Reporting from Typecon
I’m in Washington DC this week attending Typecon. The Society of Typographic Aficionados official convention. There are all sorts of programs and presentations with notable typographers and designers appearing as speakers. As well as exhibits and new products to see.
I’m merely going as a humble attendee because for all the prominent projects my fonts have appeared in (movies, games, book covers etc.) and despite having designed hundreds of fonts over a 25 year career, I have never really sought the recognition of my peers. I’ve always seen font design as more of a craft than an art and have focused on the commercial aspects of that craft rather than the aesthetic recognition.
But this year Typecon is in DC, where I grew up and where I have family to stay with, so I figured I might as well attend. I didn’t submit any fonts for consideration in the font gallery, but I did arrange to be a sponsor for the convention, for nice-looking Scriptorium brochures to be in the “goodie bag,” an advertisement to appear in the program and a special Walter Crane sampler to be on sale in the convention store.
Some elements of the program are rather eclectic and obviously directed at a very specialized audience. I have to admit to not being a typographic fanboy or attracted to the idea of raising designers to celebrity status. But other elements of the program are pretty interesting particularly a series of presentations called “Type in Twenty” consisting of brief presentations on aspects of type design or particular design problems presented in short form in only 20 minutes.
It’s odd, but I feel like a bit of an outcast among professional typographers. I don’t have the right academic or design credentials, I didn’t study with Hermann Zapf or Matthew Carter, my designs certainly aren’t trendy and I’m hardly prepared to discuss design movements or what’s hot in typography. I know what I like and I know some history, but I’m largely self-taught when it comes to type even if I’ve been doing it for 25 years and have hundreds of designs to my credit. Not to mention that I have 30 years on most of the attendees and lack their devotion to typographically interesting body art.
So in about 10 minutes I’m going to head down to the introductory mixer and mingle. Which may be a disaster and which fills me with dread because I’d much rather be sitting at home in my easy chair with my MacBook on my lap hammering out my latest font and not worrying about what anyone thinks about it or whether it defines the cutting edge of modern typography.
July 31, 2014 | Filed Under Typecon
New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
BUY NOW TRY DEMO Our Froissart font was first released in 2000 as part of our Medieval Fonts and Art package. It is an accurate recreation of the Littera Bastarda calligraphic style which was popular in the 14th and 15th centuries as gothic styles were losing popularity and there was a demand for s[...]
Alexander Rodchenko (1891–1956) was one of the premier artists of the constructivist movement in Russia. Although he was a sculptor, painter and photographer, he is most remembered for his graphic design style in book and poster design. His unique and dramatic style defined Russian popular art of the early Revol[...]
I don't know what came over me one Halloween, but I couldn't get the idea of dancing skeletons out of my head. The classic dance of death, but a bit more expressive, with the skeletons working together to form the letters of a font. This resulted in the design for the Bonyeard font, where each letter is made [...]
BUY NOW TRY DEMO Custom Preview Script fonts can be a real challenge to design, especially when they are designed to have interconnecting characters which require exacting kerning and character positioning. When we first developed Orphiel we did a lot of kerning work on it, but despite a g[...]
BUY NOW TRY DEMO Custom Preview Mannering is a new font design derived from some samples of an uppercase letter set by Samuel Welo, with additional lowercase characters and numbers added to it in the same style. It is a sans serif font with calligraphic lines and distinctive embellished horizontal cro[...]
BUY NOW TRY DEMO Potsdam was one of our earliest font releases, first produced in 1992 based on samples of 19th century decorative German type. It was one of our first fonts designed for MacIntosh computer users and follows the naming convention for Mac fonts of that era, being named after a city. [...]
BUY NOW TRY DEMO Custom Preview Startling Stories was a pulp-era science fiction magazine known for its lurid covers by Earle K. Bergey and its eye-catching title designs. It was a companion to Thrilling Wonder Stories and Fantastic Stories. The magazine was very successful in the immediate pos[...]
