Classic Font: Ulalume
|Ulalume was one of our earliest text fonts. It was originally designed in 1993 and then substantially modified in 1996, but since that time it was kind of allowed to languish in our back catalog with little attention, which was a shame because there is always a need for stylish text fonts with strongly contrasting weights, and the ultra thin and very bold elements of Ulalume really make it stand out, especially for titles and poster uses where you need something more dramatic than a standard text font.
For this new release of Ulalume we’ve expanded the character set, adding more foreign language characters and more special characterts. We’ve also cleaned up and sharpened the outlines and addressed problems with several characters which were slightly out of position or had an off look to them. The result is a really outstanding new version of an older font which we think people will find very useful. You can try the DEMO version of Ulalume for free, but it includes only one version of each character. Or you can ORDER the full version online and download it right away.
New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
BUY NOW TRY DEMO Custom Preview We've featured some articles on the designs of pulp novel covers from the mid-20th century, including s look at the fonts used in those designs. We've also released fonts based on those designs, like suspicion. These old book cover designs are a great resource for [...]
Lachesis was one of our earliest text font designs, a unique font deliberately designed to have an antique wood-cut look. It is based on samples of vintage type taken directly from letterpress type blocks found at the type museum in Barnard Maine, a great resource which closed a few years ago. Over the years La[...]
When I was a kid I wasn't allowed to buy comic books, so when I began to earn some money of my own as a young teen, I hit that market right at the peak of the 1970s boom in alternative large-format comics which were much more salacious - with more gore and sex - than the comics I would have read as a kid. I wen[...]
Alecto was originally released in 2002 and was one of the fonts developed for our Futuristic Fonts package. It has a unique science fictional look, combining some of the look of an OCR font with pure fantasy elements. It's just the kind of thing you'd expect to see on the side of a spaceship in an epic space ope[...]
BUY NOW TRY DEMO Our Froissart font was first released in 2000 as part of our Medieval Fonts and Art package. It is an accurate recreation of the Littera Bastarda calligraphic style which was popular in the 14th and 15th centuries as gothic styles were losing popularity and there was a demand for s[...]
BUY NOW TRY DEMO Custom Preview Yancey is a new font based on a hand-lettered design by Samuel Welo in the late 1920s. It is very much in the tradition of Art Deco designs of that period and designed for decorative titles of poster design uses. Yancey includes two versions of the character set,[...]
Alexander Rodchenko (1891–1956) was one of the premier artists of the constructivist movement in Russia. Although he was a sculptor, painter and photographer, he is most remembered for his graphic design style in book and poster design. His unique and dramatic style defined Russian popular art of the early Revol[...]
Once again we are calling on the classic early 20th century lettering work of J. M. Bergling to produce a new font with a timeless look which combines elements of text and titling styles for a versatile and elegant effect. Diomedes includes a full set of upper and lower case characters plus an interesting sele[...]
BUY NOW TRY DEMO Custom Preview Script fonts can be a real challenge to design, especially when they are designed to have interconnecting characters which require exacting kerning and character positioning. When we first developed Orphiel we did a lot of kerning work on it, but despite a g[...]
BUY NOW TRY DEMO Custom Preview Lyceum has the stylized shape and look of a font designed for the program at a lecture hall, hence the name. It is super bold but remains highly readable at fairly small sized, though the contrasts are dramatic. It features only an uppercase characters set because the st[...]
Engrossing is one of our earliest fonts, originally released in the early 1990s. It is based on one of the very first examples of printed type in a script style. The historic source design was derived from common 17th century calligraphy, simplified for conversion to type and it became the precursor of all of t[...]
Black Cow is a unique original font designed for our Horror Fonts and Art collection several years ago. It's one of the most interesting fonts in the large selection of fonts in that package, but it hasn't had the huge level of popularity which some of the other fonts have enjoyed. It has an all uppercase chara[...]
In an article last week we explored the origins of the font used in Quentin Tarantino's Django Unchained and a bit of the history of the Django genre of films. That was part of the process of the development of an original font based on the lettering used in the original Django, a process similar to what was p[...]
In honor of Cyber Monday, which some people are now expanding to be a whole Cyber Week, we're releasing St. Ives, a new modernistic font with unique riser and descender characters which give it an unusual linear look. It will be featured in a new edition of our Futuristic Fonts which will be released late[...]
Fougasse is a bold title font which has a unique combination of elements, including an unusually heavy weight, some unusual Art Deco period character forms and rough outlines to the character which are not too pronounced, but give it a sort of a naturalistic look which makes the characters stand out more. Foug[...]
Our newest release is our collection of Constructivist Fonts based on poster lettering from the early post-revolutionary period in Russia, including designs based on the styles of famous designers of the period like Alexander Rodchenko, Mikhail Vrubel and Sergei Eisenstein. These are typical of the m[more]
Walter Crane produced a series of small pamphlets in the 1890s based on popular fairy tales, done in large format with 6 pages of illustrations and about an equal number of pages of text. They were rather like the 19th century equivalent of comic books, in the same vein as what Howard Pyle was doing across the Atlantic[more]
I'm back at Typecon and things are in full swing now. There was a long but fascinating keynote presentation from Tobias Frere-Jones last night on type as security in banknotes. It was the main entertainment for the evening and went on an on for a bit. I actually had to cut out before I could ask my question - "Why ar[more]
Every year we try to amuse with some sort of April Fools prank. This year visitors to the site were first greeted by what looked like a hacker takeover, a modest joke, but we've done some even bigger and sillier things in previous years. Here are some examples preserved as best we could. 1998 April Fools Page 1999[more]
In the early 20th century, before the outbreak of the Russian Revolution, the Art Nouveau movement crept into the failing empire by way of Alphons Mucha and the Slavic Folk Art movement in Czechoslovakia. Russian artists picked up on the ideas of these movements and began producing new styles of art for a growing [more]
I'm in Washington DC this week attending Typecon. The Society of Typographic Aficionados official convention. There are all sorts of programs and presentations with notable typographers and designers appearing as speakers. As well as exhibits and new products to see. I'm merely going as a humble attendee because [more]
We've got a font package for just about every other holiday, so it seemed impossible to resist putting together a collection of fonts specifically for the romantic themes of Valentines Day. Once we'd settled on the idea it was inevitable that we also include a selection of romantic [more]
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