Art Deco Font Collection
Our new Art Deco font collection includes a remarkable selectiion of fonts from the design movements of the 1920s and 1930s, focusing on the kinds of fonts which were generally associated with the decorative arts movement which developed out of the Arts and Crafts movement. More...Wild West Fonts
Our Wild West font collection features 14 fonts based on designs from the classic days of the American West (1870-1890). They are typical of the type and lettering styles used in signs, circulars, posters and newspapers during that era. The selection includes both decorative, display and text fonts. All the fonts are historically accurate and they are not available from any other source. While they are basically fonts of the Victorian era, they represent a subset of the typefaces popular in that period particularly slanted to the environmnet of the wild west, frontier newspapers and wild west shows.More...Pre-Raphaelite Collection
The art of the Pre-Raphaelites recreated classical and legendary themes, fascination with architectural elements and realistic drapery, and the use of models who fit a particular style and appearance, usually with thick, curly hair and voluptuous figures. Our Pre-Raphaelite collection features select images from the most prominent artists of the movement in high-resolution suitable for use in print.More...The Baby’s Opera Collection
Or latest collection based on one of Walter Crane's childrens book is our comprehensive presentation of The Baby’s Opera, Crane's compilation of childrens songs (including music and lyrics) with detailed illustrations, hand lettering and clever decorations on every page. Many of the designs and motifs can easily be extracted for use in your own designs. More...Text Fonts Collection
You've got to have text fonts, so wny not make them interesting and unique rather than the same old boring set that come with every computer. Our Text Fonts Collection has more variety and more style than you'll find anywhere else. More...Howard Pyle Fonts and Art
Howard Pyle was one of the most renowned illustrators of the 19th century. His work was widely published in adventure novels, magazines and romances. He was the founder of the Brandywine school and artists colony in Chadd's Ford Pennsylvania, where he taught artists like N. C. Wyeth, Frank Schoonover and Thornton Oakley their craft. Our Pyle collection includes a large selection of Pyle's art and designs plus original fonts based on his hand lettering. More...Medieval Fonts and Art
In the Middle Ages the demand for written documents required new and better forms of writing, styles which were readable, consistent, efficient to produce, and sometimes decorative as well. This package features a selection of fonts and art based on designs from the Middle Ages, emphasizing the years from 1100 to 1400. The 25 fonts include versions of the major popular lettering styles of this period and the art includes beautiful borders, frames and other decorative elements based on medieval designs. DETAILSThe Lady of Shalott
Howard Pyle’s illustrated edition of Tennyson’s Lady of Shalott is probably the single greatest expression of book design in the American arts and crafts movement of the late 19th century. This early Pyle work combines his vivid illustrative style with exceptional decoration and lettering into a modern illuminated masterpiece. Our Lady of Shalott CD package has every page from the book in high resolution format, including the decorated verses, the full-page illustrations and the embellished titles and flyleaves. It also includes extracted and instantly usable versions of the initials, illustrations background patterns, borders and frames from the book. DETAILSArt Nouveau Collection
This collection brings together all of our best fonts based on Art Nouveau period designs into an extensive collection, with over 30 unique fonts, including text, title faces and even decorative initials. This includes new fonts created just for this package plus classics in the Art Nouveau tradition. It also features a bonus collection of frames and borders based on designs from magazines and books of the period. Altogether it makes the ultimate resource for Art Nouveau style design. DETAILS2009 Sampler
About once a year we release a special sampler package with a collection of selected fonts and art from our most recent and forthcoming packages, including some unique items not available anywhere else, all brought together as an overview of what we've been up to at the Scriptorium during the past year at a special, extremely low price. This latest sampler has four complete new fonts, 15 demo fonts and a special selection of art and graphics which includes a special set of illustrations of Celtic mythology by Katherine Cameron. DETAILSViking Fonts and Art
This collection presents calligraphy and art based on the traditions of historic Germanic cultures. It draws on the broad scope of early Germanic design, from the pre-Christian era through the early middle ages, including not just Scandinavia, but other elements of Germanic culture from the Franks to the Saxons to the Normans and beyond. The main component is a collection of historic fonts which is complemented by a unique set of historic borders and motifs, plus art based on Viking myth and legend. DETAILS.Gothic Fonts
A collection of our best fonts based on gothic type and late medieval calligraphy. It covers the range from the historical styles in which gothic printing had its inspiration to the ornate heights of complex gothic fonts from 19th century Germany. This includes fonts in the style sometimes called 'Old English', as well as what calligraphers sometimes call 'Black Letter'. If you like your fonts dark, angular and complex, this is your dream collection. DETAILS
New Font: Scrapple
| Scrapple is a new font based on the idea of constructing characters from a limited selection of wood blocks featuring round and rectangular shapes. Scrapple has a cool, crude and industrial look. It’s all uppercase, but the lowercase character spaces include a set of alternate versions of all the characters to make your designs look more handmade. It looks great in graphics with a bevel around it and a scratchy blockprint pattern imposed on it so it looks hand printed. The name, of course, comes from everyone’s favorite high-energy breakfast food.
You can try the DEMO version of Scrapple for free, but it only has one of the character sets. Or you can ORDER the full version for only $24 online and download it right away. |
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The Hot Retro Design of the “Burly Q”
When I go browsing in our local vintage shops I always check out the racks of flyers and promotional cards for various local bands and businesses. Sometimes I find a graphic design treasure, and last weekend that treasure was a half-page, two-sided promo card for a movie called Behind the Burly Q which is coming out on DVD next spring.
