Howard Pyle Fonts and Art Package
Howard Pyle was one of the most renowned illustrators of the 19th century. His work was widely published in adventure novels, magazines and romances. He was the founder of the Brandywine school and artists colony in Chadd’s Ford Pennsylvania, where he taught artists like N. C. Wyeth, Frank Schoonover and Thornton Oakley their craft.
Pyle both wrote and illustrated a number of classic books, including his enormously influential retellings of Robin Hood and King Arthur and His Knights which have great illustrations, but are also remembered as literary classics in their own right. His childrens books like Otto of the Silver Hand and The Wonder Clock are still in print more than 100 years after he wrote and illustrated them, and his paintings and murals on themes of American history grace the walls of museums and historic sites all over the nation.
Pyle’s talents were varied and in addition to doing fine color book plates he also did humorous line drawings, marginal decorations and even wrote poetry and fairytales. Some of his most interesting books like The Wonder Clock and Pepper and Salt are ones which he wrote, decorated and illustrated himself, with lavish – full size decorated pages. Perhaps the most dramatic example of Pyle’s originality is his illustrated edition of Tennyson’s Lady of Shalott, which has every page decorated and illustrated in full color with the text of the poem hand lettered and integrated with the illustrations. In many ways it is the ancestor of the modern comic book.
The Scriptorium’s Pyle collection features a large selection of images (both color and black and white), taken from various illustrated works, including magazine articles, books and other sources. They include illustrations on historical themes, such as Pyle’s classic pirate illustrations, plus historical, fantasy and fairytale topics. Also included are a variety of Pyle’s unique decorative border and frame designs and full decorated pages in his unique style.
Our Pyle collection also includes a selection of fonts based on Pyle’s original lettering. These include Pyle Gothic, based on his black letter style from Arthurian works, Courthand based on the lettering in his Lady of Shalott, Buccaneer from his pirate lettering and a set of decorative initials based on one of several sets which he hand lettered. We are working on more Pyle fonts for the future, but the current set of five is a nice sampling of his lettering work.
If this package interests you check out our two other Pyle packages. We have a specialized package of Pyle’s angel illustrations and a special collection based on his illustrations for Tennyson’s Lady of Shalott. To see them, just click here: ANGELS or SHALOTT
If you want to try out one of our Pyle fonts, just download the demo version of Pyle Initials by clicking on the image below. It includes a limited set of characters. The full font includes all the variant characters which Pyle designed, but like many hand designed initials fonts it omits some characters which rarely occur at the beginnings of words.
New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
BUY NOW TRY DEMO Custom Preview Mannering is a new font design derived from some samples of an uppercase letter set by Samuel Welo, with additional lowercase characters and numbers added to it in the same style. It is a sans serif font with calligraphic lines and distinctive embellished horizontal cro[...]
BUY NOW TRY DEMO Custom Preview Our original Folkard font has achieved near legendary status as one of the most interesting calligraphic title fonts of the contemporary era. It has been enormously popular and appeared on movie titles, book covers, t-shirts and games. However it is not the only [...]
BUY NOW TRY DEMO Custom Preview Quicksilver was designed as one of the original featured fonts included in our Psychedelic Fonts Package. It was developed into a full font from a sample of lettering from Quicksilver Messenger Service's live album Summer of '68 and posters for shows associated with it [...]
BUY NOW TRY DEMO Tilbury is based on advertising lettering from the 1930s. It has a unique and stylish look reminiscent of a swashed italic brush script. Tilbury includes a full character set with upper and lower case, numbers and punctuation. It has fully customized kerning and spacing as well.[...]
BUY NOW TRY DEMO Power tie is based on a design for hand lettering from the 1930s. It was originally done as a conceptual design for signage in a men's haberdashery. It is a handsome, muscular font in the Art Deco tradition. It includes a full character set with numbers and punctuation, and a se[...]
Butterfield is based on letting from a poster for the Paul Butterfield Blues Band. It can be found as part of Psychedelic Fonts Collection package. It has a unique look particularly characteristic of the 60s and especially suited to use on posters. It has a full set of numbers and punctuation, plus custom small [...]
