Renaissance Fonts and Art Collection
The Renaissance saw the movement of literature into vernacular languages, the beginnings of printing and mass book production and the popularization of fiction and writing of all sorts aimed at a wider, commercial audience. In accord with the humanist philosophy of the Renaissance there was a demand for more practical, accessible forms of lettering and a trend away from the artificiality of gothic and medieval styles. As with so many things, Renaissance scribes and artists found inspiration by throwing out the past millenium of history and going farther back, looking to the lettering styles of Rome for inspiration.
Rediscovered Roman lettering styles were adapted to fit the practical needs of Italian businessmen and record keepers and ultimately improved on to meet the sophisticated needs of Renaissance writers like Dante, Machiavelli and Boccacio. This produced the lettering styles which we traditionally associate with the Renaissance. They needed writing which was easy to reproduce in larger volume than ever before, but readable to a broad audience. Letter forms had to be attractive, but simpler and less exacting, requiring fewer strokes, permitting a flowing hand, and abandonning elaborate decoration and dramatic variations in weight and thickness. The lettering styles of the Renaissance had a huge influence on early type designers and established design principles and basic letter forms which live on in modern type designs.
Our Renaissance font collection includes 10 unique fonts based on designs from the Renaissance. These include three variations of humanistic cursive (Palmieri, Castiglione and Hanes), plus two more unusual examples of quirky italian cursives (Fiorenza and the new Alleghieri), a unique Roman style hand-lettered font (Rudolfo and Rudolfo Swash), a fully-developed example of Trajan-style Roman lettering, the basis for most formal Renaissance lettering (Hadrianus), plus a classic flouished cursive (Trinculo) and a set of floral intials from the Quattrocento (Fraticelli). There’s a little bit of everything from the period, from early period cursive like Palmieri to more practical late Renaissance lettering like Fiorenza.
The package also includes a selection of frames, borders, initials and emblems designed by Evelyn Paul based on Renaissance period book decorations. These include illuminations and decorations in both color and black and white, as well as a few selected full-page decorative plates. In combination with the varied selection of fonts they provide just what you need to give any document a full-fledged Renaissance look.
The new and expanded edition of the Renaissance Fonts & Art package is a great deal with all of the fonts and art for only $79. It comes for either Windows or MacOS computers and includes both Postscript and TrueType fonts. You can order by phone at 1-512-656-8011, or to order online just CLICK HERE
To get an idea of what our Renaissance fonts are like, try out the demo version of our latest one, Alleghieri. It doesn’t have all of the punctuation and variant characters, but should give you a good feel for the font.
Alleghieri was developed from several different examples of late Renaissance lettering. While it is based on a style which is clearly intended for quick, easy writing, we’ve preserved many of the unusual character forms and elaborations to give it a lot of personality. The result is stylish and unique, with a real feel of the Renaissance, but great readability as well. The full version includes a large selection of variant character forms and special characters.
Click here to download the working trial version of Alleghieri for either WINDOWS or MacOS Or you can purchase this font online and get it quickly by email, including all the alternate and additional characters – BUY IT NOW
New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
BUY NOW TRY DEMO Tantalus is a display font for titles with a basic Roman design and elaborately embellished characters. It features the more decorative versions of the characters in the upper case positions and a plain caps set in the lower case positions. It's a neat whimsical font and if you ne[...]
Butterfield is based on letting from a poster for the Paul Butterfield Blues Band. It can be found as part of Psychedelic Fonts Collection package. It has a unique look particularly characteristic of the 60s and especially suited to use on posters. It has a full set of numbers and punctuation, plus custom small [...]
BUY NOW TRY DEMO Malagua was originally released in 1999 and has been revised several times since then, culminating in this new release with improved weighting and additional special characters. MAlagua is based on examples of rough hand lettering from the 17th century. It has characteristics [...]
BUY NOW TRY DEMO We have done a number of fonts based on unique, historic movie titles. The most well known and widely circulated is our Captain Kidd font, but we have another historic movie font based on an even more famous movie, our Locksley font which comes from the titles of the Adventures of [...]
BUY NOW TRY DEMO Custom Preview We've featured some articles on the designs of pulp novel covers from the mid-20th century, including s look at the fonts used in those designs. We've also released fonts based on those designs, like suspicion. These old book cover designs are a great resource for [...]
BUY NOW TRY DEMO Custom Preview Yancey is a new font based on a hand-lettered design by Samuel Welo in the late 1920s. It is very much in the tradition of Art Deco designs of that period and designed for decorative titles of poster design uses. Yancey includes two versions of the character set,[...]
