New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
Featured Font: Guilford...
Guilford is one of several fonts we've released based on the hand lettering of classic American artist Eric Sloane. It fits in with the colonial theme of many of his book designs, with an antique, rustic look. It is one of several Slo[...]
New Font: Suspicion...
I recently wrote a brief article on pulp novel book cover art and lettering as a source of inspiration. Inevitably this led me to actually work on developing some fonts based on the lettering styles featured on the covers of some of [...]
Featured Font: Slava...
BUY NOW TRY DEMO Custom Preview Slava is based on lettering by legendary Art Nouveau master Alphons Mucha from his later post-Parisian period when he returned to Prague and did a lot of design work in support of the slavic [...]
New Font - St. Ives...
In honor of Cyber Monday, which some people are now expanding to be a whole Cyber Week, we're releasing St. Ives, a new modernistic font with unique riser and descender characters which give it an unusual linear look. It will [...]
New Font: Bosphoros...
We don't normally like to follow the same theme too much with our new font releases, but because we wanted to put together a special package of fonts by J. M. Bergling we're following the release of Beaumains with Bosphoros, another f[...]
Special Font Release: Posada Spu...
I was watching the television show Sons of Anarchy and on looking at the logo for the show I was struck by the similarity between the lettering used for the name of the titular motorcycle gang and our Posada font. Clearly their lette[...]
New Font: Gelderland...
Gelderland is a new font based on some very old typography, taken from samples of brass type from the early 19th century. It is characterized by its very detailed decorative capital letters, with multiple overlapping flourishes which[...]
Classic Font: Semiramis...
Semiramis was originally released in 1997. It's an arts and crafts style font based on samples of lettering from books published by the Roycrofters in the early 1900s. It has a truly unique look, the most extreme example of the decorative[...]
Classic Font: True Golden...
True Golden is one of the cornerstone fonts in our William Morris collection. It is a unique rendering of Morris' Golden type, which he based on samples of early Jensen typefaces. Our rendering of the style has a special, authentic lo[...]
Featured Font: Schoolhand...
Schoolhand was originally commissioned by the Education Department at a major Christian university, which will remain nameless. It was developed to their specifications in order to teach cursive handwriting to children, sharing some charac[...]
New Font: Drakulon...
When I was a kid I wasn't allowed to buy comic books, so when I began to earn some money of my own as a young teen, I hit that market right at the peak of the 1970s boom in alternative large-format comics which were much more salaci[...]
Featured Font: Chaillot...
Chaillot is based on 12th century gothic calligraphy which has some characteristics of early black letter calligraphy and stylistic holdovers from late Carolingian lettering. It is a very bold and distinctive calligraphic style with u[...]
Classic Font: Ulalume...
Ulalume was one of our earliest text fonts. It was originally designed in 1993 and then substantially modified in 1996, but since that time it was kind of allowed to languish in our back catalog with little attention, which was a sha[...]
New Font: Beaumains...
We've done a number of fonts based on lettering by vintage calligrapher and design historian J. M. Bergling, including several with an Art Nouveau flavor like Boetia and Belgravia. Our newest font is in that same tradition, but it [...]
New Font: Vyones...
On a recent journey to an obscure and near-forgotten French province, I found myself wandering in the storied Forest of Averoigne, just a few miles outside of walled and towered Vyones, near the banks of the sleepy River Isoile. In the da[...]
New Font: San Lorenzo...
For our first font of the new year we're offering up the brand new San Lorenzo font. It's an original hand-drawn font with a rustic decorative look which is reminiscent of the ironwork on Mission Style furniture or decorative lettering cha[...]
New Font: Elsene...
Elsene is a new font based on lettering by early 20th century illustrator Clara Elsene Peck, obviously taking its name from her middle name. It's based on her lettering and initials from the book Knocks Witty and Wise. A companion set[...]
New Font: Monstrous...
It's time for something new and strange, our new and original Monstrous font. Monstrous is a titling font which offers a striking look and special features which make it truly unique. The characters are stylized and super-bold, but[...]
Classic Font: Lachesis...
