The Colonial Fonts Collection
|In our imaginations we associate the colonial period with images of idealism, revolution and adventure. It was a time of great men and ideas and of rogues and villainy. Colonial history has been immortalized tales of pirates, highwaymen, heroes and great statesmen. It was also one of the most fertile periods in the development of type and printed arts. The publishing industry in the American Colonies was energetic and ambitious, publishing all sorts of books, maps and periodicals for a growing literate population.
Our new Colonial Fonts package draws on several of the most fertile areas of publishing in this era. Fonts like Platthand and John Speed are derived from the ornate, decorative lettering on maps from the 17th and 18th centuries by cartographers like Oretelius and John Speed. Carmilla, Allegheny, Queensland and Malagua are based on hand lettering from deeds, letters and other period documents. Guilford is based on samples of colonial lettering reproduced by historian and artist Eric Sloane. Buccaneer is based on hand poster lettering done by legendary artist Howard Pyle for his Book of Pirates. Boswell, Cochin Archaic, Octavian and Ruffian are based on book and newspaper print of the 18th century. The package also includes several special variant fonts, like the John Speed Ornamental font, Boswell Italic and the small caps version of Guilford.
This package was recently updated with the inclusion of several new fonts from the period. These include the Hesperides calligraphic font, the Caswallon printed script font, Caswallon Archaic Text, Caswallon Antique ornaments, our new Antique Border Ornaments font and the Bridgeport font based on another sample of colonial style lettering by Eric Sloane. We’ve also substantially revised several of the collection’s original fonts including Guilford and Allegheny.
As a special bonus for Thanksgiving we’ve also added the novelty font Turkey Day, which has a selection of colonial silhouettes and Thanksgiving related images accessible by simple keystrokes.
All the fonts are historically accurate and they are not available from any other source. They’re an excellent and comprehensive selection of print and lettering styles for any project which needs the look of the colonial era, from a revolutionary political document to a wanted poster for a pirate.
The package is available for Windows or the MacOS, and includes both TrueType and Postscript fonts. The total price is only $69 for all the fonts. You can order the collection for delivery on CD or for immediate download from our ONLINE STORE. You can also order any of the fonts individually by searching for them by name in our store.
New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
BUY NOW TRY DEMO Tilbury is based on advertising lettering from the 1930s. It has a unique and stylish look reminiscent of a swashed italic brush script. Tilbury includes a full character set with upper and lower case, numbers and punctuation. It has fully customized kerning and spacing as well.[...]
BUY NOW TRY DEMO Sarandiel is a new script font based on vintage hand lettering. It has complex flourished capital letters with simpler compatible lower case characters and numbers. It is carefully spaced and kerned and well suited the formal uses like invitations and certificates. It takes its nam[...]
Butterfield is based on letting from a poster for the Paul Butterfield Blues Band. It can be found as part of Psychedelic Fonts Collection package. It has a unique look particularly characteristic of the 60s and especially suited to use on posters. It has a full set of numbers and punctuation, plus custom small [...]
Too many years ago to count, I was lucky enough to attend St. Albans School in Washington, DC. It's a great school with a rich history and an association with the National Cathedral and the rich cultural heritage of the Episcopal Church and many of the traditions of the English public schools. It's a school with a lo[...]
Sternhagen is a classically attractive font with a modernized gothic look which combines traditional elements from the high middle ages with a bit of Art Deco style. It will eventually be part of our Gothic Fonts Collections, but for now it is available singly.Sternhagen has a complete upper and lowercase charact[...]
BUY NOW TRY DEMO Custom Preview Mannering is a new font design derived from some samples of an uppercase letter set by Samuel Welo, with additional lowercase characters and numbers added to it in the same style. It is a sans serif font with calligraphic lines and distinctive embellished horizontal cro[...]
I don't know what came over me one Halloween, but I couldn't get the idea of dancing skeletons out of my head. The classic dance of death, but a bit more expressive, with the skeletons working together to form the letters of a font. This resulted in the design for the Bonyeard font, where each letter is made [...]
