Monospaced Fonts and the Waffle House
As someone who is a bit more decoratively inclined my thoughts usually tend to follow a different track, but the other night I was up late and looking for a bite to eat and stopped in at the Waffle House. While waiting for my eggs and gazing out the window my eye was caught by the ubiquitous sign and it immediately struck me what a perfect example of the concept of a monospaced font it is.
The Waffle House sign is made up of a series of perfectly regular squared with characters inside them and the characters are uniform in width and height, illustrating very clearly the relationship between a character and the space it occupies, as well as showing how characters can be made to look relatively normal while having a uniform height and width.
Of course, most monospaced fonts do not have height and width in a one-to-one ratio, but they are often have specific proportional ratios between width and height. The Waffle House sign also benefits from only having specific letters and ones which are mostly easy to fit into a uniform space. How they would have dealt with “I” or “M” and made them look good is one of the questions about the Waffle House which remain forever unanswered…
We have some interesting monospaced fonts, including Onuava and Cincinnatus which are two of our most popular. We actually have one which has the one-to-one height to width ratio, but Big Block doesn’t look much like the Waffle House font.
New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
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BUY NOW TRY DEMO Custom Preview Edifice is a decorative titling font based on samples of lettering by J. M. Bergling. It has an architectural, constructed look to it. Very well suited to sign and poster design. It's stylish but still readable and clear. Edifice includes a full uppercase charac[...]
BUY NOW TRY DEMO Our Munich font was first released in 1998 and has been revised several times since then. This latest version includes substantial improvements in the outlines of the characters and a new set of simple upper case initials. Munich is based on one of the classic lettering styles used on[...]
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Lachesis was one of our earliest text font designs, a unique font deliberately designed to have an antique wood-cut look. It is based on samples of vintage type taken directly from letterpress type blocks found at the type museum in Barnard Maine, a great resource which closed a few years ago. Over the years La[...]
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BUY NOW TRY DEMO Custom Preview Squiffy is a fun font. It has a background in arts and crafts style font design, but rather than the regular, architectural character forms and arrangements, the characters are wild and irregular and highly varied. There are two distinct versions of every character, with[...]
BUY NOW TRY DEMO Custom Preview Our original Folkard font has achieved near legendary status as one of the most interesting calligraphic title fonts of the contemporary era. It has been enormously popular and appeared on movie titles, book covers, t-shirts and games. However it is not the only [...]
In the week leading up to St. Patrick's Day it's all about Celtic design, so our featured classic font has to be something with a Celtic theme. That being the case, there's no better choice than our bold and beautiful Padstow font. It's named after the town with the most famous festival in Cornwall and has a uniq[...]
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There are many good things about Typecon and many nice things I could say, but instead I find myself seized with a compulsion to recast Typecon like old metal type that's melted down and mold into a new font. I've got lots of experience with conferences in a number of different industries, as an attendee. a sponsor,[more]
For TypeCon we produced a special collection of Walter Crane Fonts and Art on a Flash Drive shaped like a business card. We have some of these left over after the event and nothing to do with them except sell them as a special item on our web page. The package contains five original Walter Crane fonts, including one[more]
I'm in Washington DC this week attending Typecon. The Society of Typographic Aficionados official convention. There are all sorts of programs and presentations with notable typographers and designers appearing as speakers. As well as exhibits and new products to see. I'm merely going as a humble attendee because [more]
Every year we try to amuse with some sort of April Fools prank. This year visitors to the site were first greeted by what looked like a hacker takeover, a modest joke, but we've done some even bigger and sillier things in previous years. Here are some examples preserved as best we could. 1998 April Fools Page 1999[more]
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