Monospaced Fonts and the Waffle House
As someone who is a bit more decoratively inclined my thoughts usually tend to follow a different track, but the other night I was up late and looking for a bite to eat and stopped in at the Waffle House. While waiting for my eggs and gazing out the window my eye was caught by the ubiquitous sign and it immediately struck me what a perfect example of the concept of a monospaced font it is.
The Waffle House sign is made up of a series of perfectly regular squared with characters inside them and the characters are uniform in width and height, illustrating very clearly the relationship between a character and the space it occupies, as well as showing how characters can be made to look relatively normal while having a uniform height and width.
Of course, most monospaced fonts do not have height and width in a one-to-one ratio, but they are often have specific proportional ratios between width and height. The Waffle House sign also benefits from only having specific letters and ones which are mostly easy to fit into a uniform space. How they would have dealt with “I” or “M” and made them look good is one of the questions about the Waffle House which remain forever unanswered…
We have some interesting monospaced fonts, including Onuava and Cincinnatus which are two of our most popular. We actually have one which has the one-to-one height to width ratio, but Big Block doesn’t look much like the Waffle House font.
New Font: BigBlok
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In January of 1891 Little Folks Magazine published a special feature of a calendar designed and illustrated by Walter Crane with accompanying verses by his eldest daughter Beatrice. Each of the 12 panels has a figurative depiction of the month, a decorated initial and a topical verse. In style they are rather reminisce[more]
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- New Font: Tilbury
- Optical Illusion Skull Images
- ebay uk only: How smart guys on this site. Surprised.
- Installing Fonts
- Monospaced Fonts and the Waffle House
- Sighting: Cymbeline Font in the Bookstore