Renaissance Fonts and Art Collection
The Renaissance saw the movement of literature into vernacular languages, the beginnings of printing and mass book production and the popularization of fiction and writing of all sorts aimed at a wider, commercial audience. In accord with the humanist philosophy of the Renaissance there was a demand for more practical, accessible forms of lettering and a trend away from the artificiality of gothic and medieval styles. As with so many things, Renaissance scribes and artists found inspiration by throwing out the past millenium of history and going farther back, looking to the lettering styles of Rome for inspiration.
Rediscovered Roman lettering styles were adapted to fit the practical needs of Italian businessmen and record keepers and ultimately improved on to meet the sophisticated needs of Renaissance writers like Dante, Machiavelli and Boccacio. This produced the lettering styles which we traditionally associate with the Renaissance. They needed writing which was easy to reproduce in larger volume than ever before, but readable to a broad audience. Letter forms had to be attractive, but simpler and less exacting, requiring fewer strokes, permitting a flowing hand, and abandonning elaborate decoration and dramatic variations in weight and thickness. The lettering styles of the Renaissance had a huge influence on early type designers and established design principles and basic letter forms which live on in modern type designs.
Our Renaissance font collection includes 10 unique fonts based on designs from the Renaissance. These include three variations of humanistic cursive (Palmieri, Castiglione and Hanes), plus two more unusual examples of quirky italian cursives (Fiorenza and the new Alleghieri), a unique Roman style hand-lettered font (Rudolfo and Rudolfo Swash), a fully-developed example of Trajan-style Roman lettering, the basis for most formal Renaissance lettering (Hadrianus), plus a classic flouished cursive (Trinculo) and a set of floral intials from the Quattrocento (Fraticelli). There’s a little bit of everything from the period, from early period cursive like Palmieri to more practical late Renaissance lettering like Fiorenza.
The package also includes a selection of frames, borders, initials and emblems designed by Evelyn Paul based on Renaissance period book decorations. These include illuminations and decorations in both color and black and white, as well as a few selected full-page decorative plates. In combination with the varied selection of fonts they provide just what you need to give any document a full-fledged Renaissance look.
The new and expanded edition of the Renaissance Fonts & Art package is a great deal with all of the fonts and art for only $79. It comes for either Windows or MacOS computers and includes both Postscript and TrueType fonts. You can order by phone at 1-512-656-8011, or to order online just CLICK HERE
To get an idea of what our Renaissance fonts are like, try out the demo version of our latest one, Alleghieri. It doesn’t have all of the punctuation and variant characters, but should give you a good feel for the font.
Alleghieri was developed from several different examples of late Renaissance lettering. While it is based on a style which is clearly intended for quick, easy writing, we’ve preserved many of the unusual character forms and elaborations to give it a lot of personality. The result is stylish and unique, with a real feel of the Renaissance, but great readability as well. The full version includes a large selection of variant character forms and special characters.
Click here to download the working trial version of Alleghieri for either WINDOWS or MacOS Or you can purchase this font online and get it quickly by email, including all the alternate and additional characters – BUY IT NOW
New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
BUY NOW TRY DEMO Custom Preview Squiffy is a fun font. It has a background in arts and crafts style font design, but rather than the regular, architectural character forms and arrangements, the characters are wild and irregular and highly varied. There are two distinct versions of every character, with[...]
BUY NOW TRY DEMO Custom Preview Doge is a new font based on samples of late-renaissance period lettering from Venice, preserved and reproduced by early 20th century calligrapher and designer J. M. Bergling. It has some similarity to some of our other fonts based on lettering from the same period[...]
It's time for something new and strange, our new and original Monstrous font. Monstrous is a titling font which offers a striking look and special features which make it truly unique. The characters are stylized and super-bold, but what really sets the font apart is that there are two complete character sets w[...]
BUY NOW TRY DEMO Our Munich font was first released in 1998 and has been revised several times since then. This latest version includes substantial improvements in the outlines of the characters and a new set of simple upper case initials. Munich is based on one of the classic lettering styles used on[...]
Butterfield is based on letting from a poster for the Paul Butterfield Blues Band. It can be found as part of Psychedelic Fonts Collection package. It has a unique look particularly characteristic of the 60s and especially suited to use on posters. It has a full set of numbers and punctuation, plus custom small [...]