BUY NOW TRY DEMO Custom Preview Our original Folkard font has achieved near legendary status as one of the most interesting calligraphic title fonts of the contemporary era. It has been enormously popular and appeared on movie titles, book covers, t-shirts and games. However it is not the only [...]
Hendrix is one of our most classic and most quintessential psychedelic poster fonts. It is based on hand lettering from a number of posters and album covers produced in the 1960s and the early 1970s. It is a very striking font, quite recognizable and identified with the period. This new release has some signific[...]
BUY NOW TRY DEMO Custom Preview Script fonts can be a real challenge to design, especially when they are designed to have interconnecting characters which require exacting kerning and character positioning. When we first developed Orphiel we did a lot of kerning work on it, but despite a g[...]
BUY NOW TRY DEMO Custom Preview Startling Stories was a pulp-era science fiction magazine known for its lurid covers by Earle K. Bergey and its eye-catching title designs. It was a companion to Thrilling Wonder Stories and Fantastic Stories. The magazine was very successful in the immediate pos[...]
BUY NOW TRY DEMO Custom Preview Lyceum has the stylized shape and look of a font designed for the program at a lecture hall, hence the name. It is super bold but remains highly readable at fairly small sized, though the contrasts are dramatic. It features only an uppercase characters set because the st[...]
BUY NOW TRY DEMO Custom Preview Doge is a new font based on samples of late-renaissance period lettering from Venice, preserved and reproduced by early 20th century calligrapher and designer J. M. Bergling. It has some similarity to some of our other fonts based on lettering from the same period[...]
BUY NOW Back in 1995 I designed a card game called Quest for the Grail and formed a publishing partnership to produce it called Stone Ring Games. I did a bunch of design work for the game, including designing a unique title font called Marmyadose. Marmyadose was a unique font, but it was too fancy to[...]
On a previous vacation with my family I discovered my Folkard font in use for the signage on a restaurant in Bar Harbor called "The Lazy Lobster." This year I was pleased to note new signage with a jaunty lobster, but still featuring Folkard. Bar Harbor is Maine's legendary tourist town. Among the many chic restaur[more]
Byam Shaw was a great English illustrator of the Victorian period. Stylistically he inherited many of the characteristics of the Pre-Raphaelite and Arts and Crafts artists of the earlier 19th century, putting him in the same category with other late-Victorian artists like Eleanor Fortescue Brickdale and William Russell[more]
The Pre-Raphaelite movement emerged in the mid-1800s as an attempt to return art to its traditional styles and themes. While the Pre-Raphaelites did draw stylistically on Renaissance models, the movement soon developed its own unique style and philosophy, producing art which was traditional, yet uniquely new. An artist[more]
I was in Amy's Ice Cream with my kids when I noticed a very large man wearing a t-shirt for a local band called The Gourds, and much to my surprise I recognized my Gloriana font on the shirt. I lacked the presence of mind to take a picture of the shirt on the spot, but when I got home I did a little research and d[more]
BUY NOW True Golden is a classic font based on a design by legendary arts and crafts designer and author William Morris. It is a special rendering of Morris' Golden type, based on printed samples rather than digitized steel type, preserving a more accurate representation of the look in print. True[more]
In the 1930s there was an explosion of popular literature in the form of pulp novels and magazines, featuring lurid covers and scandalous content in a diversity of genres from suspense to mystery to science fiction to westerns. Pulp novel covers had a distinctive style and that i[more]
I was exploring the listings on eBay recently and stumbled onto a listing for a book of sample type designs from the Ukraine, published in 1930. The images on eBay were not that informative, but I was intrigued, so I ordered it. It took quite a while for the book to get here from the Ukraine, but when it arrived I w[more]
"We are saddened by the death of legendary type designer Hermann Zapf at the age of 96. His classic fonts like Optima, Palatino and Zapf Chancery set the standard for type design for the 20th century. Zapf's long career as designer and teacher was an inspiration to type designers around the world and made all of our l[more]
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