Children of the Damned
With Halloween looming, thoughts naturally turn to issues of horror and to classic horror films, particularly the creative title design and unique lettering which some of these classics feature in their titles, but even more especially in their preview trailers. YouTube is a great resource for these trailers, including many for films which are themselves very hard to find. Trailers are great design inspiration, because they boil down a film to its most dramatic images and older trailers include extensive descriptive titles in very dramatic styles.
Expectation of trick or treating kids naturally brings to mind the broader topic of creepy children, which leads the mind naturally to the classic film Village of the Damned and its arguably superior sequel Children of the Damned. Some people like the original and others prefer the sequel, but both of these classic British films based on John Wyndham’s The Midwich Cuckoos are seminal examples of the “alien kids with psychic powers” sub-genre of Science Fiction.
There’s something uniquely British about these films and the script, acting and directing are all outstanding. Plus one nice development is that a lot of these older films are now available for viewing for free on YouTube, including both Children of the Damned and the original Village of the Damned. You can also watch the John Carpenter remake from 1995 for #2.99 but despite an interesting cast it can’t hold a candle to the originals.
Of course, for our purposes the trailer is more of a resource, and as you can see from the accompanying graphics it includes a lot of examples of an unusual title alphabet design which would be pretty easy to convert into a unique font. The titles from Village of the Damned aren’t that interesting, but those featured in Children of the Damned are really eyecatching with a bold geometric look which typefies the type of high-impact design popular in 1960s shock cinema. I’ve taken stills from the trailer and have added them to the archive of design resources, so don’t be surprised to see a font based on it down the road.
For a look at how we make fonts from sources like movie titles see our article on designing the Captain Kidd font.
New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
BUY NOW TRY DEMO Malagua was originally released in 1999 and has been revised several times since then, culminating in this new release with improved weighting and additional special characters. MAlagua is based on examples of rough hand lettering from the 17th century. It has characteristics [...]
BUY NOW TRY DEMO Custom Preview Edifice is a decorative titling font based on samples of lettering by J. M. Bergling. It has an architectural, constructed look to it. Very well suited to sign and poster design. It's stylish but still readable and clear. Edifice includes a full uppercase charac[...]
BUY NOW TRY DEMO Custom Preview Yancey is a new font based on a hand-lettered design by Samuel Welo in the late 1920s. It is very much in the tradition of Art Deco designs of that period and designed for decorative titles of poster design uses. Yancey includes two versions of the character set,[...]
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BUY NOW TRY DEMO Custom Preview Mannering is a new font design derived from some samples of an uppercase letter set by Samuel Welo, with additional lowercase characters and numbers added to it in the same style. It is a sans serif font with calligraphic lines and distinctive embellished horizontal cro[...]
BUY NOW TRY DEMO Custom Preview Highball is a bold font in every sense of the word. Yes, its weight is heavy and pronounced in the traditional meaning of bold, but it is also of an extreme height which could be considered bold, and of a boldly progressive style. Highball features a full character s[...]
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When we did a font (and a feature article) recently based on a design by Alexander Rodchenko, the result was a very cool font, but while it was based on Rodchenko lettering, it is not the style most associated with his work. The tall thin look of the Rodchenko font is less typical of his work than the heavier,[...]
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BUY NOW TRY DEMO Custom Preview Slava is based on lettering by legendary Art Nouveau master Alphons Mucha from his later post-Parisian period when he returned to Prague and did a lot of design work in support of the slavic nationalist movement. The letter forms still have many of the characteristics of[...]
As the blazing heat of and endless Summer begins to fade, what could be a better deal than a sale on single fonts to start the new season? For two weeks, through September 25th, if you place an order for an assortment of single fonts of your choice, the more you order the bigger the discount, as listed below. Your s[more]
In the early 20th century, before the outbreak of the Russian Revolution, the Art Nouveau movement crept into the failing empire by way of Alphons Mucha and the Slavic Folk Art movement in Czechoslovakia. Russian artists picked up on the ideas of these movements and began producing new styles of art for a growing [more]
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We've got five designs were considering for out next font. They all fairly similar so we need some help choosing. Which one would you like to see next?[more]
Austin is a great center for the arts, not only music and film and other performing arts, but visual arts and all sorts of crafts. All these events and shows have to be advertised and the traditional method of getting the word out is through posters distributed all over town wherever people gather. I like to go arou[more]
Thanksgiving is almost upon us and it isa great time to celebrate family and the harvest and remember some history. Part of that history can be told in the form of unique fonts, including many which were created for special occasions to add decoration to holiday cards or invitations. Printers have been ornamenting for [more]
I'm back at Typecon and things are in full swing now. There was a long but fascinating keynote presentation from Tobias Frere-Jones last night on type as security in banknotes. It was the main entertainment for the evening and went on an on for a bit. I actually had to cut out before I could ask my question - "Why ar[more]
- Silent Film Font Collection
- The Colonial Fonts Collection
- New Font: Carillon
- Arts & Crafts Collection