On the Shelves: Captain Kidd and Folkard
It seems like it’s always the young adult section of the bookstore where I find our fonts being used. This time what caught my eye first was a book by Berke Breathed who started his cartooning career at the Daily Texan here in Austin and went on to national fame with Bloom County. His new illustrated novelette is Flawed Dogs, It features our Captain Kidd font prominently for the cover and interior titles. It’s the first time I’ve seen Captain Kidd in use on a book that wasn’t about pirates, but it looks good even out of its element. Sadly they just used the basic version rather than the fancier and newer version with the full lower case character set.
Also among the new releases in the youth section was Ptolemy’s Gate the latest entry in the Bartimaeus fantasy trilogy by Jonathan Stroud. It features a very attractive cover design with the title done in our Folkard font. Folkard has overtaken Kelmscott and Abaddon as our most widely used font, featured in Disney’s Fairies, World of Warcraft in the movie Lady of the Lake, on the manga book Princess Ai and lots of other places.
Classic Font: Windlass Enhanced
Since it’s original release in 1996 Windlass has been one of our most successful fonts. It has appeared in many publications, from merchandising for Disney’s Pirates of the Carribean to the labels of tins of Biscotti. It has been particularly popular for use in products with a pirate or nautical association, which makes sense because it is kind of what it was designed for.
Windlass was one of the original fonts included in our Mapmaker Fonts and Art collection, and from its first updating it has incldued a set of nautical icons as bonus characters, including silhouettes of sailing ships, pirate flags and compass roses, plus lots of alternate character forms with extended swashes. The oriignal version of Windlass was unusual because it included a set of custom small-caps instead of a lowercase character set. This was part of its unique look, but over the years some have lamented the lack of lowercase characters, so with this new release of Windlass we’ve added a second version of the font called Windlass Lowercase, which as the name suggests has a full set of stylistically compatible lowercase characters. Like the uppercase and the small caps they are rough-cut with an antique poster look.
You can download and try the demo version of Windlass in TrueType format for Mac or PC. The full version of the font with the new lowercase is available from our ordering site.


Fonts Playing Pirate
The designers at Disney know good fonts when they see them, and they’ve regularly used fonts from our Colonial Fonts package in various projects related to Pirates of the Carribean. Their latest appearance is in the new online game based on the movie series. It is a graphically rich massively multi-player online roleplaying game. You can download the basic application from their website in a free trial version with limited functionailty. Then, if you like the game you can subscribe and get unlimited access. The game is periodically expanded with new settings and scenarios, like the new Avarica vs. Le Porc module currently advertised on the main page sampled to the right.
Scriptorium fonts are featured in the lavish design of the web page, in the display graphics throughout the site, and in the interface of the game application itself. The two main fonts used are Buccaneer and Carmilla. Buccaneer is used for the main titles and for the headers in the sidebar. Carmilla is used for subtitles and decorative titles in the game and for the section titles in the Player’s Guide (shown to the right). The two fonts go together surprisingly well, though chronologically Carmilla is characteristic of a somewhat later historical period than Buccaneer. The only notable font used on the site which is not from our Colonial collection is the main logo font for the Pirates of the Carribean franchise, though it does have some similarity to our Capitain Kidd font. Other PotC products have also used our Windlass font, which was the primary title font for the product line before they came up with the new custom-designed logo for the movies.
The game is complex and varied with room for lots of player initiative, but it is very bandwidth intensive so if you want to play make sure you have a good high speed connection.
Our new Art Deco font collection includes a remarkable selectiion of fonts from the design movements of the 1920s and 1930s, focusing on the kinds of fonts which were generally associated with the decorative arts movement which developed out of the Arts and Crafts movement.
Our Wild West font collection features 14 fonts based on designs from the classic days of the American West (1870-1890). They are typical of the type and lettering styles used in signs, circulars, posters and newspapers during that era. The selection includes both decorative, display and text fonts. All the fonts are historically accurate and they are not available from any other source. While they are basically fonts of the Victorian era, they represent a subset of the typefaces popular in that period particularly slanted to the environmnet of the wild west, frontier newspapers and wild west shows.
The art of the Pre-Raphaelites recreated classical and legendary themes, fascination with architectural elements and realistic drapery, and the use of models who fit a particular style and appearance, usually with thick, curly hair and voluptuous figures. Our Pre-Raphaelite collection features select images from the most prominent artists of the movement in high-resolution suitable for use in print.
Or latest collection based on one of Walter Crane's childrens book is our comprehensive presentation of The Baby’s Opera, Crane's compilation of childrens songs (including music and lyrics) with detailed illustrations, hand lettering and clever decorations on every page. Many of the designs and motifs can easily be extracted for use in your own designs.
You've got to have text fonts, so wny not make them interesting and unique rather than the same old boring set that come with every computer. Our Text Fonts Collection has more variety and more style than you'll find anywhere else.
Howard Pyle was one of the most renowned illustrators of the 19th century. His work was widely published in adventure novels, magazines and romances. He was the founder of the Brandywine school and artists colony in Chadd's Ford Pennsylvania, where he taught artists like N. C. Wyeth, Frank Schoonover and Thornton Oakley their craft. Our Pyle collection includes a large selection of Pyle's art and designs plus original fonts based on his hand lettering.
In the Middle Ages the demand for written documents required new and better forms of writing, styles which were readable, consistent, efficient to produce, and sometimes decorative as well. This package features a selection of fonts and art based on designs from the Middle Ages, emphasizing the years from 1100 to 1400. The 25 fonts include versions of the major popular lettering styles of this period and the art includes beautiful borders, frames and other decorative elements based on medieval designs.
Howard Pyle’s illustrated edition of Tennyson’s Lady of Shalott is probably the single greatest expression of book design in the American arts and crafts movement of the late 19th century. This early Pyle work combines his vivid illustrative style with exceptional decoration and lettering into a modern illuminated masterpiece. Our Lady of Shalott CD package has every page from the book in high resolution format, including the decorated verses, the full-page illustrations and the embellished titles and flyleaves. It also includes extracted and instantly usable versions of the initials, illustrations background patterns, borders and frames from the book.
This collection brings together all of our best fonts based on Art Nouveau period designs into an extensive collection, with over 30 unique fonts, including text, title faces and even decorative initials. This includes new fonts created just for this package plus classics in the Art Nouveau tradition. It also features a bonus collection of frames and borders based on designs from magazines and books of the period. Altogether it makes the ultimate resource for Art Nouveau style design.
About once a year we release a special sampler package with a collection of selected fonts and art from our most recent and forthcoming packages, including some unique items not available anywhere else, all brought together as an overview of what we've been up to at the Scriptorium during the past year at a special, extremely low price. This latest sampler has four complete new fonts, 15 demo fonts and a special selection of art and graphics which includes a special set of illustrations of Celtic mythology by Katherine Cameron.
This collection presents calligraphy and art based on the traditions of historic Germanic cultures. It draws on the broad scope of early Germanic design, from the pre-Christian era through the early middle ages, including not just Scandinavia, but other elements of Germanic culture from the Franks to the Saxons to the Normans and beyond. The main component is a collection of historic fonts which is complemented by a unique set of historic borders and motifs, plus art based on Viking myth and legend.
A collection of our best fonts based on gothic type and late medieval calligraphy. It covers the range from the historical styles in which gothic printing had its inspiration to the ornate heights of complex gothic fonts from 19th century Germany. This includes fonts in the style sometimes called 'Old English', as well as what calligraphers sometimes call 'Black Letter'. If you like your fonts dark, angular and complex, this is your dream collection.












