The Colonial Fonts Collection
|In our imaginations we associate the colonial period with images of idealism, revolution and adventure. It was a time of great men and ideas and of rogues and villainy. Colonial history has been immortalized tales of pirates, highwaymen, heroes and great statesmen. It was also one of the most fertile periods in the development of type and printed arts. The publishing industry in the American Colonies was energetic and ambitious, publishing all sorts of books, maps and periodicals for a growing literate population.
Our new Colonial Fonts package draws on several of the most fertile areas of publishing in this era. Fonts like Platthand and John Speed are derived from the ornate, decorative lettering on maps from the 17th and 18th centuries by cartographers like Oretelius and John Speed. Carmilla, Allegheny, Queensland and Malagua are based on hand lettering from deeds, letters and other period documents. Guilford is based on samples of colonial lettering reproduced by historian and artist Eric Sloane. Buccaneer is based on hand poster lettering done by legendary artist Howard Pyle for his Book of Pirates. Boswell, Cochin Archaic, Octavian and Ruffian are based on book and newspaper print of the 18th century. The package also includes several special variant fonts, like the John Speed Ornamental font, Boswell Italic and the small caps version of Guilford.
This package was recently updated with the inclusion of several new fonts from the period. These include the Hesperides calligraphic font, the Caswallon printed script font, Caswallon Archaic Text, Caswallon Antique ornaments, our new Antique Border Ornaments font and the Bridgeport font based on another sample of colonial style lettering by Eric Sloane. We’ve also substantially revised several of the collection’s original fonts including Guilford and Allegheny.
As a special bonus for Thanksgiving we’ve also added the novelty font Turkey Day, which has a selection of colonial silhouettes and Thanksgiving related images accessible by simple keystrokes.
All the fonts are historically accurate and they are not available from any other source. They’re an excellent and comprehensive selection of print and lettering styles for any project which needs the look of the colonial era, from a revolutionary political document to a wanted poster for a pirate.
The package is available for Windows or the MacOS, and includes both TrueType and Postscript fonts. The total price is only $69 for all the fonts. You can order the collection for delivery on CD or for immediate download from our ONLINE STORE. You can also order any of the fonts individually by searching for them by name in our store.
New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
BUY NOW TRY DEMO Custom Preview Startling Stories was a pulp-era science fiction magazine known for its lurid covers by Earle K. Bergey and its eye-catching title designs. It was a companion to Thrilling Wonder Stories and Fantastic Stories. The magazine was very successful in the immediate pos[...]
BUY NOW TRY DEMO Our Froissart font was first released in 2000 as part of our Medieval Fonts and Art package. It is an accurate recreation of the Littera Bastarda calligraphic style which was popular in the 14th and 15th centuries as gothic styles were losing popularity and there was a demand for s[...]
BUY NOW TRY DEMO Custom Preview Quicksilver was designed as one of the original featured fonts included in our Psychedelic Fonts Package. It was developed into a full font from a sample of lettering from Quicksilver Messenger Service's live album Summer of '68 and posters for shows associated with it [...]
BUY NOW TRY DEMO Custom Preview Cosmic Dude was designed as one of the special original fonts developed for our Modern Poster Fonts package. The character forms are based on samples of hand lettering from a late 1970s rock show poster. The character set includes numbers, punctuation, uppercase letter[...]
In honor of Cyber Monday, which some people are now expanding to be a whole Cyber Week, we're releasing St. Ives, a new modernistic font with unique riser and descender characters which give it an unusual linear look. It will be featured in a new edition of our Futuristic Fonts which will be released late[...]
BUY NOW TRY DEMO Custom Preview Doge is a new font based on samples of late-renaissance period lettering from Venice, preserved and reproduced by early 20th century calligrapher and designer J. M. Bergling. It has some similarity to some of our other fonts based on lettering from the same period[...]
BUY NOW TRY DEMO Custom Preview Our original Folkard font has achieved near legendary status as one of the most interesting calligraphic title fonts of the contemporary era. It has been enormously popular and appeared on movie titles, book covers, t-shirts and games. However it is not the only [...]