BUY NOW TRY DEMO Custom Preview Doge is a new font based on samples of late-renaissance period lettering from Venice, preserved and reproduced by early 20th century calligrapher and designer J. M. Bergling. It has some similarity to some of our other fonts based on lettering from the same period[...]
Fougasse is a bold title font which has a unique combination of elements, including an unusually heavy weight, some unusual Art Deco period character forms and rough outlines to the character which are not too pronounced, but give it a sort of a naturalistic look which makes the characters stand out more. Foug[...]
BUY NOW TRY DEMO Custom Preview Quicksilver was designed as one of the original featured fonts included in our Psychedelic Fonts Package. It was developed into a full font from a sample of lettering from Quicksilver Messenger Service's live album Summer of '68 and posters for shows associated with it [...]
BUY NOW TRY DEMO Malagua was originally released in 1999 and has been revised several times since then, culminating in this new release with improved weighting and additional special characters. MAlagua is based on examples of rough hand lettering from the 17th century. It has characteristics [...]
Film director Sergei Eisenstein was a major influence on the Constructivist movement through his collaboration with Alexander Rodchenko and by inspiring other artists of the era. Thus it seems appropriate that the final font in our Constructivist Font Collection should be named after Eisenstein, especiall[...]
BUY NOW TRY DEMO Our Munich font was first released in 1998 and has been revised several times since then. This latest version includes substantial improvements in the outlines of the characters and a new set of simple upper case initials. Munich is based on one of the classic lettering styles used on[...]
BUY NOW TRY DEMO Custom Preview Edifice is a decorative titling font based on samples of lettering by J. M. Bergling. It has an architectural, constructed look to it. Very well suited to sign and poster design. It's stylish but still readable and clear. Edifice includes a full uppercase charac[...]
It's been a while since we released any new art from our collection of fairytale books illustrated by Charles Folkard. So it's about time we make available this collection of his illustrations for Grimm's Fairy Tales. This mini-package includes 8 beautifully drawn and colored images from stories by the Brothers Grim[more]
For years here at the Scriptorium we've been developing fonts and collecting unique art which is perfect for Halloween and putting it together into packages which we promote through our Boneyard Fonts site. After many years collecting fonts and art we've put together a gruesomely provocative collection of fonts and art[more]
I was shopping in my local HEB grocery store this weekend and found myself in the soft drink section, confronted by a wall of cool retro-looking bottles of all sorts of sodas from the Dublin Bottling Works, a company based in Dublin Texas which produces a full line of specialty soft drinks, apparently mostly for distri[more]
We've got five designs were considering for out next font. They all fairly similar so we need some help choosing. Which one would you like to see next?[more]
I'm in Washington DC this week attending Typecon. The Society of Typographic Aficionados official convention. There are all sorts of programs and presentations with notable typographers and designers appearing as speakers. As well as exhibits and new products to see. I'm merely going as a humble attendee because [more]
While I still think it may be some sort of obscure and premature April Fool's joke, an article called Kerning, Kerning, kerning through the years in the Washington Post presents a mildly humorous presentation of the story of a 14 year old research genius who figured out that switching from a heavier weight font to a li[more]
Citing the boring sameness of their web presentation, the management of social media giant Facebook has contacted us here at the Scriptorium to purchase two new proprietary colors and 3 new custom fonts for $1.2 billion. Facebook CEO Mark Zuckerberg observed that now that his company has topped the $100 billion mark[more]
In the early 20th century, before the outbreak of the Russian Revolution, the Art Nouveau movement crept into the failing empire by way of Alphons Mucha and the Slavic Folk Art movement in Czechoslovakia. Russian artists picked up on the ideas of these movements and began producing new styles of art for a growing [more]
- New Font: Carillon
- Font/Image Licenses
- Abaddon in Maleficent
- Artificial Insemination Cost In South Africa: Artificial Insemination Cost In South Africa blog topic
- Classic Font: Lachesis
- tappan appliance parts: tappan appliance parts blog topic
- The Gargoyles of Penn
- Byam Shaw Illustrations for Legendary Ballads
- A Little Guide to Bookbinding