New Font – Crane Gothic
One of the artists whose works we’ve been acquiring actively in the last couple of years is influential arts and crafts era illustrator, author and designer Walter Crane. Crane’s childrens books, illustrated classics and collections of Shakespearean woodcuts are outstanding examples of the best of work of the artist as craftsman and are characterized by both technical skill and a unique retrospective vision which typefies the best of the late 19th century Arts and Crafts movement.
Although not as recognized today or as great a critical success, in many ways Crane outshines even the great William Morris. While his written works are not as highly regarded as Morris’ poems and novels and he never made the same kind of mark in interior design (though his wallpaper designs are arguably much more inventive than any of Morris’ work), Crane’s artistic and literary output was enormous, and his success in taking the arts and crafts style into the commericical mass market was remarkable. Crane had the attention to detail which is the mark of the true craftsman. He wrote, designed, illustrated and often hand lettered his books and even had a hand in the printing, binding and publishing in many cases. Crane made it his goal to produce remarkable illustrated works for children at a price which the common man could afford. He was also active as an art teacher throughout his career, mentored many students and left behind a number of very informative texts on art and design.
We’ve been working on fonts from small samples of his lettering to include in the Walter Crane package we have in development and it’s been a challenge because most of the samples we’ve had to work from are limited and require a lot of extrapolation. Then, much to our surprise, a parallel project of acquiring books by noted paleographer Lewis Day turned up a Day book with a couple of full sample alphabets hand lettered by Crane. It was a real breakthrough for the project, giving us a nucleus of the font collection which will eventually be in the package.
The first of our Walter Crane fonts is Crane Gothic, based on lettering which offers a unique and original interpretation of late gothic inscribed lettering characteristic of 16th century monumental brasses and stone carvings. It has a full character set with capitals and small caps, plus numbers and punctuation. You can download and try out the free demo version of Crane Gothic (will work on Mac or PC). If you like it you can buy the complete character set with all the extra features from our Ordering Site.
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BUY NOW TRY DEMO Custom Preview Quicksilver was designed as one of the original featured fonts included in our Psychedelic Fonts Package. It was developed into a full font from a sample of lettering from Quicksilver Messenger Service's live album Summer of '68 and posters for shows associated with it [...]
BUY NOW TRY DEMO Custom Preview Lyceum has the stylized shape and look of a font designed for the program at a lecture hall, hence the name. It is super bold but remains highly readable at fairly small sized, though the contrasts are dramatic. It features only an uppercase characters set because the st[...]
BUY NOW TRY DEMO Custom Preview Our original Folkard font has achieved near legendary status as one of the most interesting calligraphic title fonts of the contemporary era. It has been enormously popular and appeared on movie titles, book covers, t-shirts and games. However it is not the only [...]
BUY NOW TRY DEMO Malagua was originally released in 1999 and has been revised several times since then, culminating in this new release with improved weighting and additional special characters. MAlagua is based on examples of rough hand lettering from the 17th century. It has characteristics [...]
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Chaillot is based on 12th century gothic calligraphy which has some characteristics of early black letter calligraphy and stylistic holdovers from late Carolingian lettering. It is a very bold and distinctive calligraphic style with unusual decorations and flourishes. Chaillot is one of our oldest fonts and was o[...]
It has taken a lot of hours of development, but we finally have our promised Walter Crane Initials font. Or should I say FOUR fonts, because in the process of developing the font it turned out that we ended up with more than we bargained for. One reason that there are four fonts is that there was so[...]
BUY NOW TRY DEMO Custom Preview Yancey is a new font based on a hand-lettered design by Samuel Welo in the late 1920s. It is very much in the tradition of Art Deco designs of that period and designed for decorative titles of poster design uses. Yancey includes two versions of the character set,[...]
BUY NOW TRY DEMO We have done a number of fonts based on unique, historic movie titles. The most well known and widely circulated is our Captain Kidd font, but we have another historic movie font based on an even more famous movie, our Locksley font which comes from the titles of the Adventures of [...]
I was watching the television show Sons of Anarchy and on looking at the logo for the show I was struck by the similarity between the lettering used for the name of the titular motorcycle gang and our Posada font. Clearly their lettering derived from that same neo-gothic southwestern tradition. The main differe[...]
BUY NOW TRY DEMO Custom Preview There's a peculiar style of letters that seems to only show up on some signs and letterpress posters and it caught my eye when I saw it being used in the recent poster for the National Day of the American Cowboy. It's like a western style "egyptian" font with big [...]
As part of Great Britain's participation in the 1906 World's Fair in Chicago, legendary Arts and Crafts artist Walter Crane was comissioned to produce a special commemorative book in a limited edition. The result was Columbia's Courtship, an epic poem about American history, written and hand lettered by Walter Crane w[more]
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I'm in Washington DC this week attending Typecon. The Society of Typographic Aficionados official convention. There are all sorts of programs and presentations with notable typographers and designers appearing as speakers. As well as exhibits and new products to see. I'm merely going as a humble attendee because [more]
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