Celtic Design in Pixar’s Brave
The latest film from Disney’s Pixar division is the lavishly designed Brave which sets a new standard in detail, color and beauty for a digitally animated film. The quality of the motion of the characters, the details of the textures and the vibrance of the colors is extraordinary. The setting is also unusual, drawing on Celtic design themes extensively to create a setting in Scotland of the legendary past.
Although they did not specifically draw on any of our fonts, the look of the film ties in very well with the resources in our Celtic Fonts and Art collections, and featuring designs and fonts similar to many in our collection.
Celtic decoration is used extensively on costumes, furniture and other objects, much of it quite similar to the knot work borders found in our Celtic Borders font and our Owen Jones Celtic Borders font.
In addition, although the main title is hand drawn, it clearly owes a debt to our Padstow font which offers the same kind of knot work designs embedded within the characters. And the final credits are done in a font derivative of our classic a href=”http://www.fontcraft.com/Merchant2/merchant.mv?Screen=PROD&Product_Code=glendower”>Glendower font, but with some rather bizarre and not necessarily attractive variations on some of the character forms.
So if you liked the movie – and it’s an enjoyable film for kids or adults – and you want to create the same kind of design look for yourself, our Celtic Fonts and Art collections have the resources you need.
June 24, 2012 | Filed Under Uncategorized
New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
BUY NOW TRY DEMO Custom Preview Iphegenia was one of our early designs, a creative advertising script font with a modern, hand-drawn look but regular character forms and a nice even line to it. It has high readability despite its decorative look and works well in combination with a variety of other fo[...]
BUY NOW TRY DEMO Potsdam was one of our earliest font releases, first produced in 1992 based on samples of 19th century decorative German type. It was one of our first fonts designed for MacIntosh computer users and follows the naming convention for Mac fonts of that era, being named after a city. [...]
BUY NOW TRY DEMO Custom Preview You may recall a couple of months ago when we had some font samples posted on the page to vote on. Well, the winner of the vote by a significant margin was a sample of lettering by Samuel Welo, and now as promised, it is available as our newest font: Carillon. They f[...]
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When I was a kid I wasn't allowed to buy comic books, so when I began to earn some money of my own as a young teen, I hit that market right at the peak of the 1970s boom in alternative large-format comics which were much more salacious - with more gore and sex - than the comics I would have read as a kid. I wen[...]
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BUY NOW TRY DEMO Custom Preview Script fonts can be a real challenge to design, especially when they are designed to have interconnecting characters which require exacting kerning and character positioning. When we first developed Orphiel we did a lot of kerning work on it, but despite a g[...]
BUY NOW TRY DEMO Custom Preview There's a peculiar style of letters that seems to only show up on some signs and letterpress posters and it caught my eye when I saw it being used in the recent poster for the National Day of the American Cowboy. It's like a western style "egyptian" font with big [...]
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BUY NOW TRY DEMO Custom Preview Mannering is a new font design derived from some samples of an uppercase letter set by Samuel Welo, with additional lowercase characters and numbers added to it in the same style. It is a sans serif font with calligraphic lines and distinctive embellished horizontal cro[...]
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