BUY NOW TRY DEMO Potsdam was one of our earliest font releases, first produced in 1992 based on samples of 19th century decorative German type. It was one of our first fonts designed for MacIntosh computer users and follows the naming convention for Mac fonts of that era, being named after a city. [...]
BUY NOW TRY DEMO Our Froissart font was first released in 2000 as part of our Medieval Fonts and Art package. It is an accurate recreation of the Littera Bastarda calligraphic style which was popular in the 14th and 15th centuries as gothic styles were losing popularity and there was a demand for s[...]
When we did a font (and a feature article) recently based on a design by Alexander Rodchenko, the result was a very cool font, but while it was based on Rodchenko lettering, it is not the style most associated with his work. The tall thin look of the Rodchenko font is less typical of his work than the heavier,[...]
Alexander Rodchenko (1891–1956) was one of the premier artists of the constructivist movement in Russia. Although he was a sculptor, painter and photographer, he is most remembered for his graphic design style in book and poster design. His unique and dramatic style defined Russian popular art of the early Revol[...]
BUY NOW TRY DEMO Custom Preview Iphegenia was one of our early designs, a creative advertising script font with a modern, hand-drawn look but regular character forms and a nice even line to it. It has high readability despite its decorative look and works well in combination with a variety of other fo[...]
In an article last week we explored the origins of the font used in Quentin Tarantino's Django Unchained and a bit of the history of the Django genre of films. That was part of the process of the development of an original font based on the lettering used in the original Django, a process similar to what was p[...]
Engrossing is one of our earliest fonts, originally released in the early 1990s. It is based on one of the very first examples of printed type in a script style. The historic source design was derived from common 17th century calligraphy, simplified for conversion to type and it became the precursor of all of t[...]
BUY NOW TRY DEMO Custom Preview Slava is based on lettering by legendary Art Nouveau master Alphons Mucha from his later post-Parisian period when he returned to Prague and did a lot of design work in support of the slavic nationalist movement. The letter forms still have many of the characteristics of[...]
Film director Sergei Eisenstein was a major influence on the Constructivist movement through his collaboration with Alexander Rodchenko and by inspiring other artists of the era. Thus it seems appropriate that the final font in our Constructivist Font Collection should be named after Eisenstein, especiall[...]
We've got five designs were considering for out next font. They all fairly similar so we need some help choosing. Which one would you like to see next?[more]
It's been a while since we released any new art from our collection of fairytale books illustrated by Charles Folkard. So it's about time we make available this collection of his illustrations for Grimm's Fairy Tales. This mini-package includes 8 beautifully drawn and colored images from stories by the Brothers Grim[more]
I was shopping in my local HEB grocery store this weekend and found myself in the soft drink section, confronted by a wall of cool retro-looking bottles of all sorts of sodas from the Dublin Bottling Works, a company based in Dublin Texas which produces a full line of specialty soft drinks, apparently mostly for distri[more]
As part of Great Britain's participation in the 1906 World's Fair in Chicago, legendary Arts and Crafts artist Walter Crane was comissioned to produce a special commemorative book in a limited edition. The result was Columbia's Courtship, an epic poem about American history, written and hand lettered by Walter Crane w[more]
At the very beginning of the summer Disney released Maleficent the first in a series of films retelling the Disney versions of classic fairytales from the point of view of the villain. Maleficent is a visually stunning film combining high end CGI animation with live actors and Angelina Jolie with unbelievably accent[more]
There are many good things about Typecon and many nice things I could say, but instead I find myself seized with a compulsion to recast Typecon like old metal type that's melted down and mold into a new font. I've got lots of experience with conferences in a number of different industries, as an attendee. a sponsor,[more]
Our gothic font collection is a compilation of our most interesting fonts based on gothic type and late medieval calligraphy. It covers the range from the historical styles in which gothic printing had its inspiration to the ornate heights of complex gothic fonts from 19th century Germany. This includes fonts in the[more]
- Special Item: Walter Crane Collection Flash Drive
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- Abaddon in Maleficent
- Classic Font: Vasilisa
- Special Font: Art Deco Borders
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- Poll: Publishing Art Book Reprints
- Special Item: Walter Crane Collection Flash Drive