our Buccaneer font, one of the featured fonts in our Howard Pyle collection. Even more interesting was that Starbucks, which turned a profit of over $150 million last quarter, apparently as a result of radical cost-cutting measures. Sadly one of the areas where they appear to be economizing is in the graphic design department, because based on subtle hints in the appearance of the letters it’s clear that they are using the shareware version of the font released way back in about 1994 rather than springing lose $24 from their corporate profits to actually pay for the font.
When Buccaneer was first released as a shareware font on AOL it had a very poorly executed capital “A” which is stood out like a sore thumb. It was quickly replaced in every commercial release of the font, including the version shipped to those who registered the shareware with a different version of the “A” which fits in better with the rest of the characters. As is the nature of the internet, that old version is still circulating 15 years later, probably stripped of its documentation and maybe even the headers with the registration info.
Starbucks or their design minions are hardly the first people to use a font without doing due diligence and checking to make sure they had a legitimate version of the font, but it seems ironic given their enormous profits and mercenary corporate image — perhaps doubly ironic that they should be trying to endear themselves to the Austin community while exploiting the work of a member of that community.

October 12, 2009 | Filed Under Uncategorized
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Art Nouveau Font Collection...
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Have you brought this to their attention?
Busted!
Wowsers. I hope you told them about it? Otherwise maybe the rest of us should!
Peace and good
Regina