Lachesis was one of our earliest text font designs, a unique font deliberately designed to have an antique wood-cut look. It is based on samples of vintage type taken directly from letterpress type blocks found at the type museum in [...]
Classic Font: Padstow...
In the week leading up to St. Patrick's Day it's all about Celtic design, so our featured classic font has to be something with a Celtic theme. That being the case, there's no better choice than our bold and beautiful Padstow font. It[...]
Featured Font: Potsdam...
BUY NOW TRY DEMO Potsdam was one of our earliest font releases, first produced in 1992 based on samples of 19th century decorative German type. It was one of our first fonts designed for MacIntosh computer users and fol[...]
New Font: Moncrief...
In working on graphic design projects I've been repeatedly frustrated by the lack of interesting medium-weight script fonts which are simple enough to be readable, but not too plain to be interesting. So with the latest project which neede[...]
New Font: Hadrianus Swash...
Hadrianus has been one of our most popular text fonts for a while and it was recently featured here on the site. There has been a lot of demand to expand the features available with Hadrianus beyond the usual bold and italic versions, so t[...]
New Font: Plymouth...
As you may have noticed we've been doing fonts off and on for several years based on the hand lettering of early 20th century sign-painter Frank Atkinson. Past fonts based on his lettering include Atkinson Eccenteric, Atkinson Boomtown and[...]
New Holiday Clip-Art Mini Package
This year, as a special holiday offering we’re releasing a mini-package of seasonal clip-art with images based on mortised advertising cuts from the early 1900s. The images are based on printers oranments which would have originally been sold individually as brass plates to be inserted into a typeset page.
The seasonal images include lots of Santa images, trees, wreaths, bells, candles and all of the images associated with the holiday season, many of them in both monochrome and simple multi-color versions, with a charming vintage look. They are perfect for embellishing holiday cards or making labels for presents. Many even include open space in the design for addresses or names.
The package consists of 9 large-size pages of images, exactly as preserved in the printer’s type sample book from which they are drawn, published over 100 years ago. They are in high-resolution and should be printable with crisp output at fairly large sizes. The mini-package is only $10 and can be ordered online for immediate download from >OUR STORE in plenty of time for the holidays.

December 12, 2011 | Filed Under Art Collections, Collections, Holiday
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Wayland, Wayland, Shoe Me My Mar...
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Can these be separated into their original morticed elements for spot-color printing or are they composite artwork only? Thanks!
Interesting question, Michael. They are composite images, but if you have minimal Photoshop skills it would be very easy to separate the colors into distinct images like the original mortised elements because the colors are very distinct and physically slightly separate. The color selection tool or even the magic wand would do the job.
Dave
Interesting question, Michael. They are composite images, but if you have minimal Photoshop skills it would be very easy to separate the colors into distinct images like the original mortised elements because the colors are very distinct and physically slightly separate. The color selection tool or even the magic wand would do the job.
Dave
OK, so any separations would be manual on my end. That’s what I was wondering about. I was wondering because I own a letterpress and am planning on making photopolymer plates for it. Digital art of old-fashioned cuts is therefore high on my list of useful things. Thanks for the info!
OK, so any separations would be manual on my end. That’s what I was wondering about. I was wondering because I own a letterpress and am planning on making photopolymer plates for it. Digital art of old-fashioned cuts is therefore high on my list of useful things. Thanks for the info!
Very cool that you own a letterpress. I’d love to pick your brain sometime about the best materials and methods for making photopolymer plates. I wrote some initial articles and in the new year I hope to move on to building a working press, mostly for posters.
Thanks! I’m probably not the best person to ask about making plates and such, though, as I’ve yet to make even one yet (or even my plate maker)! I just bought my first press right before Christmas and managed to crank out a small run of holiday cards using vintage cuts and foundry type, but that’s so far the only thing I’ve ever printed. I’m hardly what you could call an expert.
If you’re interested, there’s a Yahoo group dedicated to making photopolymer plates for letterpress work. There’s also the Letpress list that’s a general purpose letterpress mailing list.