Retro Design in Django Unchained
We’ve started seeing previews for Quentin Tarrantino’s new film Django Unchained in the theatres. The film looks like a high-octane take on the western genre done with a Tarrantino twist, and as has been the case with other recent films from Tarrantino as a director and a producer we’re already seeing a lot of attention being paid to the graphic presentation of the film, with the use of period design elements reminiscent of the films whose legacy Django Unchained borrows from, the spaghetti westerns of the 1960s and early 1970s.
The first official poster release shows this dedication to retro design, though the minimalist cut-out style seems much more characteristic of novel cover design from the late 60s or early 70s than it does of spaghetti western posters. But there’s no question it’s a striking and evocative design. And there is a clear parallel to one classic film poster, the poster from the similarly themed 1971 western The Skin Game (shown to the left), whhich also uses silhouettes and bold contrasting colors.
The theatrical preview also shows the same kind of design aesthetic, with the use of letterpress style fonts, including the use of what appears to be a somewhat distressed version of our Caelian font as the main titles between the cuts in the trailer, which works well because the font is so bold.
Of course, if you want to see really bold vintage font choices and retro design style in a period film, keep an eye out for the trailer for The Man with the Iron Fists brought to us by Tarrantino collaborator Eli Roth and rapper/actor RZA, a film which seems to have no official Tarrantino association but sure looks like something he would have produced.
August 22, 2012 | Filed Under Uncategorized
New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
Hendrix is one of our most classic and most quintessential psychedelic poster fonts. It is based on hand lettering from a number of posters and album covers produced in the 1960s and the early 1970s. It is a very striking font, quite recognizable and identified with the period. This new release has some signific[...]
BUY NOW TRY DEMO Marquis Greeking is unreadable. It is supposed to be unreadable, because it is a Greeking Font, a font designed specifically to check layout and overall appearance without the distraction of the actual text. It contains variations of actual characters from our Marquis text font, w[...]
Sternhagen is a classically attractive font with a modernized gothic look which combines traditional elements from the high middle ages with a bit of Art Deco style. It will eventually be part of our Gothic Fonts Collections, but for now it is available singly.Sternhagen has a complete upper and lowercase charact[...]
BUY NOW TRY DEMO Custom Preview Mannering is a new font design derived from some samples of an uppercase letter set by Samuel Welo, with additional lowercase characters and numbers added to it in the same style. It is a sans serif font with calligraphic lines and distinctive embellished horizontal cro[...]
BUY NOW TRY DEMO Custom Preview Escargot is based on lettering from the cover of an early pulp novel I came across a couple of months ago. It's a strong example of a distinctive style of sign and poster lettering from the 1930, characterized by super high contrast between the weighting on the le[...]
BUY NOW TRY DEMO Custom Preview Quicksilver was designed as one of the original featured fonts included in our Psychedelic Fonts Package. It was developed into a full font from a sample of lettering from Quicksilver Messenger Service's live album Summer of '68 and posters for shows associated with it [...]
BUY NOW TRY DEMO Sarandiel is a new script font based on vintage hand lettering. It has complex flourished capital letters with simpler compatible lower case characters and numbers. It is carefully spaced and kerned and well suited the formal uses like invitations and certificates. It takes its nam[...]
BUY NOW TRY DEMO Custom Preview We've featured some articles on the designs of pulp novel covers from the mid-20th century, including s look at the fonts used in those designs. We've also released fonts based on those designs, like suspicion. These old book cover designs are a great resource for [...]
In an article last week we explored the origins of the font used in Quentin Tarantino's Django Unchained and a bit of the history of the Django genre of films. That was part of the process of the development of an original font based on the lettering used in the original Django, a process similar to what was p[...]
BUY NOW TRY DEMO Custom Preview Squiffy is a fun font. It has a background in arts and crafts style font design, but rather than the regular, architectural character forms and arrangements, the characters are wild and irregular and highly varied. There are two distinct versions of every character, with[...]
BUY NOW TRY DEMO Custom Preview Yancey is a new font based on a hand-lettered design by Samuel Welo in the late 1920s. It is very much in the tradition of Art Deco designs of that period and designed for decorative titles of poster design uses. Yancey includes two versions of the character set,[...]
BUY NOW TRY DEMO Potsdam was one of our earliest font releases, first produced in 1992 based on samples of 19th century decorative German type. It was one of our first fonts designed for MacIntosh computer users and follows the naming convention for Mac fonts of that era, being named after a city. [...]
BUY NOW TRY DEMO Custom Preview Cosmic Dude was designed as one of the special original fonts developed for our Modern Poster Fonts package. The character forms are based on samples of hand lettering from a late 1970s rock show poster. The character set includes numbers, punctuation, uppercase letter[...]
In honor of Cyber Monday, which some people are now expanding to be a whole Cyber Week, we're releasing St. Ives, a new modernistic font with unique riser and descender characters which give it an unusual linear look. It will be featured in a new edition of our Futuristic Fonts which will be released late[...]
Butterfield is based on letting from a poster for the Paul Butterfield Blues Band. It can be found as part of Psychedelic Fonts Collection package. It has a unique look particularly characteristic of the 60s and especially suited to use on posters. It has a full set of numbers and punctuation, plus custom small [...]
We have an awful lot of fonts. Well over 500 of them and more all the time. Plus we're starting a great new discount when you order multiple fonts at the same time...fonts as much at 50% off. We've just updated one of our most useful reference tool, a graphic preview gallery of all hundreds of our new and feature[more]
At the start of every year we put out a special sampler package of the fonts and art which we released or revised in the previous year at a very low introductory price. It's a great way to try out some of our products. Now it's time to release the sampler for 2014, with a [more]
We have seen many efforts to bring customizable fonts to the web, from primitive rasterized characters in the early days to Macromedia/Adobe's SWF fonts and Google's Webfonts, which are probably the most successful mass market implementations. The goal has always been to take your fonts and make them appear the way you[more]
Here's a little something from a more innocent age, a set of three decorative floral borders designed by L. E. Wright for the book Mary's Garden a collection of nursery rhymes together with explanatory/elaborative stories also by Wright. There are just three borders, so it's not exactly enough for a package in its o[more]
I was browsing through the new release section in my local bookstore, enjoying the nostalgia of the printed book, when my eye was caught by an historical novel called "The Siege Winter." More specifically the cover design drew my attention, because it used one of our earliest fonts, Cymbeline. More particularly I was s[more]
MAJOR WORKS A Floral Fantasy in an Old English Garden Aladdin's Picture Book Crane Arthurian Art Columbia's Courtship The Golden Primer The Shepherd's Calendar A Flower Wedding Queen Summer Pan Pipes BABY'S COLLECTIONS The Baby's Aesop The Baby's Opera The Baby's Bouquet MINI-PAC[more]
Margaret Armstrong was an artist of the early 20th century particularly known for her detailed Art Nouveau decorated book bindings, but she also did outstanding floral illustration as found in her book Western Wild Flowers, or in floral ornamented borders in books like Love Finds a Way by Paul Leicester Ford. The fl[more]
- New Font: Sarandiel
- L. E. Wright Borders
- Sighting: Cymbeline Font in the Bookstore
- Special Font: Marquis Greeking
- Columbia's Courtship by Walter Crane