Recreating the Django Font
Since there seemed to be some real interest in seeing a fully developed font similar to the one used for the titles for the new Tarantino movie Django Unchained, I decided to take it on as a project. This kind of project always involves a lot of research, and in the process I learned more about Django than I ever expected to.
The new Tarantino film draws on a legacy of an entire genre of Django films with a long history which goes back to the original 1966 Django directed by Sergio Corbucci and starring Franco Nero. It was one of the most successful early spaghetti westerns and spawned over 30 unofficial sequels, including A Few Dollars for Django, a quick ripoff which appeared in the same year as the original, A Coffin for Django (1968) and Viva Django (1971) which both starred Terrence Hill, whose more famous Trinity films are very much in the Django tradition. The only official sequel was Django Strikes Again which has a script by Corbucci and in which Nero reprises his role 20 years later. Tarantino’s Django Unchained would be most accurately classed as a tribute to the entire Django genre, borrowing from many different films, including the original Django and They Call Me Trinity. Interestingly, it’s not the first first Django tribute film Tarantino has been involved in. He appeared as an actor in Takeshi Miike’s Japanese tribute to the Django genre, Sukiyaki Western Django in 2007. There were many other Django films and Django ripoffs and they became so iconic that in Italy and Japan the name Django came to be applied to the entire genre of spaghetti westerns.
I had originally thought that I’d have to go to the Tarantino film for source material for a font, but as it turns out, the main font Tarantino uses in the title and on the posters for his film is actually derived from hand lettered titles in the original Django. It’s actually one of several lettering styles used in the trailer and also for the main titles in the film itself. If you wait through most of the scenes in the trailer, it’s the lettering used for the names of the cast at the end, shown in a mustard color rather than the orangy red in the Tarantino film. It’s also the style used in the titles of the film itself, but the quality of the lettering in the trailer is much more consistent than in the film. The facts that the style of the titles predates the Tarantino film and that it was originally hand lettered actually add a lot of appeal to the project, because it makes it a much more interesting and original work of research and recreation.
You can watch the trailer for the original Django above and to the right. If you want to see the whole film you can find it on IMDB and most of the other Django films are on YouTube if you look around for them.
The next step is taking the images of the letters in the trailer and picking the best examples and expanding them into a full character set, using our Madding font as a guide for the general weight and shape of the characters.
New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
BUY NOW TRY DEMO We have done a number of fonts based on unique, historic movie titles. The most well known and widely circulated is our Captain Kidd font, but we have another historic movie font based on an even more famous movie, our Locksley font which comes from the titles of the Adventures of [...]
Every year around Halloween we come out with a new font that fits the spirit of the holiday, drawing on all sorts of sources for inspiration. You can find our past fonts in our Halloween Font and Art Collections. The font for this year is Undertaker, based on title lettering from Creepy magazine, the classic h[...]
BUY NOW TRY DEMO Our Munich font was first released in 1998 and has been revised several times since then. This latest version includes substantial improvements in the outlines of the characters and a new set of simple upper case initials. Munich is based on one of the classic lettering styles used on[...]
Pyle Gothic is based on lettering designed by Howard Pyle, from his Adventures of Robin Hood and King Arthur and His Knights. It combines elements of calligraphy and a simulation of primitive printing techniques.The original characters were carved into wood blocks from which the black and white illustrations wit[...]
Treadway is a new, original design in the tradition of futuristic advertising scripts of the mid-20th century, inspired by fonts like Kaufmann and Gillies, but with a stronger, more clearly defined look, stripped down to its most stylized essentials for a very powerful visual impact. It is the kind of type you'[...]
BUY NOW TRY DEMO Custom Preview Roghwork is a unique font which combines a decoarative upper case character set with a simple set of lowercase characters. Designed primarily for use in titles and posters, the uppercase characters are based on samples of hand-drawn master designs for a set of roman-st[...]
Vasilisa is based on Russian folk art lettering from the pre-revolutionary period. It is included in our original Russian Fonts and Art package. It is very readable in English but also includes elements of Cyrillic lettering. It is evocative of rural Russian life and fits well with the hand crafted peasant wood[...]
Butterfield is based on letting from a poster for the Paul Butterfield Blues Band. It can be found as part of Psychedelic Fonts Collection package. It has a unique look particularly characteristic of the 60s and especially suited to use on posters. It has a full set of numbers and punctuation, plus custom small [...]
BUY NOW TRY DEMO Custom Preview Edifice is a decorative titling font based on samples of lettering by J. M. Bergling. It has an architectural, constructed look to it. Very well suited to sign and poster design. It's stylish but still readable and clear. Edifice includes a full uppercase charac[...]
I don't know what came over me one Halloween, but I couldn't get the idea of dancing skeletons out of my head. The classic dance of death, but a bit more expressive, with the skeletons working together to form the letters of a font. This resulted in the design for the Bonyeard font, where each letter is made [...]
BUY NOW TRY DEMO Custom Preview Mannering is a new font design derived from some samples of an uppercase letter set by Samuel Welo, with additional lowercase characters and numbers added to it in the same style. It is a sans serif font with calligraphic lines and distinctive embellished horizontal cro[...]
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Merguez is a hand lettered font in the tradition of Speedball freehand calligraphy, but with some unusual flourishes. It makes an excellent alternative to boring informal hand lettering fonts like Comic Sans. It includes a full upper and lower case character set, plus numbers and punctuation. We picked the n[...]
BUY NOW TRY DEMO Custom Preview You may recall a couple of months ago when we had some font samples posted on the page to vote on. Well, the winner of the vote by a significant margin was a sample of lettering by Samuel Welo, and now as promised, it is available as our newest font: Carillon. They f[...]
Wolfram is a great example of early 20th century type design. It is bold and intended for use in posters and signage, but it has rough outlines for a mock antique look. It also has an unusually wide footprint for a very striking look.We originally produced Wolfram in the mid-90s, and it has been somewhat revise[...]
A few years ago I wrote a review of Blue Genie Art Bazaar in Austin. Blue Genie is still there and going stronger than ever, in fact this year they've added additional space and a bunch of new artists. and in just a few years it has come to offer some real competition to Austin's classic Armadillo Christmas Bazaar. [more]
As part of Great Britain's participation in the 1906 World's Fair in Chicago, legendary Arts and Crafts artist Walter Crane was comissioned to produce a special commemorative book in a limited edition. The result was Columbia's Courtship, an epic poem about American history, written and hand lettered by Walter Crane wi[more]
Every year we release a number of new fonts, and at the end of the year we collect them all together and release them as a collection at a great discount price. Through some oversight at the end of 2013 we failed to release our annual collection of new fonts. That means we have a chance to[more]
If you don't already get our weekly (more or less) newsletter with free offers, discount coupons and links to our articles and new releases, this is the time to sign up. We're constantly putting new articles, new fonts, new reviews and new links to great antique art and design resources on our site. Every [more]
Too often when looking at antique books we concentrate on the contents and ignore the covers, but some book covers are artworks in their own right and cannot be ignored, this is even more true with eBooks which are more and more causing content to be divorced from packaging. In the early 20th century, before the adv[more]
Margaret Armstrong was an artist of the early 20th century particularly known for her detailed Art Nouveau decorated book bindings, but she also did outstanding floral illustration as found in her book Western Wild Flowers, or in floral ornamented borders in books like Love Finds a Way by Paul Leicester Ford. The fl[more]
For years here at the Scriptorium we've been developing fonts and collecting unique art which is perfect for Halloween and putting it together into packages which we promote through our Boneyard Fonts site. After many years collecting fonts and art we've put together a gruesomely provocative collection of fonts and art[more]
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