Sighting: Buccaneer in Starbucks
It seems our fonts have invaded the world of “corporate coffee.” Earlier this week, while picking up a coffee for my daughter at the local Starbucks I noticed that they were selling mugs labeled “Austin,” presumably in an effort to make them seem less corporate and generic and more tied in to our local culture.
Having no larger interest in coffee or its marketing, the interesting thing to me was that the font they picked for the word “Austin” was our Buccaneer font, one of the featured fonts in our Howard Pyle collection. Even more interesting was that Starbucks, which turned a profit of over $150 million last quarter, apparently as a result of radical cost-cutting measures. Sadly one of the areas where they appear to be economizing is in the graphic design department, because based on subtle hints in the appearance of the letters it’s clear that they are using the shareware version of the font released way back in about 1994 rather than springing lose $24 from their corporate profits to actually pay for the font.
When Buccaneer was first released as a shareware font on AOL it had a very poorly executed capital “A” which is stood out like a sore thumb. It was quickly replaced in every commercial release of the font, including the version shipped to those who registered the shareware with a different version of the “A” which fits in better with the rest of the characters. As is the nature of the internet, that old version is still circulating 15 years later, probably stripped of its documentation and maybe even the headers with the registration info.
Starbucks or their design minions are hardly the first people to use a font without doing due diligence and checking to make sure they had a legitimate version of the font, but it seems ironic given their enormous profits and mercenary corporate image — perhaps doubly ironic that they should be trying to endear themselves to the Austin community while exploiting the work of a member of that community.
October 12, 2009 | Filed Under Uncategorized
New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
BUY NOW TRY DEMO Custom Preview Yancey is a new font based on a hand-lettered design by Samuel Welo in the late 1920s. It is very much in the tradition of Art Deco designs of that period and designed for decorative titles of poster design uses. Yancey includes two versions of the character set,[...]
Cavegirl is inspired by the genre of prehistoric epic films, the most memorable of which is One Million Years BC, starring the voluptuous Raquel Welch clad only in a legendary fur bikini. The style of the font is typical of the lettering used in the posters and titles for these movies, with a rough and primiti[...]
BUY NOW TRY DEMO Our Froissart font was first released in 2000 as part of our Medieval Fonts and Art package. It is an accurate recreation of the Littera Bastarda calligraphic style which was popular in the 14th and 15th centuries as gothic styles were losing popularity and there was a demand for s[...]
BUY NOW TRY DEMO Custom Preview Lyceum has the stylized shape and look of a font designed for the program at a lecture hall, hence the name. It is super bold but remains highly readable at fairly small sized, though the contrasts are dramatic. It features only an uppercase characters set because the st[...]
BUY NOW TRY DEMO Custom Preview You may recall a couple of months ago when we had some font samples posted on the page to vote on. Well, the winner of the vote by a significant margin was a sample of lettering by Samuel Welo, and now as promised, it is available as our newest font: Carillon. They f[...]
In honor of Cyber Monday, which some people are now expanding to be a whole Cyber Week, we're releasing St. Ives, a new modernistic font with unique riser and descender characters which give it an unusual linear look. It will be featured in a new edition of our Futuristic Fonts which will be released late[...]
Dahlgren is a heavyweight, square shaped font which works well for titles and display uses. Its an original design, with a standard character set and a set of outline characters. It takes its name from the Civil War era engineer who designed the Dahlgren Gun. You can try the DEMO version of Dahlgren for fre[...]
BUY NOW TRY DEMO Custom Preview Doge is a new font based on samples of late-renaissance period lettering from Venice, preserved and reproduced by early 20th century calligrapher and designer J. M. Bergling. It has some similarity to some of our other fonts based on lettering from the same period[...]
Wolfram is a great example of early 20th century type design. It is bold and intended for use in posters and signage, but it has rough outlines for a mock antique look. It also has an unusually wide footprint for a very striking look.We originally produced Wolfram in the mid-90s, and it has been somewhat revise[...]
BUY NOW TRY DEMO Custom Preview Slava is based on lettering by legendary Art Nouveau master Alphons Mucha from his later post-Parisian period when he returned to Prague and did a lot of design work in support of the slavic nationalist movement. The letter forms still have many of the characteristics of[...]
