Renaissance Fonts and Art Collection
The Renaissance saw the movement of literature into vernacular languages, the beginnings of printing and mass book production and the popularization of fiction and writing of all sorts aimed at a wider, commercial audience. In accord with the humanist philosophy of the Renaissance there was a demand for more practical, accessible forms of lettering and a trend away from the artificiality of gothic and medieval styles. As with so many things, Renaissance scribes and artists found inspiration by throwing out the past millenium of history and going farther back, looking to the lettering styles of Rome for inspiration.
Rediscovered Roman lettering styles were adapted to fit the practical needs of Italian businessmen and record keepers and ultimately improved on to meet the sophisticated needs of Renaissance writers like Dante, Machiavelli and Boccacio. This produced the lettering styles which we traditionally associate with the Renaissance. They needed writing which was easy to reproduce in larger volume than ever before, but readable to a broad audience. Letter forms had to be attractive, but simpler and less exacting, requiring fewer strokes, permitting a flowing hand, and abandonning elaborate decoration and dramatic variations in weight and thickness. The lettering styles of the Renaissance had a huge influence on early type designers and established design principles and basic letter forms which live on in modern type designs.
Our Renaissance font collection includes 10 unique fonts based on designs from the Renaissance. These include three variations of humanistic cursive (Palmieri, Castiglione and Hanes), plus two more unusual examples of quirky italian cursives (Fiorenza and the new Alleghieri), a unique Roman style hand-lettered font (Rudolfo and Rudolfo Swash), a fully-developed example of Trajan-style Roman lettering, the basis for most formal Renaissance lettering (Hadrianus), plus a classic flouished cursive (Trinculo) and a set of floral intials from the Quattrocento (Fraticelli). There’s a little bit of everything from the period, from early period cursive like Palmieri to more practical late Renaissance lettering like Fiorenza.
The package also includes a selection of frames, borders, initials and emblems designed by Evelyn Paul based on Renaissance period book decorations. These include illuminations and decorations in both color and black and white, as well as a few selected full-page decorative plates. In combination with the varied selection of fonts they provide just what you need to give any document a full-fledged Renaissance look.
The new and expanded edition of the Renaissance Fonts & Art package is a great deal with all of the fonts and art for only $79. It comes for either Windows or MacOS computers and includes both Postscript and TrueType fonts. You can order by phone at 1-512-656-8011, or to order online just CLICK HERE
To get an idea of what our Renaissance fonts are like, try out the demo version of our latest one, Alleghieri. It doesn’t have all of the punctuation and variant characters, but should give you a good feel for the font.
Alleghieri was developed from several different examples of late Renaissance lettering. While it is based on a style which is clearly intended for quick, easy writing, we’ve preserved many of the unusual character forms and elaborations to give it a lot of personality. The result is stylish and unique, with a real feel of the Renaissance, but great readability as well. The full version includes a large selection of variant character forms and special characters.
Click here to download the working trial version of Alleghieri for either WINDOWS or MacOS Or you can purchase this font online and get it quickly by email, including all the alternate and additional characters – BUY IT NOW
New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
Butterfield is based on letting from a poster for the Paul Butterfield Blues Band. It can be found as part of Psychedelic Fonts Collection package. It has a unique look particularly characteristic of the 60s and especially suited to use on posters. It has a full set of numbers and punctuation, plus custom small [...]
BUY NOW TRY DEMO Malagua was originally released in 1999 and has been revised several times since then, culminating in this new release with improved weighting and additional special characters. MAlagua is based on examples of rough hand lettering from the 17th century. It has characteristics [...]
BUY NOW TRY DEMO Custom Preview Lyceum has the stylized shape and look of a font designed for the program at a lecture hall, hence the name. It is super bold but remains highly readable at fairly small sized, though the contrasts are dramatic. It features only an uppercase characters set because the st[...]
BUY NOW TRY DEMO Custom Preview Doge is a new font based on samples of late-renaissance period lettering from Venice, preserved and reproduced by early 20th century calligrapher and designer J. M. Bergling. It has some similarity to some of our other fonts based on lettering from the same period[...]
BUY NOW TRY DEMO Custom Preview Squiffy is a fun font. It has a background in arts and crafts style font design, but rather than the regular, architectural character forms and arrangements, the characters are wild and irregular and highly varied. There are two distinct versions of every character, with[...]
