Featured Articles
Now International: Buc...
As part of a new project for one of our clients in the video game industry we now have available fully expanded character sets for two of our most pop[more]
Join Us on Social Medi...
A few months ago we launched a push to get as many followers on Facebook and Twitter as we could. It was pretty successful and we increased our social[more]
Arts and Crafts Border...
The Calendar of Golden Thoughts was published by Barse and Hopkins printing company in 1911. It was a calendar for the year 1912, but it also served a[more]
Top Eleven Fonts of 20...
At the end of the year it's always popular to try to track trends. So a bit of number crunching with our sales record yields some interesting data, st[more]
Flood Sale!...
After months of drought here in Central Texas the rain decided to come to visit with a vengeance early Tuesday morning. We got 6 inches of rain in a l[more]
Renaissance Fonts and ...
Click any font to see a larger sample. The Renaissance saw the movement of literature i[more]
New Holiday Clip-Art M...
This year, as a special holiday offering we're releasing a mini-package of seasonal clip-art with images based on mortised advertising cuts from the e[more]
Holiday Feature Guide...
Holiday Fonts and Art Collection Classic Font: St. Nicholas New Font: Holly Initials Classic Font: Swithin Classic Font: Offenbach [more]
Special Arthur Rackham...
We've been doing an awful lot with Walter Crane recently, but sort of neglecting one of his great contemporaries who has been a mainstay of our collec[more]
Captain Kidd Font Feat...
Tonight, while I was watching NBC's new show Grimm with the kids, I was pleasantly surprised by the appearance of our Captain Kidd font at the opening[more]
Art Deco Font Collection
Our new Art Deco font collection includes a remarkable selectiion of fonts from the design movements of the 1920s and 1930s, focusing on the kinds of fonts which were generally associated with the decorative arts movement which developed out of the Arts and Crafts movement. More...Wild West Fonts
Our Wild West font collection features 14 fonts based on designs from the classic days of the American West (1870-1890). They are typical of the type and lettering styles used in signs, circulars, posters and newspapers during that era. The selection includes both decorative, display and text fonts. All the fonts are historically accurate and they are not available from any other source. While they are basically fonts of the Victorian era, they represent a subset of the typefaces popular in that period particularly slanted to the environmnet of the wild west, frontier newspapers and wild west shows.More...Pre-Raphaelite Collection
The art of the Pre-Raphaelites recreated classical and legendary themes, fascination with architectural elements and realistic drapery, and the use of models who fit a particular style and appearance, usually with thick, curly hair and voluptuous figures. Our Pre-Raphaelite collection features select images from the most prominent artists of the movement in high-resolution suitable for use in print.More...The Baby’s Opera Collection
Or latest collection based on one of Walter Crane's childrens book is our comprehensive presentation of The Baby’s Opera, Crane's compilation of childrens songs (including music and lyrics) with detailed illustrations, hand lettering and clever decorations on every page. Many of the designs and motifs can easily be extracted for use in your own designs. More...Text Fonts Collection
You've got to have text fonts, so wny not make them interesting and unique rather than the same old boring set that come with every computer. Our Text Fonts Collection has more variety and more style than you'll find anywhere else. More...Howard Pyle Fonts and Art
Howard Pyle was one of the most renowned illustrators of the 19th century. His work was widely published in adventure novels, magazines and romances. He was the founder of the Brandywine school and artists colony in Chadd's Ford Pennsylvania, where he taught artists like N. C. Wyeth, Frank Schoonover and Thornton Oakley their craft. Our Pyle collection includes a large selection of Pyle's art and designs plus original fonts based on his hand lettering. More...Medieval Fonts and Art
In the Middle Ages the demand for written documents required new and better forms of writing, styles which were readable, consistent, efficient to produce, and sometimes decorative as well. This package features a selection of fonts and art based on designs from the Middle Ages, emphasizing the years from 1100 to 1400. The 25 fonts include versions of the major popular lettering styles of this period and the art includes beautiful borders, frames and other decorative elements based on medieval designs. DETAILSThe Lady of Shalott
Howard Pyle’s illustrated edition of Tennyson’s Lady of Shalott is probably the single greatest expression of book design in the American arts and crafts movement of the late 19th century. This early Pyle work combines his vivid illustrative style with exceptional decoration and lettering into a modern illuminated masterpiece. Our Lady of Shalott CD package has every page from the book in high resolution format, including the decorated verses, the full-page illustrations and the embellished titles and flyleaves. It also includes extracted and instantly usable versions of the initials, illustrations background patterns, borders and frames from the book. DETAILSArt Nouveau Collection