The card, which I suspect is also the DVD cover, has the look of an aged poster from the period in the 40s and 50s when Burlesque was at its height, which makes sense as the film is a documentary history of Burlesque from its origins in Vaudeville to the reminiscences of surviving stars of the era. The design is pretty bold in its use of creative paper yellowing and texturing. It’s not perfect, but it does get the look of cheap high-acid paper which is a couple of decades old about right. The font choices are pretty good with a clear awareness of the kinds of fonts available for cheap letterpress printing 50 years or so ago.
What I think stands out most is the use of overlapping graphic elements, with photos and blocks of text arranged where they share space but still stand on their own and remain distinct enough to read or view, all in an overall design which doesn’t seem too crowded or unbalanced – especially on the front of the card, much less so on the back. Bringing all those elements together into a coherent whole and making them work together takes a special eye, and I’m a little envious of how well it’s done here, as it’s something I often have trouble with myself. I tend to be afraid to use odd angles and asymetrical placements, afraid that the final result won’t have the balance which it ought to. So I’m keeping the “Burly Q” card around for reference to remind me to be bold in my placements and not fall back on too many predictable positioning.
Letterpress Font Collection
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Letterpress printing is one of the oldest and simplest forms of printing, using letters carved into wooden blocks or cut from a rubbery material and attached to the blocks and then printed as a whole page composed of multiple elements. Today it is used primarily for poster printing by presses like Hatch Show Prints which have preserved the old type and presses and continue to print the way they did a hundred or more years ago.
Stylistically, letterpress printing is characterized by the use of large, block type, simple printer’s ornaments and sometimes limited attention to making all of the characters match in exactly the same style. Substitution of letters from a vaguely similar font into a line of type by accident or intent is quite common. Because of the primitive printing methods and the age and wear on the type flaws like nicks and faded areas are also quite common, plus there are rarely sharp corners or small serifs as they tended to degrade or tear off. It’s also common to see Letterpress posters where the type has been set with virtually no white space, with the entire printing space filled with type or with solid blank spaces. Because the technology is old, a lot of the font styles are also antique looking, reminiscent of those found in our Wild West font collection.
Our new collection of letterpress fonts is based on type commonly used in letterpress printing, derived from old posters and in some cases directly from letterpress type blocks. It includes a variety of weights and styles and many of the fonts are brand new releases developed specifically for the package. In addition to several of the typical bold sans serif fonts like Caelian and Letterpress Gothic, it includes a couple of “circus” style fonts with Boomtown and Big Show, a couple of heavy weight serif fonts with Plymouth and Bastion, a couple of lighter weight fonts with Stampwork and Atkinson Egyptian and finally two more ornate fonts from the German tradition popular in the midwest at the turn of the last century with Plakat and Wolfram. It’s a nice variety of fonts and everything you need to make good letterpress-style designs like those we’ve features in our recent articles on Hatch Show Prints
All of our letterpress fonts are available individually – just click on the image shown here – or you can get the complete package with all the fonts for an introductory price of only $49. The package is available for Windows or Macintosh, including both TrueType and Postscript fonts. The special introductory price is only going to last only through the end of November. You can order our Letterpress Fonts collection online and dowload it immediately. Just CLICK HERE TO ORDER
New Font: Big Show
We’ve been working hard on developing a new package of fonts based on classic Letterpress designs and that package is almost complete. Rounding out the collection is our new Big Show font, which is a kind of a swanky 1960s take on the classic circus fonts of the 1890s which have come to be associated with the wild west era. It has the giant block serifs of that style, but rounder lines which give it a look that seems more 1960s than 1890s.
Big Show has a full uppercase character set, plus a set of variant characters with more distressed versions of the main character set. It also has numbers and punctuation. The overall effect is rough, but attractive and it creates a strong impression.
You can download and try a demo version of Big Show, in TrueType format for Mac or PC. You can also order the full version of Big Show online for immediate download: BUY IT NOW.
New Font – Stampwork
Something old. Something new. We’ve done a lot of fonts lately based on antique type and lettering, so here’s something brand new, a font designed to look like the output of a rubber stamp. It’s in the tradition of our Draughtwork and Roughwork fonts, with a sort of technical look.
Stampwork has two versions of the uppercase character set. One set features over and underline artifacts like those produced by the edge of a rubber stamp which is pressed down too hard. The other set is plain. There are also alternative line artifact characters to add variation.
Download and try out the free demo version of Stampwork (will work on Mac or PC). If you like it you can buy the complete character set with all the extra features from our Ordering Site.
New Font: Posada
José Guadalupe Posada was a Mexican printer, engraver, cartoonist and illustrator of the late 19th and early 20th century who was enormously influential on the development of Mexican Folk art styles which continue today. Posada is best known for his Calavera cartoons and illustrations which satirized his fellow Mexicans as skeletons in the tradition of Dia de los Muertos. Many of Posada’s cartoons were published as single-sheet handbills and included original hand-lettered captions and titles in a style reminiscent of period newspaper headlines. We’ve previously collected many of Posada’s Calavera lithographs in our Macabre Fonts and Art Collection and now we’re releasing our first font based on Posada’s lettering, somewhat unimaginatively tagged with his name. It’s a rough and bold all-caps character set with alternative caps on the lower case keys, with an offset positioning which Posada used in a number of his cartoons, as demonstrated in the sample to the right. You can try out the free demo version of Posada for either MacOS or Windows. It features just the characters of the standard set. The full combined version of Posada is available on our Ordering Site.
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New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