BUY NOW TRY DEMO Custom Preview We've featured some articles on the designs of pulp novel covers from the mid-20th century, including s look at the fonts used in those designs. We've also released fonts based on those designs, like suspicion. These old book cover designs are a great resource for [...]
When we did a font (and a feature article) recently based on a design by Alexander Rodchenko, the result was a very cool font, but while it was based on Rodchenko lettering, it is not the style most associated with his work. The tall thin look of the Rodchenko font is less typical of his work than the heavier,[...]
In honor of Cyber Monday, which some people are now expanding to be a whole Cyber Week, we're releasing St. Ives, a new modernistic font with unique riser and descender characters which give it an unusual linear look. It will be featured in a new edition of our Futuristic Fonts which will be released late[...]
BUY NOW TRY DEMO Custom Preview Slava is based on lettering by legendary Art Nouveau master Alphons Mucha from his later post-Parisian period when he returned to Prague and did a lot of design work in support of the slavic nationalist movement. The letter forms still have many of the characteristics of[...]
BUY NOW TRY DEMO Custom Preview Iphegenia was one of our early designs, a creative advertising script font with a modern, hand-drawn look but regular character forms and a nice even line to it. It has high readability despite its decorative look and works well in combination with a variety of other fo[...]
BUY NOW TRY DEMO Our Froissart font was first released in 2000 as part of our Medieval Fonts and Art package. It is an accurate recreation of the Littera Bastarda calligraphic style which was popular in the 14th and 15th centuries as gothic styles were losing popularity and there was a demand for s[...]
BUY NOW TRY DEMO Custom Preview Mannering is a new font design derived from some samples of an uppercase letter set by Samuel Welo, with additional lowercase characters and numbers added to it in the same style. It is a sans serif font with calligraphic lines and distinctive embellished horizontal cro[...]
Lachesis was one of our earliest text font designs, a unique font deliberately designed to have an antique wood-cut look. It is based on samples of vintage type taken directly from letterpress type blocks found at the type museum in Barnard Maine, a great resource which closed a few years ago. Over the years La[...]
BUY NOW TRY DEMO Custom Preview Quicksilver was designed as one of the original featured fonts included in our Psychedelic Fonts Package. It was developed into a full font from a sample of lettering from Quicksilver Messenger Service's live album Summer of '68 and posters for shows associated with it [...]
Engrossing is one of our earliest fonts, originally released in the early 1990s. It is based on one of the very first examples of printed type in a script style. The historic source design was derived from common 17th century calligraphy, simplified for conversion to type and it became the precursor of all of t[...]
It's been a while since we released any new art from our collection of fairytale books illustrated by Charles Folkard. So it's about time we make available this collection of his illustrations for Grimm's Fairy Tales. This mini-package includes 8 beautifully drawn and colored images from stories by the Brothers Grim[more]
For TypeCon we produced a special collection of Walter Crane Fonts and Art on a Flash Drive shaped like a business card. We have some of these left over after the event and nothing to do with them except sell them as a special item on our web page. The package contains five original Walter Crane fonts, including one[more]
Our gothic font collection is a compilation of our most interesting fonts based on gothic type and late medieval calligraphy. It covers the range from the historical styles in which gothic printing had its inspiration to the ornate heights of complex gothic fonts from 19th century Germany. This includes fonts in the[more]
At the very beginning of the summer Disney released Maleficent the first in a series of films retelling the Disney versions of classic fairytales from the point of view of the villain. Maleficent is a visually stunning film combining high end CGI animation with live actors and Angelina Jolie with unbelievably accent[more]
Austin is a great center for the arts, not only music and film and other performing arts, but visual arts and all sorts of crafts. All these events and shows have to be advertised and the traditional method of getting the word out is through posters distributed all over town wherever people gather. I like to go arou[more]
There are many good things about Typecon and many nice things I could say, but instead I find myself seized with a compulsion to recast Typecon like old metal type that's melted down and mold into a new font. I've got lots of experience with conferences in a number of different industries, as an attendee. a sponsor,[more]
We've got five designs were considering for out next font. They all fairly similar so we need some help choosing. Which one would you like to see next?[more]
With the premier of the fourth season of American Horror Story this Wednesday on the FX network, a lot of people will be seeing our Chelsea Studio in their high style commercials all over their cable networks. My teenage, horror-obsessed daughter drew my attention to their use of the font in the titles and it was gr[more]
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