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A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
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I was playing around with some paint at our chicken coop and realized I had an opportunity to do some hands-on design work for a brush-style font, so I did a set of sample brush strokes on a piece of the recycled coroplast which cover[...]
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Featured Font: Guilford...
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Featured Font: Malagua...
BUY NOW TRY DEMO Malagua was originally released in 1999 and has been revised several times since then, culminating in this new release with improved weighting and additional special characters. MAlagua is based on [...]
New Font: Shayne...
BUY NOW TRY DEMO Custom Preview We've featured some articles on the designs of pulp novel covers from the mid-20th century, including s look at the fonts used in those designs. We've also released fonts based on those[...]
Classic Font: Black Cow...
Black Cow is a unique original font designed for our Horror Fonts and Art collection several years ago. It's one of the most interesting fonts in the large selection of fonts in that package, but it hasn't had the huge level of popul[...]
Featured Font: Froissart...
BUY NOW TRY DEMO Our Froissart font was first released in 2000 as part of our Medieval Fonts and Art package. It is an accurate recreation of the Littera Bastarda calligraphic style which was popular in the 14th and 15t[...]
New Font: Drakulon

When I was a kid I wasn’t allowed to buy comic books, so when I began to earn some money of my own as a young teen, I hit that market right at the peak of the 1970s boom in alternative large-format comics which were much more salacious – with more gore and sex – than the comics I would have read as a kid. I went straight into the world of Eerie, Creepy and – particularly significant for a teenage boy – Vampirella. The barely-clothed, bloodsucking alien princess from the planet Drakulon was campy but impossible for the adolescent mind to resist.
As a tribute to those days of alternative comics I’ve designed a font based o the original title lettering or Vampirella. To those familiar with the classic comic the particular style may be unexpected. You see, during it’s run Vampirella had two different cover title designs. Our font is based on the original title design as shown in the image of the cover of issue one to the right. That style was replaced at the end of the first year of publication with more exaggerated lettering. For our font we stuck with the original lettering, preserving the characteristic outlining in the titles and upper and lower case versions of the character set with different relative positioning to allow for the overlay effect in the titles. The font is named Drakulon after Vampirella’s home planet. |
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October 10, 2012 | Filed Under Featured Fonts, Fonts, Gallery, New Fonts
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When I was a kid I wasn’t allowed to buy comic books, so when I began to earn some money of my own as a young teen, I hit that market right at the peak of the 1970s boom in alternative large-format comics which were much more salacious – with more gore and sex – than the comics I would have read as a kid. I went straight into the world of Eerie, Creepy and – particularly significant for a teenage boy – Vampirella. The barely-clothed, bloodsucking alien princess from the planet Drakulon was campy but impossible for the adolescent mind to resist.


