Retro Design in Django Unchained
We’ve started seeing previews for Quentin Tarrantino’s new film Django Unchained in the theatres. The film looks like a high-octane take on the western genre done with a Tarrantino twist, and as has been the case with other recent films from Tarrantino as a director and a producer we’re already seeing a lot of attention being paid to the graphic presentation of the film, with the use of period design elements reminiscent of the films whose legacy Django Unchained borrows from, the spaghetti westerns of the 1960s and early 1970s.
The first official poster release shows this dedication to retro design, though the minimalist cut-out style seems much more characteristic of novel cover design from the late 60s or early 70s than it does of spaghetti western posters. But there’s no question it’s a striking and evocative design. And there is a clear parallel to one classic film poster, the poster from the similarly themed 1971 western The Skin Game (shown to the left), whhich also uses silhouettes and bold contrasting colors.
The theatrical preview also shows the same kind of design aesthetic, with the use of letterpress style fonts, including the use of what appears to be a somewhat distressed version of our Caelian font as the main titles between the cuts in the trailer, which works well because the font is so bold.
Of course, if you want to see really bold vintage font choices and retro design style in a period film, keep an eye out for the trailer for The Man with the Iron Fists brought to us by Tarrantino collaborator Eli Roth and rapper/actor RZA, a film which seems to have no official Tarrantino association but sure looks like something he would have produced.
August 22, 2012 | Filed Under Uncategorized
New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
BUY NOW TRY DEMO Custom Preview Cosmic Dude was designed as one of the special original fonts developed for our Modern Poster Fonts package. The character forms are based on samples of hand lettering from a late 1970s rock show poster. The character set includes numbers, punctuation, uppercase letter[...]
Merguez is a hand lettered font in the tradition of Speedball freehand calligraphy, but with some unusual flourishes. It makes an excellent alternative to boring informal hand lettering fonts like Comic Sans. It includes a full upper and lower case character set, plus numbers and punctuation. We picked the n[...]
BUY NOW TRY DEMO Custom Preview You may recall a couple of months ago when we had some font samples posted on the page to vote on. Well, the winner of the vote by a significant margin was a sample of lettering by Samuel Welo, and now as promised, it is available as our newest font: Carillon. They f[...]
Pyle Gothic is based on lettering designed by Howard Pyle, from his Adventures of Robin Hood and King Arthur and His Knights. It combines elements of calligraphy and a simulation of primitive printing techniques.The original characters were carved into wood blocks from which the black and white illustrations wit[...]
Hendrix is one of our most classic and most quintessential psychedelic poster fonts. It is based on hand lettering from a number of posters and album covers produced in the 1960s and the early 1970s. It is a very striking font, quite recognizable and identified with the period. This new release has some signific[...]
BUY NOW TRY DEMO Custom Preview Quicksilver was designed as one of the original featured fonts included in our Psychedelic Fonts Package. It was developed into a full font from a sample of lettering from Quicksilver Messenger Service's live album Summer of '68 and posters for shows associated with it [...]
Vasilisa is based on Russian folk art lettering from the pre-revolutionary period. It is included in our original Russian Fonts and Art package. It is very readable in English but also includes elements of Cyrillic lettering. It is evocative of rural Russian life and fits well with the hand crafted peasant wood[...]
BUY NOW TRY DEMO Custom Preview Iphegenia was one of our early designs, a creative advertising script font with a modern, hand-drawn look but regular character forms and a nice even line to it. It has high readability despite its decorative look and works well in combination with a variety of other fo[...]
BUY NOW TRY DEMO Custom Preview Startling Stories was a pulp-era science fiction magazine known for its lurid covers by Earle K. Bergey and its eye-catching title designs. It was a companion to Thrilling Wonder Stories and Fantastic Stories. The magazine was very successful in the immediate pos[...]
It has taken a lot of hours of development, but we finally have our promised Walter Crane Initials font. Or should I say FOUR fonts, because in the process of developing the font it turned out that we ended up with more than we bargained for. One reason that there are four fonts is that there was so[...]
