New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
As you may have noticed we've been doing fonts off and on for several years based on the hand lettering of early 20th century sign-painter Frank Atkinson. Past fonts based on his lettering include Atkinson Eccenteric, Atkinson Boomtown and[...]
I recently wrote a brief article on pulp novel book cover art and lettering as a source of inspiration. Inevitably this led me to actually work on developing some fonts based on the lettering styles featured on the covers of some of [...]
Black Cow is a unique original font designed for our Horror Fonts and Art collection several years ago. It's one of the most interesting fonts in the large selection of fonts in that package, but it hasn't had the huge level of popul[...]
BUY NOW TRY DEMO Our Munich font was first released in 1998 and has been revised several times since then. This latest version includes substantial improvements in the outlines of the characters and a new set of simple upper [...]
For our first font of the new year we're offering up the brand new San Lorenzo font. It's an original hand-drawn font with a rustic decorative look which is reminiscent of the ironwork on Mission Style furniture or decorative lettering cha[...]
Rosalinde was first released in 1999 and it was one of our first attempts at an informal handwriting-style font. It is a bit more than just a regular handwriting font. It has some stylized characteristics and unusual character forms[...]
Engrossing is one of our earliest fonts, originally released in the early 1990s. It is based on one of the very first examples of printed type in a script style. The historic source design was derived from common 17th century callig[...]
Fougasse is a bold title font which has a unique combination of elements, including an unusually heavy weight, some unusual Art Deco period character forms and rough outlines to the character which are not too pronounced, but give i[...]
It wouldn't be the holidays without a special font designed to capture the mood of the season. As a source for something special I went to our library of rare books on type and calligraphy and found a rare book on calligraphy called Real P[...]
BUY NOW TRY DEMO We have done a number of fonts based on unique, historic movie titles. The most well known and widely circulated is our Captain Kidd font, but we have another historic movie font based on an even more f[...]
Goodfellow was first released in the spring of 1993. It was based on Art Nouveau period metal type designed for titles and logos. It became a surprise hit when Tim Burton used it as the title font for his hit animated film A Nightmare Bef[...]
Dromon has been one of our most popular and most successful display fonts. It's a modern, super-bold headline style with some clear ancestry in German gothic type design, but a unique and contemporary look. This new release of Dromo[...]
I was watching the television show Sons of Anarchy and on looking at the logo for the show I was struck by the similarity between the lettering used for the name of the titular motorcycle gang and our Posada font. Clearly their lette[...]
Black Cow was originally developed back in 1998 as an addition to our Horror Fonts and Art collection. It has since been through several revisions with the addition of lots of alternate character forms. It's a super quirky font with very [...]
Ulalume was one of our earliest text fonts. It was originally designed in 1993 and then substantially modified in 1996, but since that time it was kind of allowed to languish in our back catalog with little attention, which was a sha[...]
Illuminata was inspired by lettering from a poster from the Fillmore in the 1960s. It was originally released in 2001 as part of the Psychedelic Fonts package and then later further developed for the Oroborosgame project. This latest [...]
Scrapple is a new font based on the idea of constructing characters from a limited selection of wood blocks featuring round and rectangular shapes. Scrapple has a cool, crude and industrial look. It's all uppercase, but the lowercase[...]
In the week leading up to St. Patrick's Day it's all about Celtic design, so our featured classic font has to be something with a Celtic theme. That being the case, there's no better choice than our bold and beautiful Padstow font. It[...]
It's the time of year when we do a lot of design for political posters and some of those projects need special fonts. On this kind of work we already get a lot of mileage out of fonts like Aventine and Atinson Egyptian, but we needed [...]
Treadway is a new, original design in the tradition of futuristic advertising scripts of the mid-20th century, inspired by fonts like Kaufmann and Gillies, but with a stronger, more clearly defined look, stripped down to its most st[...]
Circuit was designed for a project back in the late 1990s and has languished in our back catalog since then because of its very specialized look, though it is featured in our Futuristic Fonts collection. We were reminded about it rec[...]
Hadrianus was developed in 2001 as an addition to our Master Fonts selection of high-end text fonts. It was created to fill the need for a very formal Roman-style font derived from historic Latin lettering. It's one of our most attractive[...]
Leodegar is based on samples of 7th century Frankish hand lettering. The characters draw on the minuscule calligraphic tradition, but are a bit more decorative and somewhat whimsical. They occupy an appealing position somewhere betwee[...]
Jugendstil Collection Updated
In the late 19th century there was an artistic Renaissance in southern Germany, led by the artists and designers of the Jugendstil movement in the area around Munich. While Jugendstil artists like Arnold Bocklin are often thrown in with the French Art Nouveau artists of the same period, their art was stylistically original and focused on Germanic themes and mythology. While it overlapped with the French Art Nouveau period, its emphasis on design beyond just graphic arts made it more akin to the Art Nouveau or Arts and Crafts period in England.
The driving force of the Jugendstil movement was the magazine Munchner Jugend which made extensive use of the illustrations and designs of German Art Nouveau artists, including black and white and tinted illustrations, hand lettering and even architectural and furniture design in many ways similar to the traditions of the Arts and Crafts movement. Among the notable figures involved with the magazine were architect and designer Peter Behrens who is often associated with the later Bauhaus movement, and the painters Otto Eckman, Gustav Klimt and Arnold Boecklin.
The style of art featured in the magazine was a radical departure from traditional German decorative arts and graphic design which had remained much stodgier and formulaic than had been common in France or England for several generations. But once freed of the constraints of tradition, the Jugendstil artists became particularly wild and creative in their style and the themes they addressed in their work.
