New Font: Aylward
I seem to still be operating in the mode of fonts based on Victorian era advertising cuts, and Aylward fits in that tradition, based on several variants of the same style of wood type. Aylward is a bold display face with exaggerated serifs and some unusual features like the really unique design of the “A” and the spiral forms on the “S” and “G” characters. Aylward offers a trule unique and antique look but is very readable and striking without being too heavy or overly ornate.
It also includes not just a single style, but also a variant with spurs on the ascenders and curves of the characters. Because this is a display face it has no proper lowercase, so the standard font includes the spurred characters on the uppercase and the plain characters as the lowercase. As a bonus there is also a custom outline version of the font which can be bought separately or is included packaged with the main font, so it’s like getting three fonts in one.
You can download and try the demo version of Aylward in TrueType format for Mac or PC. It includes a mix of characters from the different variants of the font. You can also order the full version online for immediate download: BUY IT NOW.
New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
BUY NOW TRY DEMO Custom Preview Lyceum has the stylized shape and look of a font designed for the program at a lecture hall, hence the name. It is super bold but remains highly readable at fairly small sized, though the contrasts are dramatic. It features only an uppercase characters set because the st[...]
BUY NOW TRY DEMO Custom Preview Startling Stories was a pulp-era science fiction magazine known for its lurid covers by Earle K. Bergey and its eye-catching title designs. It was a companion to Thrilling Wonder Stories and Fantastic Stories. The magazine was very successful in the immediate pos[...]
BUY NOW TRY DEMO Custom Preview Our original Folkard font has achieved near legendary status as one of the most interesting calligraphic title fonts of the contemporary era. It has been enormously popular and appeared on movie titles, book covers, t-shirts and games. However it is not the only [...]
Film director Sergei Eisenstein was a major influence on the Constructivist movement through his collaboration with Alexander Rodchenko and by inspiring other artists of the era. Thus it seems appropriate that the final font in our Constructivist Font Collection should be named after Eisenstein, especiall[...]
BUY NOW TRY DEMO Custom Preview Escargot is based on lettering from the cover of an early pulp novel I came across a couple of months ago. It's a strong example of a distinctive style of sign and poster lettering from the 1930, characterized by super high contrast between the weighting on the le[...]
BUY NOW TRY DEMO Potsdam was one of our earliest font releases, first produced in 1992 based on samples of 19th century decorative German type. It was one of our first fonts designed for MacIntosh computer users and follows the naming convention for Mac fonts of that era, being named after a city. [...]
It's the time of year when we do a lot of design for political posters and some of those projects need special fonts. On this kind of work we already get a lot of mileage out of fonts like Aventine and Atinson Egyptian, but we needed more diversity and something with a different look. Fonts for campaign posters c[...]
BUY NOW TRY DEMO Our Munich font was first released in 1998 and has been revised several times since then. This latest version includes substantial improvements in the outlines of the characters and a new set of simple upper case initials. Munich is based on one of the classic lettering styles used on[...]
BUY NOW TRY DEMO Custom Preview Sanhedrin is a decorative futuristic font, which features two distinct sets of different characters and a number of additional special characters. It draws some characters from the Greek alphabet and also has some unusual art nouveau character forms and a strange biblic[...]
BUY NOW TRY DEMO Custom Preview Mannering is a new font design derived from some samples of an uppercase letter set by Samuel Welo, with additional lowercase characters and numbers added to it in the same style. It is a sans serif font with calligraphic lines and distinctive embellished horizontal cro[...]
BUY NOW TRY DEMO Custom Preview Script fonts can be a real challenge to design, especially when they are designed to have interconnecting characters which require exacting kerning and character positioning. When we first developed Orphiel we did a lot of kerning work on it, but despite a g[...]
BUY NOW TRY DEMO Our Froissart font was first released in 2000 as part of our Medieval Fonts and Art package. It is an accurate recreation of the Littera Bastarda calligraphic style which was popular in the 14th and 15th centuries as gothic styles were losing popularity and there was a demand for s[...]
BUY NOW TRY DEMO Custom Preview Doge is a new font based on samples of late-renaissance period lettering from Venice, preserved and reproduced by early 20th century calligrapher and designer J. M. Bergling. It has some similarity to some of our other fonts based on lettering from the same period[...]
BUY NOW TRY DEMO Custom Preview Yancey is a new font based on a hand-lettered design by Samuel Welo in the late 1920s. It is very much in the tradition of Art Deco designs of that period and designed for decorative titles of poster design uses. Yancey includes two versions of the character set,[...]
I'm back at Typecon and things are in full swing now. There was a long but fascinating keynote presentation from Tobias Frere-Jones last night on type as security in banknotes. It was the main entertainment for the evening and went on an on for a bit. I actually had to cut out before I could ask my question - "Why ar[more]
Our newest release is our collection of Constructivist Fonts based on poster lettering from the early post-revolutionary period in Russia, including designs based on the styles of famous designers of the period like Alexander Rodchenko, Mikhail Vrubel and Sergei Eisenstein. These are typical of the m[more]
We've got five designs were considering for out next font. They all fairly similar so we need some help choosing. Which one would you like to see next?[more]
Our gothic font collection is a compilation of our most interesting fonts based on gothic type and late medieval calligraphy. It covers the range from the historical styles in which gothic printing had its inspiration to the ornate heights of complex gothic fonts from 19th century Germany. This includes fonts in the[more]
Citing the boring sameness of their web presentation, the management of social media giant Facebook has contacted us here at the Scriptorium to purchase two new proprietary colors and 3 new custom fonts for $1.2 billion. Facebook CEO Mark Zuckerberg observed that now that his company has topped the $100 billion mark[more]
I was shopping in my local HEB grocery store this weekend and found myself in the soft drink section, confronted by a wall of cool retro-looking bottles of all sorts of sodas from the Dublin Bottling Works, a company based in Dublin Texas which produces a full line of specialty soft drinks, apparently mostly for distri[more]
I'm in Washington DC this week attending Typecon. The Society of Typographic Aficionados official convention. There are all sorts of programs and presentations with notable typographers and designers appearing as speakers. As well as exhibits and new products to see. I'm merely going as a humble attendee because [more]
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