Vasilisa is based on Russian folk art lettering from the pre-revolutionary period. It is included in our original Russian Fonts and Art package. It is very readable in English but also includes elements of Cyrillic lettering. It is evocative of rural Russian life and fits well with the hand crafted peasant wood[...]
BUY NOW Cymbeline was one of our earliest font designs and has been fairly popular over the years, but some of the shortcomings of the font came to our attention after seeing the font on a book cover, so we decided to work it over and see if we could produce an improved version, while preserving the ca[...]
BUY NOW TRY DEMO Custom Preview Edifice is a decorative titling font based on samples of lettering by J. M. Bergling. It has an architectural, constructed look to it. Very well suited to sign and poster design. It's stylish but still readable and clear. Edifice includes a full uppercase charac[...]
Wolfram is a great example of early 20th century type design. It is bold and intended for use in posters and signage, but it has rough outlines for a mock antique look. It also has an unusually wide footprint for a very striking look.We originally produced Wolfram in the mid-90s, and it has been somewhat revise[...]
BUY NOW TRY DEMO Custom Preview Iphegenia was one of our early designs, a creative advertising script font with a modern, hand-drawn look but regular character forms and a nice even line to it. It has high readability despite its decorative look and works well in combination with a variety of other fo[...]
BUY NOW TRY DEMO Custom Preview Highball is a bold font in every sense of the word. Yes, its weight is heavy and pronounced in the traditional meaning of bold, but it is also of an extreme height which could be considered bold, and of a boldly progressive style. Highball features a full character s[...]
Too many years ago to count, I was lucky enough to attend St. Albans School in Washington, DC. It's a great school with a rich history and an association with the National Cathedral and the rich cultural heritage of the Episcopal Church and many of the traditions of the English public schools. It's a school with a lo[...]
BUY NOW TRY DEMO Custom Preview Startling Stories was a pulp-era science fiction magazine known for its lurid covers by Earle K. Bergey and its eye-catching title designs. It was a companion to Thrilling Wonder Stories and Fantastic Stories. The magazine was very successful in the immediate pos[...]
BUY NOW True Golden is a classic font based on a design by legendary arts and crafts designer and author William Morris. It is a special rendering of Morris' Golden type, based on printed samples rather than digitized steel type, preserving a more accurate representation of the look in print. True[more]
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There are only two things we can really be sure of in life, death and taxes. This is the season where we are most reminded of the grim specter of the tax man lurking just around the corner. We can't take away his burdensome presence, but maybe we can making it a bit lighter by reminding you that your investment in fo[more]
Click any font to see a larger sample: The culture of the east entices and allures. From the stony walls of Petra to the fabled spires of ancient Samarkand, the the legend of the great days of Caliphs, Wazirs and brave adventurers outshines the modern era of oil and petty tyrrany. W[more]
Our new Art Deco font collection includes a remarkable selectiion of fonts from the design movements of the 1920s and 1930s, focusing on the kinds of fonts which were generally associated with the decorative arts movement which developed out of the Arts and Crafts movement. Because we already have collecti[more]
I was browsing through the new release section in my local bookstore, enjoying the nostalgia of the printed book, when my eye was caught by an historical novel called "The Siege Winter." More specifically the cover design drew my attention, because it used one of our earliest fonts, Cymbeline. More particularly I was s[more]
In January of 1891 Little Folks Magazine published a special feature of a calendar designed and illustrated by Walter Crane with accompanying verses by his eldest daughter Beatrice. Each of the 12 panels has a figurative depiction of the month, a decorated initial and a topical verse. In style they are rather reminisce[more]
W. Heath Robinson was an artist of the first half of the 20th century who started his career as a book illustrator and produced many fantasy and fairytale illustrations, including illustrating Charles Kingsley's The Water Babies. Later in his career he became a cartoonist producing humorous cartoons of fanciful weapons[more]
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