BUY NOW TRY DEMO Custom Preview Sanhedrin is a decorative futuristic font, which features two distinct sets of different characters and a number of additional special characters. It draws some characters from the Greek alphabet and also has some unusual art nouveau character forms and a strange biblic[...]
Phaeton is one of our earliest Art Nouveau designs, a lovely example of period title lettering based on French samples. This new release has some significant improvements to the outlines and additional characters added to the basic set. You can find Phaeton in our Art Nouveau Collection or order it individua[...]
BUY NOW TRY DEMO Custom Preview Escargot is based on lettering from the cover of an early pulp novel I came across a couple of months ago. It's a strong example of a distinctive style of sign and poster lettering from the 1930, characterized by super high contrast between the weighting on the le[...]
BUY NOW TRY DEMO Custom Preview Our original Folkard font has achieved near legendary status as one of the most interesting calligraphic title fonts of the contemporary era. It has been enormously popular and appeared on movie titles, book covers, t-shirts and games. However it is not the only [...]
BUY NOW TRY DEMO Custom Preview There's a peculiar style of letters that seems to only show up on some signs and letterpress posters and it caught my eye when I saw it being used in the recent poster for the National Day of the American Cowboy. It's like a western style "egyptian" font with big [...]
BUY NOW TRY DEMO Custom Preview Lyceum has the stylized shape and look of a font designed for the program at a lecture hall, hence the name. It is super bold but remains highly readable at fairly small sized, though the contrasts are dramatic. It features only an uppercase characters set because the st[...]
Wolfram is a great example of early 20th century type design. It is bold and intended for use in posters and signage, but it has rough outlines for a mock antique look. It also has an unusually wide footprint for a very striking look.We originally produced Wolfram in the mid-90s, and it has been somewhat revise[...]
I was out to dinner for my daughter's birthday and we went to a nice restaurant in downtown Austin called Boticelli's. Much to my surprise the logo of the restaurant was strangely familiar. It was in our Sprite font, shown to the right. In this new edition we have improved the kerning and spacing, expanded alt[...]
BUY NOW TRY DEMO Custom Preview Edifice is a decorative titling font based on samples of lettering by J. M. Bergling. It has an architectural, constructed look to it. Very well suited to sign and poster design. It's stylish but still readable and clear. Edifice includes a full uppercase charac[...]
Here's a little something from a more innocent age, a set of three decorative floral borders designed by L. E. Wright for the book Mary's Garden a collection of nursery rhymes together with explanatory/elaborative stories also by Wright. There are just three borders, so it's not exactly enough for a package in its o[more]
We have an awful lot of fonts. Well over 500 of them and more all the time. Plus we're starting a great new discount when you order multiple fonts at the same time...fonts as much at 50% off. We've just updated one of our most useful reference tool, a graphic preview gallery of all hundreds of our new and feature[more]
Margaret Armstrong was an artist of the early 20th century particularly known for her detailed Art Nouveau decorated book bindings, but she also did outstanding floral illustration as found in her book Western Wild Flowers, or in floral ornamented borders in books like Love Finds a Way by Paul Leicester Ford. The fl[more]
For years we've been adding to what has become an outstanding library of illustrated books by Arts and Crafts era designer Walter Crane, and all that work has come to fruition with the release of selected Walter Crane material in outstanding packages customized for contemporary designers who want to incorporate his uni[more]
As a special bonus, this Christmas we're making available an unusual collection of Christmas images by outstanding American book illustrator and decorator Walter Tittle, an artist most known for his seasonal works. These illustrations are taken from his book Colonial Holdays which is a collection of accounts from p[more]
I was browsing through the new release section in my local bookstore, enjoying the nostalgia of the printed book, when my eye was caught by an historical novel called "The Siege Winter." More specifically the cover design drew my attention, because it used one of our earliest fonts, Cymbeline. More particularly I was s[more]
As part of Great Britain's participation in the 1906 World's Fair in Chicago, legendary Arts and Crafts artist Walter Crane was comissioned to produce a special commemorative book in a limited edition. The result was Columbia's Courtship, an epic poem about American history, written and hand lettered by Walter Crane wi[more]
- New Font: Sarandiel
- L. E. Wright Borders
- Sighting: Cymbeline Font in the Bookstore
- Special Font: Marquis Greeking
- Columbia's Courtship by Walter Crane