Cavegirl is inspired by the genre of prehistoric epic films, the most memorable of which is One Million Years BC, starring the voluptuous Raquel Welch clad only in a legendary fur bikini. The style of the font is typical of the lettering used in the posters and titles for these movies, with a rough and primiti[...]
BUY NOW TRY DEMO Custom Preview We've featured some articles on the designs of pulp novel covers from the mid-20th century, including s look at the fonts used in those designs. We've also released fonts based on those designs, like suspicion. These old book cover designs are a great resource for [...]
BUY NOW TRY DEMO Custom Preview Yancey is a new font based on a hand-lettered design by Samuel Welo in the late 1920s. It is very much in the tradition of Art Deco designs of that period and designed for decorative titles of poster design uses. Yancey includes two versions of the character set,[...]
Treadway is a new, original design in the tradition of futuristic advertising scripts of the mid-20th century, inspired by fonts like Kaufmann and Gillies, but with a stronger, more clearly defined look, stripped down to its most stylized essentials for a very powerful visual impact. It is the kind of type you'[...]
BUY NOW TRY DEMO Custom Preview Lyceum has the stylized shape and look of a font designed for the program at a lecture hall, hence the name. It is super bold but remains highly readable at fairly small sized, though the contrasts are dramatic. It features only an uppercase characters set because the st[...]
This is a special collection of borders (and three illustrations) drawn by Louis Rhead for William Morris' translation of The History of Oversea. These are striking borders in Rhead's unique art nouveau style, well suited to various adaptations. The collection contains 13 borders and 3 illustrations, the complete d[more]
As part of Great Britain's participation in the 1906 World's Fair in Chicago, legendary Arts and Crafts artist Walter Crane was comissioned to produce a special commemorative book in a limited edition. The result was Columbia's Courtship, an epic poem about American history, written and hand lettered by Walter Crane wi[more]
Margaret Armstrong was an artist of the early 20th century particularly known for her detailed Art Nouveau decorated book bindings, but she also did outstanding floral illustration as found in her book Western Wild Flowers, or in floral ornamented borders in books like Love Finds a Way by Paul Leicester Ford. The fl[more]
I was in the Austin airport taking off for parts unknown and felt a need for breakfast. Apparently the only option for a late-morning breakfast taco was Maudie's Tex Mex, so I headed for Gate 11. I got my breakfast tacos, and they were truly awful, but the experience was made somewhat better by seeing their interesting[more]
For years here at the Scriptorium we've been developing fonts and collecting unique art which is perfect for Halloween and putting it together into packages which we promote through our Boneyard Fonts site. After many years collecting fonts and art we've put together a gruesomely provocative collection of fonts and art[more]
If you don't already get our weekly (more or less) newsletter with free offers, discount coupons and links to our articles and new releases, this is the time to sign up. We're constantly putting new articles, new fonts, new reviews and new links to great antique art and design resources on our site. Every [more]
For TypeCon we produced a special collection of Walter Crane Fonts and Art on a Flash Drive shaped like a business card. We have some of these left over after the event and nothing to do with them except sell them as a special item on our web page. The package contains five original Walter Crane fonts, including one[more]
As a special bonus, this Christmas we're making available an unusual collection of Christmas images by outstanding American book illustrator and decorator Walter Tittle, an artist most known for his seasonal works. These illustrations are taken from his book Colonial Holdays which is a collection of accounts from p[more]
- 2014 Font and Art Sampler
- Font Gallery
- Fred Testerman: FYI, The Text Fonts link under Font Styles of your web page isn't working. Not Found - 404 error.
- Keith: I'm wondering if you can create fonts in a persons own written or printed handwriting for emailing or other online communication. Thanks, Keith
- Dave: We do. Check out Broadley. http://www.fontcraft.com/fontcraft/index.php?s=broadley
- Howard Pyle Fonts and Art Package
- Book Cover Designs by Margaret Armstrong
- Mark Wukas: How about a "blueflower" font?