New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
Special Font Release: Posada Spu...
I was watching the television show Sons of Anarchy and on looking at the logo for the show I was struck by the similarity between the lettering used for the name of the titular motorcycle gang and our Posada font. Clearly their lette[...]
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BUY NOW TRY DEMO Custom Preview Script fonts can be a real challenge to design, especially when they are designed to have interconnecting characters which require exacting kerning and character positioning. Whe[...]
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Nostromo is based on a sample of early 1900s period advertising lettering with a particularly dramatic personality and a look which really grabs the eye. The font includes all uppercase characters, with some variants, plus the unique [...]
Classic Font: Black Cow...
Black Cow was originally developed back in 1998 as an addition to our Horror Fonts and Art collection. It has since been through several revisions with the addition of lots of alternate character forms. It's a super quirky font with very [...]
Featured Font: Gloriana...
Gloriana was originally released in 1999 based on samples of hand lettering in an illustated childrens book from the early 1900s. It was one of several conceptually similar fonts we did during that period, including Gaiseric, Rosalin[...]
Classic Font: Ulalume...
Ulalume was one of our earliest text fonts. It was originally designed in 1993 and then substantially modified in 1996, but since that time it was kind of allowed to languish in our back catalog with little attention, which was a sha[...]
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New Font: Shayne...
BUY NOW TRY DEMO Custom Preview We've featured some articles on the designs of pulp novel covers from the mid-20th century, including s look at the fonts used in those designs. We've also released fonts based on those[...]
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BUY NOW TRY DEMO Custom Preview Escargot is based on lettering from the cover of an early pulp novel I came across a couple of months ago. It's a strong example of a distinctive style of sign and poster lettering fro[...]
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BUY NOW TRY DEMO Custom Preview Startling Stories was a pulp-era science fiction magazine known for its lurid covers by Earle K. Bergey and its eye-catching title designs. It was a companion to Thrilling Wonder Stori[...]
Featured Font: Munich...
BUY NOW TRY DEMO Our Munich font was first released in 1998 and has been revised several times since then. This latest version includes substantial improvements in the outlines of the characters and a new set of simple upper [...]
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Langdon is our first new font of 2012. It's based on samples of hand-rendered poster lettering from the early 1900s by J. M. Bergling. It has a strong, distinctive look with demi-serifs and an art nouveau or art deco look. It's very m[...]
New Font: Monstrous...
It's time for something new and strange, our new and original Monstrous font. Monstrous is a titling font which offers a striking look and special features which make it truly unique. The characters are stylized and super-bold, but[...]
Featured Font: Schoolhand...
Schoolhand was originally commissioned by the Education Department at a major Christian university, which will remain nameless. It was developed to their specifications in order to teach cursive handwriting to children, sharing some charac[...]
New Font: Diomedes...
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New Font: Suspicion...
I recently wrote a brief article on pulp novel book cover art and lettering as a source of inspiration. Inevitably this led me to actually work on developing some fonts based on the lettering styles featured on the covers of some of [...]
New Font: Alcuin...
We're working on a number of projects based on designs by legendary 19th century codicologist Owen Jones, who is most famous for his Grammar of Ornament. One of those projects is his book One Thousand and One Initial Letters from 18[...]
New Font: Drakulon...
When I was a kid I wasn't allowed to buy comic books, so when I began to earn some money of my own as a young teen, I hit that market right at the peak of the 1970s boom in alternative large-format comics which were much more salaci[...]
New Font: Aerobrush...
I was playing around with some paint at our chicken coop and realized I had an opportunity to do some hands-on design work for a brush-style font, so I did a set of sample brush strokes on a piece of the recycled coroplast which cover[...]
Children of the Damned
With Halloween looming, thoughts naturally turn to issues of horror and to classic horror films, particularly the creative title design and unique lettering which some of these classics feature in their titles, but even more especially in their preview trailers. YouTube is a great resource for these trailers, including many for films which are themselves very hard to find. Trailers are great design inspiration, because they boil down a film to its most dramatic images and older trailers include extensive descriptive titles in very dramatic styles.
Expectation of trick or treating kids naturally brings to mind the broader topic of creepy children, which leads the mind naturally to the classic film Village of the Damned and its arguably superior sequel Children of the Damned. Some people like the original and others prefer the sequel, but both of these classic British films based on John Wyndham’s The Midwich Cuckoos are seminal examples of the “alien kids with psychic powers” sub-genre of Science Fiction.
There’s something uniquely British about these films and the script, acting and directing are all outstanding. Plus one nice development is that a lot of these older films are now available for viewing for free on YouTube, including both Children of the Damned and the original Village of the Damned. You can also watch the John Carpenter remake from 1995 for #2.99 but despite an interesting cast it can’t hold a candle to the originals.
Of course, for our purposes the trailer is more of a resource, and as you can see from the accompanying graphics it includes a lot of examples of an unusual title alphabet design which would be pretty easy to convert into a unique font. The titles from Village of the Damned aren’t that interesting, but those featured in Children of the Damned are really eyecatching with a bold geometric look which typefies the type of high-impact design popular in 1960s shock cinema. I’ve taken stills from the trailer and have added them to the archive of design resources, so don’t be surprised to see a font based on it down the road.
For a look at how we make fonts from sources like movie titles see our article on designing the Captain Kidd font.
October 30, 2012 | Filed Under Articles, Font Design
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