Custom Font Design
If you visit this site, the first thing you see is a great many fonts. That makes sense since we’re primarily in the font business, despite dabbling in antique art and other design resources. Seeing all these fonts, it may be a mystery where they come from. Clearly some are based on identifiable sources like historic calligraphy, vintage typefaces and unique hand lettering. Others are entirely original and the work of one of several designers who work with us. Many of these fonts we’ve just designed or developed because we thought they would be interesting or because they fill a specific gap in our collection of fonts. But some were developed for specific projects on commission for clients who contact us looking for custom designed fonts.
Some of these custom designed fonts you have seen here on the site and others you may have seen elsewhere and not even realized that we designed them. In some cases you may have seen a font we designed and you will never know it because we aren’t even allowed to talk about having designed it, having signed a non-disclosure agreement with the company we designed it for. More typically we can boast about our work, but you still may not see the font for sale here because the company we designed it for wanted exclusive rights to the design. In some cases when we design a custom font we get to keep the rights and also sell it to our customers here, sometimes after a certain amount of time has passed by agreement with the client.
When we design a custom font for a client we are often working from material or drawings which they have provided us. This includes projects like making a font which matches a company logo or a custom font as we did for putting serial numbers on the sides of airplane parts, or like Engravers Gothic (top right) which was developed for carving on rings, or like Schoolhand (bottom right) which was designed for a major university as an aid for teaching handwriting, or a font based on samples of hand lettering we did for a cigar company, or (as shown to the right) the font we did based on the runes for the RuneQuest RPG.
Sometimes the client will want a font which is a variation of a font we already have which they may be using in an existing project. For example, we worked with Disney earlier this year to develop custom Russian and Eastern European versions of several of our fonts for video games to be released in that part of the world. At the time it was a big secret, but since the projects are complete and the products have been released and already mentioned in passing on the site, if you happen to need a Russian language version of any of the Tinkerbell fairies games you’ll see our custom versions of Folkard and Brandywine featured in the games. This was a truly original design project in many ways because so much work was involved deriving new cyrillic characters while preserving the style of the original fonts.
Sometimes the client will want an entirely original design or something developed from little more than an idea. This is often a collaborative process as was the case with one of our most famous custom designs, the Beynkales. When the movie “The Corpse Bride” was first released, the main title was a hand-drawn variation of our Tuscarora font. Then when the movie was going to be released on DVD they needed the ability to redo the title in multiple languages, but they only had the letters of the original English words to work with. So they came to us and we worked from the original titles and the Tuscarora font to develop a complete font in the style of the original titles and thus Beynkales was born.
Now, if you’ve ever considered getting a custom font for your company or some special project, we’re here to help. The bad news is that like any custom design work it can get quite expensive. Some original font designs cost as much as $5000. The good news is that we’ve got ways to make it much more affordable — maybe not super cheap, but at least reasonable. Our highest price for custom designed fonts is when the work is almost entirely original and the font is designed for he exclusive use of the client. Prices are much more reasonable for simpler projects where we have good source material or are modifying one of our existing fonts, and we give additional discounts if we get to retain the rights and it’s a font we think we can resell and offset some of the cost that way. As is the case with many things, pricing comes down to a combination how much work we have to do to produce the font, and how much we can offset the cost in other ways. If a custom design can also add something cool to our library then you reap the benefits.
If you have an interest in having a custom font designed, use the contact form under “info” above and send us as detailed a description as you can of the project you have in mind.
June 20, 2012 | Filed Under
New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
BUY NOW TRY DEMO Custom Preview Iphegenia was one of our early designs, a creative advertising script font with a modern, hand-drawn look but regular character forms and a nice even line to it. It has high readability despite its decorative look and works well in combination with a variety of other fo[...]
BUY NOW TRY DEMO Our Froissart font was first released in 2000 as part of our Medieval Fonts and Art package. It is an accurate recreation of the Littera Bastarda calligraphic style which was popular in the 14th and 15th centuries as gothic styles were losing popularity and there was a demand for s[...]
BUY NOW TRY DEMO Custom Preview Our original Folkard font has achieved near legendary status as one of the most interesting calligraphic title fonts of the contemporary era. It has been enormously popular and appeared on movie titles, book covers, t-shirts and games. However it is not the only [...]
