The Colonial Fonts Collection
|In our imaginations we associate the colonial period with images of idealism, revolution and adventure. It was a time of great men and ideas and of rogues and villainy. Colonial history has been immortalized tales of pirates, highwaymen, heroes and great statesmen. It was also one of the most fertile periods in the development of type and printed arts. The publishing industry in the American Colonies was energetic and ambitious, publishing all sorts of books, maps and periodicals for a growing literate population.
Our new Colonial Fonts package draws on several of the most fertile areas of publishing in this era. Fonts like Platthand and John Speed are derived from the ornate, decorative lettering on maps from the 17th and 18th centuries by cartographers like Oretelius and John Speed. Carmilla, Allegheny, Queensland and Malagua are based on hand lettering from deeds, letters and other period documents. Guilford is based on samples of colonial lettering reproduced by historian and artist Eric Sloane. Buccaneer is based on hand poster lettering done by legendary artist Howard Pyle for his Book of Pirates. Boswell, Cochin Archaic, Octavian and Ruffian are based on book and newspaper print of the 18th century. The package also includes several special variant fonts, like the John Speed Ornamental font, Boswell Italic and the small caps version of Guilford.
This package was recently updated with the inclusion of several new fonts from the period. These include the Hesperides calligraphic font, the Caswallon printed script font, Caswallon Archaic Text, Caswallon Antique ornaments, our new Antique Border Ornaments font and the Bridgeport font based on another sample of colonial style lettering by Eric Sloane. We’ve also substantially revised several of the collection’s original fonts including Guilford and Allegheny.
As a special bonus for Thanksgiving we’ve also added the novelty font Turkey Day, which has a selection of colonial silhouettes and Thanksgiving related images accessible by simple keystrokes.
All the fonts are historically accurate and they are not available from any other source. They’re an excellent and comprehensive selection of print and lettering styles for any project which needs the look of the colonial era, from a revolutionary political document to a wanted poster for a pirate.
The package is available for Windows or the MacOS, and includes both TrueType and Postscript fonts. The total price is only $69 for all the fonts. You can order the collection for delivery on CD or for immediate download from our ONLINE STORE. You can also order any of the fonts individually by searching for them by name in our store.
New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
BUY NOW TRY DEMO Custom Preview Script fonts can be a real challenge to design, especially when they are designed to have interconnecting characters which require exacting kerning and character positioning. When we first developed Orphiel we did a lot of kerning work on it, but despite a g[...]
It has taken a lot of hours of development, but we finally have our promised Walter Crane Initials font. Or should I say FOUR fonts, because in the process of developing the font it turned out that we ended up with more than we bargained for. One reason that there are four fonts is that there was so[...]
Fougasse is a bold title font which has a unique combination of elements, including an unusually heavy weight, some unusual Art Deco period character forms and rough outlines to the character which are not too pronounced, but give it a sort of a naturalistic look which makes the characters stand out more. Foug[...]
Butterfield is based on letting from a poster for the Paul Butterfield Blues Band. It can be found as part of Psychedelic Fonts Collection package. It has a unique look particularly characteristic of the 60s and especially suited to use on posters. It has a full set of numbers and punctuation, plus custom small [...]
In honor of Cyber Monday, which some people are now expanding to be a whole Cyber Week, we're releasing St. Ives, a new modernistic font with unique riser and descender characters which give it an unusual linear look. It will be featured in a new edition of our Futuristic Fonts which will be released late[...]
Hendrix is one of our most classic and most quintessential psychedelic poster fonts. It is based on hand lettering from a number of posters and album covers produced in the 1960s and the early 1970s. It is a very striking font, quite recognizable and identified with the period. This new release has some signific[...]
Every year around Halloween we come out with a new font that fits the spirit of the holiday, drawing on all sorts of sources for inspiration. You can find our past fonts in our Halloween Font and Art Collections. The font for this year is Undertaker, based on title lettering from Creepy magazine, the classic h[...]
BUY NOW TRY DEMO Custom Preview Quicksilver was designed as one of the original featured fonts included in our Psychedelic Fonts Package. It was developed into a full font from a sample of lettering from Quicksilver Messenger Service's live album Summer of '68 and posters for shows associated with it [...]
BUY NOW TRY DEMO Our Froissart font was first released in 2000 as part of our Medieval Fonts and Art package. It is an accurate recreation of the Littera Bastarda calligraphic style which was popular in the 14th and 15th centuries as gothic styles were losing popularity and there was a demand for s[...]
BUY NOW TRY DEMO Custom Preview You may recall a couple of months ago when we had some font samples posted on the page to vote on. Well, the winner of the vote by a significant margin was a sample of lettering by Samuel Welo, and now as promised, it is available as our newest font: Carillon. They f[...]
BUY NOW TRY DEMO Custom Preview We've featured some articles on the designs of pulp novel covers from the mid-20th century, including s look at the fonts used in those designs. We've also released fonts based on those designs, like suspicion. These old book cover designs are a great resource for [...]
BUY NOW TRY DEMO Custom Preview Doge is a new font based on samples of late-renaissance period lettering from Venice, preserved and reproduced by early 20th century calligrapher and designer J. M. Bergling. It has some similarity to some of our other fonts based on lettering from the same period[...]
BUY NOW TRY DEMO Custom Preview Sanhedrin is a decorative futuristic font, which features two distinct sets of different characters and a number of additional special characters. It draws some characters from the Greek alphabet and also has some unusual art nouveau character forms and a strange biblic[...]
BUY NOW TRY DEMO Custom Preview Highball is a bold font in every sense of the word. Yes, its weight is heavy and pronounced in the traditional meaning of bold, but it is also of an extreme height which could be considered bold, and of a boldly progressive style. Highball features a full character s[...]
At the very beginning of the summer Disney released Maleficent the first in a series of films retelling the Disney versions of classic fairytales from the point of view of the villain. Maleficent is a visually stunning film combining high end CGI animation with live actors and Angelina Jolie with unbelievably accent[more]
For years here at the Scriptorium we've been developing fonts and collecting unique art which is perfect for Halloween and putting it together into packages which we promote through our Boneyard Fonts site. After many years collecting fonts and art we've put together a gruesomely provocative collection of fonts and art[more]
This is a special collection of borders (and three illustrations) drawn by Louis Rhead for William Morris' translation of The History of Oversea. These are striking borders in Rhead's unique art nouveau style, well suited to various adaptations. The collection contains 13 borders and 3 illustrations, the complete d[more]
For TypeCon we produced a special collection of Walter Crane Fonts and Art on a Flash Drive shaped like a business card. We have some of these left over after the event and nothing to do with them except sell them as a special item on our web page. The package contains five original Walter Crane fonts, including one[more]
There are many good things about Typecon and many nice things I could say, but instead I find myself seized with a compulsion to recast Typecon like old metal type that's melted down and mold into a new font. I've got lots of experience with conferences in a number of different industries, as an attendee. a sponsor,[more]
When we were renovating our house I discovered ornamental brass fixtures for the doors designed by Charles Eastlake. So I went shopping and found antique Eastlake hinges and knobs for all the doors. Charles Locke Eastlake (1836–1906) was the greatest British Arts and Crafts designer in the period after William Mor[more]
Holiday Fonts and Art Collection Classic Font: St. Nicholas Holiday Clip Art New Font: Holly Initials Classic Font: Swithin Classic Font: Offenbach Chancery Design Your Own Holiday Cards Better Holiday Font Choices Holiday Bonus: Present Labels Eleanore Brickale's Carols Walter Crane Chris[more]
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