Retro Design in Django Unchained
We’ve started seeing previews for Quentin Tarrantino’s new film Django Unchained in the theatres. The film looks like a high-octane take on the western genre done with a Tarrantino twist, and as has been the case with other recent films from Tarrantino as a director and a producer we’re already seeing a lot of attention being paid to the graphic presentation of the film, with the use of period design elements reminiscent of the films whose legacy Django Unchained borrows from, the spaghetti westerns of the 1960s and early 1970s.
The first official poster release shows this dedication to retro design, though the minimalist cut-out style seems much more characteristic of novel cover design from the late 60s or early 70s than it does of spaghetti western posters. But there’s no question it’s a striking and evocative design. And there is a clear parallel to one classic film poster, the poster from the similarly themed 1971 western The Skin Game (shown to the left), whhich also uses silhouettes and bold contrasting colors.
The theatrical preview also shows the same kind of design aesthetic, with the use of letterpress style fonts, including the use of what appears to be a somewhat distressed version of our Caelian font as the main titles between the cuts in the trailer, which works well because the font is so bold.
Of course, if you want to see really bold vintage font choices and retro design style in a period film, keep an eye out for the trailer for The Man with the Iron Fists brought to us by Tarrantino collaborator Eli Roth and rapper/actor RZA, a film which seems to have no official Tarrantino association but sure looks like something he would have produced.
August 22, 2012 | Filed Under Uncategorized
New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
BUY NOW TRY DEMO Custom Preview Escargot is based on lettering from the cover of an early pulp novel I came across a couple of months ago. It's a strong example of a distinctive style of sign and poster lettering from the 1930, characterized by super high contrast between the weighting on the le[...]
Once again we are calling on the classic early 20th century lettering work of J. M. Bergling to produce a new font with a timeless look which combines elements of text and titling styles for a versatile and elegant effect. Diomedes includes a full set of upper and lower case characters plus an interesting sele[...]
BUY NOW TRY DEMO Custom Preview There's a peculiar style of letters that seems to only show up on some signs and letterpress posters and it caught my eye when I saw it being used in the recent poster for the National Day of the American Cowboy. It's like a western style "egyptian" font with big [...]
BUY NOW TRY DEMO Custom Preview Script fonts can be a real challenge to design, especially when they are designed to have interconnecting characters which require exacting kerning and character positioning. When we first developed Orphiel we did a lot of kerning work on it, but despite a g[...]
BUY NOW TRY DEMO Custom Preview Our original Folkard font has achieved near legendary status as one of the most interesting calligraphic title fonts of the contemporary era. It has been enormously popular and appeared on movie titles, book covers, t-shirts and games. However it is not the only [...]
BUY NOW TRY DEMO Custom Preview Edifice is a decorative titling font based on samples of lettering by J. M. Bergling. It has an architectural, constructed look to it. Very well suited to sign and poster design. It's stylish but still readable and clear. Edifice includes a full uppercase charac[...]
BUY NOW TRY DEMO Custom Preview Iphegenia was one of our early designs, a creative advertising script font with a modern, hand-drawn look but regular character forms and a nice even line to it. It has high readability despite its decorative look and works well in combination with a variety of other fo[...]
I was watching the television show Sons of Anarchy and on looking at the logo for the show I was struck by the similarity between the lettering used for the name of the titular motorcycle gang and our Posada font. Clearly their lettering derived from that same neo-gothic southwestern tradition. The main differe[...]
BUY NOW TRY DEMO Custom Preview Quicksilver was designed as one of the original featured fonts included in our Psychedelic Fonts Package. It was developed into a full font from a sample of lettering from Quicksilver Messenger Service's live album Summer of '68 and posters for shows associated with it [...]
It has taken a lot of hours of development, but we finally have our promised Walter Crane Initials font. Or should I say FOUR fonts, because in the process of developing the font it turned out that we ended up with more than we bargained for. One reason that there are four fonts is that there was so[...]
Film director Sergei Eisenstein was a major influence on the Constructivist movement through his collaboration with Alexander Rodchenko and by inspiring other artists of the era. Thus it seems appropriate that the final font in our Constructivist Font Collection should be named after Eisenstein, especiall[...]
BUY NOW TRY DEMO Custom Preview Slava is based on lettering by legendary Art Nouveau master Alphons Mucha from his later post-Parisian period when he returned to Prague and did a lot of design work in support of the slavic nationalist movement. The letter forms still have many of the characteristics of[...]
In an article last week we explored the origins of the font used in Quentin Tarantino's Django Unchained and a bit of the history of the Django genre of films. That was part of the process of the development of an original font based on the lettering used in the original Django, a process similar to what was p[...]
When we did a font (and a feature article) recently based on a design by Alexander Rodchenko, the result was a very cool font, but while it was based on Rodchenko lettering, it is not the style most associated with his work. The tall thin look of the Rodchenko font is less typical of his work than the heavier,[...]
In the week leading up to St. Patrick's Day it's all about Celtic design, so our featured classic font has to be something with a Celtic theme. That being the case, there's no better choice than our bold and beautiful Padstow font. It's named after the town with the most famous festival in Cornwall and has a uniq[...]
As the blazing heat of and endless Summer begins to fade, what could be a better deal than a sale on single fonts to start the new season? For two weeks, through September 25th, if you place an order for an assortment of single fonts of your choice, the more you order the bigger the discount, as listed below. Your s[more]
It's been a while since we released any new art from our collection of fairytale books illustrated by Charles Folkard. So it's about time we make available this collection of his illustrations for Grimm's Fairy Tales. This mini-package includes 8 beautifully drawn and colored images from stories by the Brothers Grim[more]
Our newest release is our collection of Constructivist Fonts based on poster lettering from the early post-revolutionary period in Russia, including designs based on the styles of famous designers of the period like Alexander Rodchenko, Mikhail Vrubel and Sergei Eisenstein. These are typical of the m[more]
For TypeCon we produced a special collection of Walter Crane Fonts and Art on a Flash Drive shaped like a business card. We have some of these left over after the event and nothing to do with them except sell them as a special item on our web page. The package contains five original Walter Crane fonts, including one[more]
Our gothic font collection is a compilation of our most interesting fonts based on gothic type and late medieval calligraphy. It covers the range from the historical styles in which gothic printing had its inspiration to the ornate heights of complex gothic fonts from 19th century Germany. This includes fonts in the[more]
Austin is a great center for the arts, not only music and film and other performing arts, but visual arts and all sorts of crafts. All these events and shows have to be advertised and the traditional method of getting the word out is through posters distributed all over town wherever people gather. I like to go arou[more]
With the premier of the fourth season of American Horror Story this Wednesday on the FX network, a lot of people will be seeing our Chelsea Studio in their high style commercials all over their cable networks. My teenage, horror-obsessed daughter drew my attention to their use of the font in the titles and it was gr[more]
In the early 20th century, before the outbreak of the Russian Revolution, the Art Nouveau movement crept into the failing empire by way of Alphons Mucha and the Slavic Folk Art movement in Czechoslovakia. Russian artists picked up on the ideas of these movements and began producing new styles of art for a growing [more]
- Arts & Crafts Collection
- New Font: Verne
- Special Item: Walter Crane Collection Flash Drive
- Welcome to the Scriptorium
- Dave: Glad to connect with you. What calligraphic style are we talking about? I'd love to see some examples. Dave
- Risa Gettler, Graphic Designer/Illustrator/Calligraher: Hi Dave, I feel like I know you because I hang out on your beautiful site and look forward to your comments such as…