In honor of Cyber Monday, which some people are now expanding to be a whole Cyber Week, we're releasing St. Ives, a new modernistic font with unique riser and descender characters which give it an unusual linear look. It will be featured in a new edition of our Futuristic Fonts which will be released late[...]
Black Cow is a unique original font designed for our Horror Fonts and Art collection several years ago. It's one of the most interesting fonts in the large selection of fonts in that package, but it hasn't had the huge level of popularity which some of the other fonts have enjoyed. It has an all uppercase chara[...]
Vasilisa is based on Russian folk art lettering from the pre-revolutionary period. It is included in our original Russian Fonts and Art package. It is very readable in English but also includes elements of Cyrillic lettering. It is evocative of rural Russian life and fits well with the hand crafted peasant wood[...]
I was watching the television show Sons of Anarchy and on looking at the logo for the show I was struck by the similarity between the lettering used for the name of the titular motorcycle gang and our Posada font. Clearly their lettering derived from that same neo-gothic southwestern tradition. The main differe[...]
Phaeton is one of our earliest Art Nouveau designs, a lovely example of period title lettering based on French samples. This new release has some significant improvements to the outlines and additional characters added to the basic set. You can find Phaeton in our Art Nouveau Collection or order it individua[...]
When I was a kid I wasn't allowed to buy comic books, so when I began to earn some money of my own as a young teen, I hit that market right at the peak of the 1970s boom in alternative large-format comics which were much more salacious - with more gore and sex - than the comics I would have read as a kid. I wen[...]
Fougasse is a bold title font which has a unique combination of elements, including an unusually heavy weight, some unusual Art Deco period character forms and rough outlines to the character which are not too pronounced, but give it a sort of a naturalistic look which makes the characters stand out more. Foug[...]
BUY NOW TRY DEMO Custom Preview Script fonts can be a real challenge to design, especially when they are designed to have interconnecting characters which require exacting kerning and character positioning. When we first developed Orphiel we did a lot of kerning work on it, but despite a g[...]
BUY NOW TRY DEMO Custom Preview You may recall a couple of months ago when we had some font samples posted on the page to vote on. Well, the winner of the vote by a significant margin was a sample of lettering by Samuel Welo, and now as promised, it is available as our newest font: Carillon. They f[...]
BUY NOW TRY DEMO Custom Preview Cosmic Dude was designed as one of the special original fonts developed for our Modern Poster Fonts package. The character forms are based on samples of hand lettering from a late 1970s rock show poster. The character set includes numbers, punctuation, uppercase letter[...]
BUY NOW TRY DEMO Custom Preview There's a peculiar style of letters that seems to only show up on some signs and letterpress posters and it caught my eye when I saw it being used in the recent poster for the National Day of the American Cowboy. It's like a western style "egyptian" font with big [...]
Sternhagen is a classically attractive font with a modernized gothic look which combines traditional elements from the high middle ages with a bit of Art Deco style. It will eventually be part of our Gothic Fonts Collections, but for now it is available singly.Sternhagen has a complete upper and lowercase charact[...]
For years here at the Scriptorium we've been developing fonts and collecting unique art which is perfect for Halloween and putting it together into packages which we promote through our Boneyard Fonts site. After many years collecting fonts and art we've put together a gruesomely provocative collection of fonts and art[more]
When we were renovating our house I discovered ornamental brass fixtures for the doors designed by Charles Eastlake. So I went shopping and found antique Eastlake hinges and knobs for all the doors. Charles Locke Eastlake (1836–1906) was the greatest British Arts and Crafts designer in the period after William Mor[more]
Austin is a great center for the arts, not only music and film and other performing arts, but visual arts and all sorts of crafts. All these events and shows have to be advertised and the traditional method of getting the word out is through posters distributed all over town wherever people gather. I like to go arou[more]
Every year we release a number of new fonts, and at the end of the year we collect them all together and release them as a collection at a great discount price. Through some oversight at the end of 2013 we failed to release our annual collection of new fonts. That means we have a chance to[more]
I'm in Washington DC this week attending Typecon. The Society of Typographic Aficionados official convention. There are all sorts of programs and presentations with notable typographers and designers appearing as speakers. As well as exhibits and new products to see. I'm merely going as a humble attendee because [more]