BUY NOW TRY DEMO Our Munich font was first released in 1998 and has been revised several times since then. This latest version includes substantial improvements in the outlines of the characters and a new set of simple upper case initials. Munich is based on one of the classic lettering styles used on[...]
BUY NOW TRY DEMO Custom Preview Highball is a bold font in every sense of the word. Yes, its weight is heavy and pronounced in the traditional meaning of bold, but it is also of an extreme height which could be considered bold, and of a boldly progressive style. Highball features a full character s[...]
When I was a kid I wasn't allowed to buy comic books, so when I began to earn some money of my own as a young teen, I hit that market right at the peak of the 1970s boom in alternative large-format comics which were much more salacious - with more gore and sex - than the comics I would have read as a kid. I wen[...]
BUY NOW TRY DEMO Custom Preview There's a peculiar style of letters that seems to only show up on some signs and letterpress posters and it caught my eye when I saw it being used in the recent poster for the National Day of the American Cowboy. It's like a western style "egyptian" font with big [...]
Every year around Halloween we come out with a new font that fits the spirit of the holiday, drawing on all sorts of sources for inspiration. You can find our past fonts in our Halloween Font and Art Collections. The font for this year is Undertaker, based on title lettering from Creepy magazine, the classic h[...]
BUY NOW TRY DEMO Custom Preview You may recall a couple of months ago when we had some font samples posted on the page to vote on. Well, the winner of the vote by a significant margin was a sample of lettering by Samuel Welo, and now as promised, it is available as our newest font: Carillon. They f[...]
Fougasse is a bold title font which has a unique combination of elements, including an unusually heavy weight, some unusual Art Deco period character forms and rough outlines to the character which are not too pronounced, but give it a sort of a naturalistic look which makes the characters stand out more. Foug[...]
Treadway is a new, original design in the tradition of futuristic advertising scripts of the mid-20th century, inspired by fonts like Kaufmann and Gillies, but with a stronger, more clearly defined look, stripped down to its most stylized essentials for a very powerful visual impact. It is the kind of type you'[...]
We've got five designs were considering for out next font. They all fairly similar so we need some help choosing. Which one would you like to see next?[more]
For years here at the Scriptorium we've been developing fonts and collecting unique art which is perfect for Halloween and putting it together into packages which we promote through our Boneyard Fonts site. After many years collecting fonts and art we've put together a gruesomely provocative collection of fonts and art[more]
Thanksgiving is almost upon us and it isa great time to celebrate family and the harvest and remember some history. Part of that history can be told in the form of unique fonts, including many which were created for special occasions to add decoration to holiday cards or invitations. Printers have been ornamenting for [more]
There are many good things about Typecon and many nice things I could say, but instead I find myself seized with a compulsion to recast Typecon like old metal type that's melted down and mold into a new font. I've got lots of experience with conferences in a number of different industries, as an attendee. a sponsor,[more]
Our newest release is our collection of Constructivist Fonts based on poster lettering from the early post-revolutionary period in Russia, including designs based on the styles of famous designers of the period like Alexander Rodchenko, Mikhail Vrubel and Sergei Eisenstein. These are typical of the m[more]
Holiday Fonts and Art Collection Classic Font: St. Nicholas Holiday Clip Art New Font: Holly Initials Classic Font: Swithin Classic Font: Offenbach Chancery Design Your Own Holiday Cards Better Holiday Font Choices Holiday Bonus: Present Labels Eleanore Brickale's Carols Walter Crane Chris[more]
This is a special collection of borders (and three illustrations) drawn by Louis Rhead for William Morris' translation of The History of Oversea. These are striking borders in Rhead's unique art nouveau style, well suited to various adaptations. The collection contains 13 borders and 3 illustrations, the complete d[more]
I'm back at Typecon and things are in full swing now. There was a long but fascinating keynote presentation from Tobias Frere-Jones last night on type as security in banknotes. It was the main entertainment for the evening and went on an on for a bit. I actually had to cut out before I could ask my question - "Why ar[more]
- Optical Illusion Skull Images
- Psychedelic Font Collection
- New Font: Sternhagen
- Silent Film Font Collection
- The Colonial Fonts Collection
- New Font: Carillon