This collection brings together all of our best fonts based on Art Nouveau period designs into an extensive collection, with over 30 unique fonts, including text, title faces and even decorative initials. This includes new fonts created just for this package plus classics in the Art Nouveau tradition. It also features a bonus collection of frames and borders based on designs from magazines and books of the period. Altogether it makes the ultimate resource for Art Nouveau style design. DETAILS2009 Sampler
About once a year we release a special sampler package with a collection of selected fonts and art from our most recent and forthcoming packages, including some unique items not available anywhere else, all brought together as an overview of what we've been up to at the Scriptorium during the past year at a special, extremely low price. This latest sampler has four complete new fonts, 15 demo fonts and a special selection of art and graphics which includes a special set of illustrations of Celtic mythology by Katherine Cameron. DETAILSViking Fonts and Art
This collection presents calligraphy and art based on the traditions of historic Germanic cultures. It draws on the broad scope of early Germanic design, from the pre-Christian era through the early middle ages, including not just Scandinavia, but other elements of Germanic culture from the Franks to the Saxons to the Normans and beyond. The main component is a collection of historic fonts which is complemented by a unique set of historic borders and motifs, plus art based on Viking myth and legend. DETAILS.Gothic Fonts
A collection of our best fonts based on gothic type and late medieval calligraphy. It covers the range from the historical styles in which gothic printing had its inspiration to the ornate heights of complex gothic fonts from 19th century Germany. This includes fonts in the style sometimes called 'Old English', as well as what calligraphers sometimes call 'Black Letter'. If you like your fonts dark, angular and complex, this is your dream collection. DETAILSMore Collections
To see samples of other font and art collections visit our Font and Art Collections Page.
Font/Image Licenses
I’ve noticed recently that a lot of people seem not to entirely understand the idea of purchasing fonts or images with a license, and I suspect they find the idea intimidating. It’s not surprising, since it’s a bit different from purchasing a toaster or a book, and not something most people do every day.
To help clear up this confusion we’ve rewritten our EULA (end user license agreement) to include not only the legalistic text of the license itself, but also colored sections which clarify and explain in some detail typical acceptable and unacceptable uses under the license to answer user questions in advance.
The basic idea of a license ought to be easy to understand. While we retain copyright and ownership of our fonts and images, when you buy them we give you a license which includes permission to use those images and fonts within certain parameters defined in the license. Some users get confused because of a superficial similarity with renting something and conclude that this means that there are additional secondary fees, but our licenses are based on a one-time payment and as long as you remain within the terms of the license there are no additional charges. So you pay for the license and as long as you have it you can use the item you bought in the ways it allows.
For example, with a font you CAN:
- Create text and titles in a publication.
Design logos or business stationery.
Use in posters or merchandise packaging.
Make on-screen titles in movie, video or game production.
Design graphics for publication, online viewing or display in a program interface
But you CANNOT:
- Embed a font in a computer or console game or other software.
Resell or redistribut the font to secondary users.
Use the font in the creation of a secondary form of reproduction like rubber stamps, letter stickers or transfer media.
And with an image you CAN:
- Use for illustrations in a publication or media presentation.
Use for designing logos or business stationery.
Inclusion as part of an original work of art like a collage.
Use for personal reference or display by the end user.
But you CANNOT:
- Resell the image in digital format.
Use the image in publishing prints, postcards or calendars.
Use ithe image to create a secondary form of reproduction like rubber stamps, stickers or transfer media.
The idea of all of this is to make our products useful to you, while also retaining their value to us and to other users. The license protects our rights, but also protects you by clearly defining what you can do with our products and including in those terms the vast majority of typical uses. If the license doesn’t cover the use you have in mind, we may have a special license to cover that use and you should contact us to discuss it.
So when you’re placing an order and the screen asks you to sign off on the license, I hope that the new version of the license, with the explanatory sections will help remove any ambiguity and answer any questions.
Dave
January 6, 2009 | Filed Under
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New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
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