This is a special collection of borders (and three illustrations) drawn by Louis Rhead for William Morris' translation of The History of Oversea. These are striking borders in Rhead's unique art nouveau style, well suited to various adaptations. The collection contains 13 borders and 3 illustrations, the complete d[more]
The 1960s was a time when creativity flourished, in music, in literature and in the visual arts. This creativity found its outlet mostly in the counter culture, and one big aspect of that was in poster design for concerts at the great nightclubs of that era like the Fillmore. Rock posters of the 60s have a particula[more]
A few years ago I wrote a review of Blue Genie Art Bazaar in Austin. Blue Genie is still there and going stronger than ever, in fact this year they've added additional space and a bunch of new artists. and in just a few years it has come to offer some real competition to Austin's classic Armadillo Christmas Bazaar. [more]
Holiday Fonts and Art Collection Classic Font: St. Nicholas Holiday Clip Art New Font: Holly Initials Classic Font: Swithin Classic Font: Offenbach Chancery Design Your Own Holiday Cards Better Holiday Font Choices Holiday Bonus: Present Labels Eleanore Brickale's Carols Walter Crane Chris[more]
We have an awful lot of fonts. Well over 500 of them and more all the time. Plus we're starting a great new discount when you order multiple fonts at the same time...fonts as much at 50% off. We've just updated one of our most useful reference tool, a graphic preview gallery of all hundreds of our new and feature[more]
For TypeCon we produced a special collection of Walter Crane Fonts and Art on a Flash Drive shaped like a business card. We have some of these left over after the event and nothing to do with them except sell them as a special item on our web page. The package contains five original Walter Crane fonts, including one[more]
If you don't already get our weekly (more or less) newsletter with free offers, discount coupons and links to our articles and new releases, this is the time to sign up. We're constantly putting new articles, new fonts, new reviews and new links to great antique art and design resources on our site. Every [more]
As the blazing heat of and endless Summer begins to fade, what could be a better deal than a sale on single fonts to start the new season? For two weeks, through September 25th, if you place an order for an assortment of single fonts of your choice, the more you order the bigger the discount, as listed below. Your s[more]
As a special bonus, this Christmas we're making available an unusual collection of Christmas images by outstanding American book illustrator and decorator Walter Tittle, an artist most known for his seasonal works. These illustrations are taken from his book Colonial Holdays which is a collection of accounts from p[more]
MAJOR WORKS Aladdin's Picture Book Crane Arthurian Art Columbia's Courtship The Golden Primer The Shepherd's Calendar A Flower Wedding Queen Summer Pan Pipes BABY'S COLLECTIONS The Baby's Aesop The Baby's Opera The Baby's Bouquet MINI-PACKAGES, EBOOKS, FREEBIES The Hind in the [more]
At the very beginning of the summer Disney released Maleficent the first in a series of films retelling the Disney versions of classic fairytales from the point of view of the villain. Maleficent is a visually stunning film combining high end CGI animation with live actors and Angelina Jolie with unbelievably accent[more]
With the premier of the fourth season of American Horror Story this Wednesday on the FX network, a lot of people will be seeing our Chelsea Studio in their high style commercials all over their cable networks. My teenage, horror-obsessed daughter drew my attention to their use of the font in the titles and it was gr[more]
In the early 20th century, before the outbreak of the Russian Revolution, the Art Nouveau movement crept into the failing empire by way of Alphons Mucha and the Slavic Folk Art movement in Czechoslovakia. Russian artists picked up on the ideas of these movements and began producing new styles of art for a growing [more]
I was in the Austin airport taking off for parts unknown and felt a need for breakfast. Apparently the only option for a late-morning breakfast taco was Maudie's Tex Mex, so I headed for Gate 11. I got my breakfast tacos, and they were truly awful, but the experience was made somewhat better by seeing their interesting[more]
I'm back at Typecon and things are in full swing now. There was a long but fascinating keynote presentation from Tobias Frere-Jones last night on type as security in banknotes. It was the main entertainment for the evening and went on an on for a bit. I actually had to cut out before I could ask my question - "Why ar[more]
There are many good things about Typecon and many nice things I could say, but instead I find myself seized with a compulsion to recast Typecon like old metal type that's melted down and mold into a new font. I've got lots of experience with conferences in a number of different industries, as an attendee. a sponsor,[more]
Thanksgiving is almost upon us and it isa great time to celebrate family and the harvest and remember some history. Part of that history can be told in the form of unique fonts, including many which were created for special occasions to add decoration to holiday cards or invitations. Printers have been ornamenting for [more]
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