BUY NOW TRY DEMO Potsdam was one of our earliest font releases, first produced in 1992 based on samples of 19th century decorative German type. It was one of our first fonts designed for MacIntosh computer users and follows the naming convention for Mac fonts of that era, being named after a city. [...]
BUY NOW TRY DEMO Custom Preview Cosmic Dude was designed as one of the special original fonts developed for our Modern Poster Fonts package. The character forms are based on samples of hand lettering from a late 1970s rock show poster. The character set includes numbers, punctuation, uppercase letter[...]
It has taken a lot of hours of development, but we finally have our promised Walter Crane Initials font. Or should I say FOUR fonts, because in the process of developing the font it turned out that we ended up with more than we bargained for. One reason that there are four fonts is that there was so[...]
Vasilisa is based on Russian folk art lettering from the pre-revolutionary period. It is included in our original Russian Fonts and Art package. It is very readable in English but also includes elements of Cyrillic lettering. It is evocative of rural Russian life and fits well with the hand crafted peasant wood[...]
Film director Sergei Eisenstein was a major influence on the Constructivist movement through his collaboration with Alexander Rodchenko and by inspiring other artists of the era. Thus it seems appropriate that the final font in our Constructivist Font Collection should be named after Eisenstein, especiall[...]
We have an awful lot of fonts. Well over 500 of them and more all the time. Plus we're starting a great new discount when you order multiple fonts at the same time...fonts as much at 50% off. We've just updated one of our most useful reference tool, a graphic preview gallery of all hundreds of our new and feature[more]
As a special bonus, this Christmas we're making available an unusual collection of Christmas images by outstanding American book illustrator and decorator Walter Tittle, an artist most known for his seasonal works. These illustrations are taken from his book Colonial Holdays which is a collection of accounts from p[more]
A few years ago I wrote a review of Blue Genie Art Bazaar in Austin. Blue Genie is still there and going stronger than ever, in fact this year they've added additional space and a bunch of new artists. and in just a few years it has come to offer some real competition to Austin's classic Armadillo Christmas Bazaar. [more]
Margaret Armstrong was an artist of the early 20th century particularly known for her detailed Art Nouveau decorated book bindings, but she also did outstanding floral illustration as found in her book Western Wild Flowers, or in floral ornamented borders in books like Love Finds a Way by Paul Leicester Ford. The fl[more]
The process of digitizing illustrated works by Walter Crane continues. The latest entry in the collection is Floral Fantasy in an Old English Garden a work somewhat reminiscent of A Flower Wedding featuring a combination of poetry and fanciful illustrations of anthropomorphized flowers which are quite lovely. The le[more]
MAJOR WORKS A Floral Fantasy in an Old English Garden Aladdin's Picture Book Crane Arthurian Art Columbia's Courtship The Golden Primer The Shepherd's Calendar A Flower Wedding Queen Summer Pan Pipes BABY'S COLLECTIONS The Baby's Aesop The Baby's Opera The Baby's Bouquet MINI-PAC[more]
As part of Great Britain's participation in the 1906 World's Fair in Chicago, legendary Arts and Crafts artist Walter Crane was comissioned to produce a special commemorative book in a limited edition. The result was Columbia's Courtship, an epic poem about American history, written and hand lettered by Walter Crane wi[more]
When we were renovating our house I discovered ornamental brass fixtures for the doors designed by Charles Eastlake. So I went shopping and found antique Eastlake hinges and knobs for all the doors. Charles Locke Eastlake (1836–1906) was the greatest British Arts and Crafts designer in the period after William Mor[more]
- Columbia's Courtship by Walter Crane
- Art Nouveau Font Collection
- TypeSmith Fonts and Font Design | Classic Font: Sprite: […] can order Sprite and Sprite Bold together or get them in our Art Nouveau Font Collection. You can try the DEMO version…
- Renaissance Fonts and Art Collection
- auto insurance: That's more than sensible! That's a great post!
- Celtic Font and Art Collections
- Sighting: Buccaneer in Starbucks
- Captain Kidd Font in Disney "Villains" Contest