Installing Fonts
We recommend installing only one format of a font, either OpenType, TrueType, or PostScript. Installing two or more formats of the same font may cause problems when you try to use, view, or print the font. If you use a font management utility to manage your fonts, follow the instructions for the utility to install and remove fonts. After installing fonts, you may need to restart an application or reselect the printer in the application to make the fonts appear in the font list.
Installing OpenType and TrueType fonts in Windows, and PostScript Type 1 fonts in Windows 2000+, XP, and Vista
1. Settings > Control Panel. In Windows XP and later, choose Start > Control Panel.
2. Double-click the Fonts folder. If you don’t see a Fonts folder in Windows XP or Vista, please switch the control panel to Classic Mode
3. Choose File > Install New Font.
4. Locate the fonts you want to install. In the Drives list, select the drive and the folder containing the fonts you want to install. In the Folders list, select a folder that contains the fonts you want to install. (Make sure you have unzipped them first.) The fonts in the folder appear under List of Fonts.
5. Select the fonts to install. To select more than one font, hold down the CTRL key and select each font. To select a list of fonts to install, select the first font in the list, press the SHIFT key, then select the last font in the list. All of the fonts in between will be selected.
6. To copy the fonts to the Fonts folder, make sure the Copy fonts to the Fonts folder check box is selected. If you are installing fonts from a floppy disk or a CD-ROM, you should make sure this check box is selected. Otherwise, you will have to keep this disk or CD-ROM available to use the fonts in your applications.
7. Click OK to install the fonts.
Installing PostScript Type 1 Fonts in Windows Me/98/95 or Windows NT
Use ATM (Adobe Type Manager) to install PostScript Type 1 fonts. You can download Adobe’s freely distributable ATM Light for Windows from Adobe’s Web site.
Installing PostScript, OpenType, or TrueType Fonts in Mac OS X
1. Before installing fonts, you should close any open applications. For some applications, new fonts do not appear in the font menu if you install them while the application is open.
2. In the Finder, open the folder or disk that contains the fonts you want to install.
3. Select the font suitcases for the fonts you want to install. For PostScript Type 1 fonts, select the printer outline files as well.
4. Drag and drop the fonts into the Fonts folder in the Library folder. If you want fonts to be available to applications running in Classic mode, you must install fonts in Macintosh TrueType or Macintosh PostScript format into the Fonts folder inside the Classic System folder.
For a thorough in-depth description of all aspects of fonts on Mac OS X, we suggest the eBook Take Control of Fonts in Mac OS X published by TidBITS.
Installing PostScript or TrueType Fonts in Mac OS 9.x or 8.x
Macintosh System 9.x allows you to open 512 suitcases at once. Macintosh System 8.x and earlier only allow you to open 128 font suitcases at one time. If you exceed these limits, not all the fonts you install will work.
1. Before installing fonts, you should close any open applications. For some applications, new fonts do not appear in the font menu if you install them while the application is open.
2. In the Finder, open the folder or disk that contains the fonts you want to install.
3. Select the font suitcases for the fonts you want to install. For PostScript Type 1 fonts, select the printer outline files as well.
4. Drag and drop the fonts onto the closed System Folder icon.
5. Click OK to install the fonts.
Our new Art Deco font collection includes a remarkable selectiion of fonts from the design movements of the 1920s and 1930s, focusing on the kinds of fonts which were generally associated with the decorative arts movement which developed out of the Arts and Crafts movement.
Our Wild West font collection features 14 fonts based on designs from the classic days of the American West (1870-1890). They are typical of the type and lettering styles used in signs, circulars, posters and newspapers during that era. The selection includes both decorative, display and text fonts. All the fonts are historically accurate and they are not available from any other source. While they are basically fonts of the Victorian era, they represent a subset of the typefaces popular in that period particularly slanted to the environmnet of the wild west, frontier newspapers and wild west shows.
The art of the Pre-Raphaelites recreated classical and legendary themes, fascination with architectural elements and realistic drapery, and the use of models who fit a particular style and appearance, usually with thick, curly hair and voluptuous figures. Our Pre-Raphaelite collection features select images from the most prominent artists of the movement in high-resolution suitable for use in print.
Or latest collection based on one of Walter Crane's childrens book is our comprehensive presentation of The Baby’s Opera, Crane's compilation of childrens songs (including music and lyrics) with detailed illustrations, hand lettering and clever decorations on every page. Many of the designs and motifs can easily be extracted for use in your own designs.
You've got to have text fonts, so wny not make them interesting and unique rather than the same old boring set that come with every computer. Our Text Fonts Collection has more variety and more style than you'll find anywhere else.
Howard Pyle was one of the most renowned illustrators of the 19th century. His work was widely published in adventure novels, magazines and romances. He was the founder of the Brandywine school and artists colony in Chadd's Ford Pennsylvania, where he taught artists like N. C. Wyeth, Frank Schoonover and Thornton Oakley their craft. Our Pyle collection includes a large selection of Pyle's art and designs plus original fonts based on his hand lettering.
In the Middle Ages the demand for written documents required new and better forms of writing, styles which were readable, consistent, efficient to produce, and sometimes decorative as well. This package features a selection of fonts and art based on designs from the Middle Ages, emphasizing the years from 1100 to 1400. The 25 fonts include versions of the major popular lettering styles of this period and the art includes beautiful borders, frames and other decorative elements based on medieval designs.
Howard Pyle’s illustrated edition of Tennyson’s Lady of Shalott is probably the single greatest expression of book design in the American arts and crafts movement of the late 19th century. This early Pyle work combines his vivid illustrative style with exceptional decoration and lettering into a modern illuminated masterpiece. Our Lady of Shalott CD package has every page from the book in high resolution format, including the decorated verses, the full-page illustrations and the embellished titles and flyleaves. It also includes extracted and instantly usable versions of the initials, illustrations background patterns, borders and frames from the book.
This collection brings together all of our best fonts based on Art Nouveau period designs into an extensive collection, with over 30 unique fonts, including text, title faces and even decorative initials. This includes new fonts created just for this package plus classics in the Art Nouveau tradition. It also features a bonus collection of frames and borders based on designs from magazines and books of the period. Altogether it makes the ultimate resource for Art Nouveau style design.
About once a year we release a special sampler package with a collection of selected fonts and art from our most recent and forthcoming packages, including some unique items not available anywhere else, all brought together as an overview of what we've been up to at the Scriptorium during the past year at a special, extremely low price. This latest sampler has four complete new fonts, 15 demo fonts and a special selection of art and graphics which includes a special set of illustrations of Celtic mythology by Katherine Cameron.
This collection presents calligraphy and art based on the traditions of historic Germanic cultures. It draws on the broad scope of early Germanic design, from the pre-Christian era through the early middle ages, including not just Scandinavia, but other elements of Germanic culture from the Franks to the Saxons to the Normans and beyond. The main component is a collection of historic fonts which is complemented by a unique set of historic borders and motifs, plus art based on Viking myth and legend.
A collection of our best fonts based on gothic type and late medieval calligraphy. It covers the range from the historical styles in which gothic printing had its inspiration to the ornate heights of complex gothic fonts from 19th century Germany. This includes fonts in the style sometimes called 'Old English', as well as what calligraphers sometimes call 'Black Letter'. If you like your fonts dark, angular and complex, this is your dream collection.