Recreating the Django Font
Since there seemed to be some real interest in seeing a fully developed font similar to the one used for the titles for the new Tarantino movie Django Unchained, I decided to take it on as a project. This kind of project always involves a lot of research, and in the process I learned more about Django than I ever expected to.
The new Tarantino film draws on a legacy of an entire genre of Django films with a long history which goes back to the original 1966 Django directed by Sergio Corbucci and starring Franco Nero. It was one of the most successful early spaghetti westerns and spawned over 30 unofficial sequels, including A Few Dollars for Django, a quick ripoff which appeared in the same year as the original, A Coffin for Django (1968) and Viva Django (1971) which both starred Terrence Hill, whose more famous Trinity films are very much in the Django tradition. The only official sequel was Django Strikes Again which has a script by Corbucci and in which Nero reprises his role 20 years later. Tarantino’s Django Unchained would be most accurately classed as a tribute to the entire Django genre, borrowing from many different films, including the original Django and They Call Me Trinity. Interestingly, it’s not the first first Django tribute film Tarantino has been involved in. He appeared as an actor in Takeshi Miike’s Japanese tribute to the Django genre, Sukiyaki Western Django in 2007. There were many other Django films and Django ripoffs and they became so iconic that in Italy and Japan the name Django came to be applied to the entire genre of spaghetti westerns.
I had originally thought that I’d have to go to the Tarantino film for source material for a font, but as it turns out, the main font Tarantino uses in the title and on the posters for his film is actually derived from hand lettered titles in the original Django. It’s actually one of several lettering styles used in the trailer and also for the main titles in the film itself. If you wait through most of the scenes in the trailer, it’s the lettering used for the names of the cast at the end, shown in a mustard color rather than the orangy red in the Tarantino film. It’s also the style used in the titles of the film itself, but the quality of the lettering in the trailer is much more consistent than in the film. The facts that the style of the titles predates the Tarantino film and that it was originally hand lettered actually add a lot of appeal to the project, because it makes it a much more interesting and original work of research and recreation.
You can watch the trailer for the original Django above and to the right. If you want to see the whole film you can find it on IMDB and most of the other Django films are on YouTube if you look around for them.
The next step is taking the images of the letters in the trailer and picking the best examples and expanding them into a full character set, using our Madding font as a guide for the general weight and shape of the characters.
New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
Vasilisa is based on Russian folk art lettering from the pre-revolutionary period. It is included in our original Russian Fonts and Art package. It is very readable in English but also includes elements of Cyrillic lettering. It is evocative of rural Russian life and fits well with the hand crafted peasant wood[...]
In an article last week we explored the origins of the font used in Quentin Tarantino's Django Unchained and a bit of the history of the Django genre of films. That was part of the process of the development of an original font based on the lettering used in the original Django, a process similar to what was p[...]
BUY NOW TRY DEMO Custom Preview Slava is based on lettering by legendary Art Nouveau master Alphons Mucha from his later post-Parisian period when he returned to Prague and did a lot of design work in support of the slavic nationalist movement. The letter forms still have many of the characteristics of[...]
Butterfield is based on letting from a poster for the Paul Butterfield Blues Band. It can be found as part of Psychedelic Fonts Collection package. It has a unique look particularly characteristic of the 60s and especially suited to use on posters. It has a full set of numbers and punctuation, plus custom small [...]
BUY NOW TRY DEMO Custom Preview Highball is a bold font in every sense of the word. Yes, its weight is heavy and pronounced in the traditional meaning of bold, but it is also of an extreme height which could be considered bold, and of a boldly progressive style. Highball features a full character s[...]
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BUY NOW TRY DEMO Custom Preview Edifice is a decorative titling font based on samples of lettering by J. M. Bergling. It has an architectural, constructed look to it. Very well suited to sign and poster design. It's stylish but still readable and clear. Edifice includes a full uppercase charac[...]
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BUY NOW TRY DEMO Custom Preview Quicksilver was designed as one of the original featured fonts included in our Psychedelic Fonts Package. It was developed into a full font from a sample of lettering from Quicksilver Messenger Service's live album Summer of '68 and posters for shows associated with it [...]
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BUY NOW TRY DEMO Custom Preview Escargot is based on lettering from the cover of an early pulp novel I came across a couple of months ago. It's a strong example of a distinctive style of sign and poster lettering from the 1930, characterized by super high contrast between the weighting on the le[...]
At the very beginning of the summer Disney released Maleficent the first in a series of films retelling the Disney versions of classic fairytales from the point of view of the villain. Maleficent is a visually stunning film combining high end CGI animation with live actors and Angelina Jolie with unbelievably accent[more]
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Austin is a great center for the arts, not only music and film and other performing arts, but visual arts and all sorts of crafts. All these events and shows have to be advertised and the traditional method of getting the word out is through posters distributed all over town wherever people gather. I like to go arou[more]
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Citing the boring sameness of their web presentation, the management of social media giant Facebook has contacted us here at the Scriptorium to purchase two new proprietary colors and 3 new custom fonts for $1.2 billion. Facebook CEO Mark Zuckerberg observed that now that his company has topped the $100 billion mark[more]
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