One of the things which characterized Munchner Jugend was the extensive use of original hand lettering and unique type design in their covers, titles and advertising content. Each issue is full of good ideas for font designs, and though the issues are hard to come by, we’ve developed a number of Jugendstil fonts from designs in the magazine. These include the Jugend and Campobello sets of decorative initials as well as the Phaeton and Munich title fonts.
Munchner Jugend was also extensively and lavishly illustrated for the most part in black and white with some full-page two or three color prints as well. Artists includes some of those already mentioned, but art nouveau artists from all over Europe including a number of those associated with the English Art Nouveau movement and The Studio magazine. The magazine was famous for its decorative borders and humorous vignettes.
Our Jugendstil collection was recently updated, with the addition of both new fonts and art. The original package was released quite a while ago and since that time we have released other fonts based on Jugendstil designs, but the package was never updated with the new fonts. Now the package has been brought up to date with the addition of the Wolfram, Kunsthand and Zauberer fonts, which represent very different aspects of the design movement. Wolfram is a heavy-weight display font, Kunsthand is a classic example of artist’s lettering and Zauberer is an Art Nouveau twist on classic German gothic lettering. These are in addition to a great selection of art and decorative elements from the magazine, plus the four fonts which were originally in the package, Jugend, Munich, Phaeton and Campobello.
The Scriptorium’s Jugendstil Collection represents a range of material from Munchner Jugend including both unique original fonts and a nice selection of the best art from its heyday in the late 1890s. It is available from our ONLINE STORE for just $59.
he Celts have been acclaimed for their remarkable artistic legacy - far more substantial than that of other ancient societies of Western Europe. They left behind a fascinating tradition of visual and literary art,and can be credited wi[more]
We've done a lot of work with books designed and illustrated by Walter Crane. Two of the first we did were The Baby's Own Aesop and The Baby's Opera. Those two are part of a trilogy of small-format children's books which Crane designed [more]
One of Owen Jones most interesting illuminated books is his 1849 edition of the biblical book of Ecclesiastes published under the title The Preacher, consisting of 35 hand-colored, fully illuminated pages. It is on[more]
In 2012 we released 18 new fonts. 14 of these were released as new, "featured" fonts and 4 were special releases as part of packages or promotions. The featured fonts also went out to our Font Club, while s[more]
One of our upcoming fonts is the result of an interesting project, developing original initials based on designs by Walter Crane. We recently acquired an obscure edition of French tales of Reynard the Fox illustrated by Crane with a series [more]
After a long search we've managed to find a new tool called Typeshow which will allow visitors to the site to create custom samples of any of our fonts. It is similar in design to the Texter tool which we experimented with in the past, but [more]
As a special gift for our newsletter subscribers and social media followers we're making the very Christamssy Candlemass font available as a free download through midnight on the 25th. To download Candlemass just CLICK HERE And don't for[more]
Back in the 1970s my IBM Selectric Typewriter had a great font specifically designed for high readability when typing scripts and speeches called Orator. It has gone the way of most typewriter fonts, but we recently had a client who wanted [more]
I stopped into our local barbeque parlor for dinner this evening, and parked out front I found a stylishly decorated Mini Cooper wrapped with art promoting DragonsLair, Austin's preeminent comic book and game emporium. Even better, the stor[more]
Eleanor Fortesque Brickdale was one of the great illustrators of the later Victorian era, even though she is not as well known as some of her male contemporaries. She was strongly influenced by the Pre-Raphaelites like Waterhouse and Mi[more]
For a couple of years Disney has been doing special promotions of merchandise featuring the villains from their most famous animated films, targeting their marketing towards an older audience which remembers the villains from childhood and [more]
With the release of our Arthurian Fonts and Art Collection finally looming at the end of this year, we've been putting out some mini-packages of Arthurian art by artists like Herbert Cole and Katherine Cameron. This mini-p[more]
We released the Art Deco Borders font as a special Font Club bonus font in 2009 and then somehow forgot to ever release it for purchase as a single font to the general market. A terrible oversight because it's such an excellent font w[more]
Along with Arthur Rackham and Kate Greenaway, Cicely Mary Barker was one of the three great fairy illustrators of the early 20th century. Her Flower Fairies books were enormously popular and influential on illustrators of the period. willy [more]
Click to see larger sample. It's not easy to define what the future of font design will be, but we can certainly identify fonts which look like something from what we imagine the future to be[more]
This is something very different from our usual offerings, but it caught my eye at a rare book store and I just couldn't resist it. American Beauties was published in 1909 and takes its theme from the popular show rose of the same name. I[more]
Last year we featured an overview article on pulp novel cover design, and since then we've continued to look for other resources on mass market book and magazine cover design from the 30s, 40s and 50s. In a recent search I stumbled on pulpc[more]
For many years one of our most popular collections has been our three package set of Horror Fonts and Art. Although that collection contains a lot of unique art, its real backbone is the extraordinary collection of 36 original fonts with ho[more]
With Halloween looming, thoughts naturally turn to issues of horror and to classic horror films, particularly the creative title design and unique lettering which some of these classics feature in their titles, but even more especially in t[more]
Click any font to see a larger sample. // he Middle Ages saw calligraphy and book decoration emerge as significant art forms. The[more]
hatever holiday you celebrate, it's probably a time of cards and presents and decorations and parties -- that means you're going to need great fonts and art to add elegance and unique flare to your seasonal projects. The Scriptorium Holiday[more]
A few months ago we launched a push to get as many followers on Facebook and Twitter as we could. It was pretty successful and we increased our social media reach substantially, but we can't stop there. It's an ongoing effort because social[more]
- Howard Pyle Fonts and Art Package
- Script Fonts Package
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- Futuristic Fonts - Updated and Expanded
- Cicely Mary Barker Fairies Mini-Package
- Nancy West Johnson: What are the names of the fairies included?
- A Special Offer on Our Font Club