New Font: Langdon

Langdon is our first new font of 2012. It’s based on samples of hand-rendered poster lettering from the early 1900s by J. M. Bergling. It has a strong, distinctive look with demi-serifs and an art nouveau or art deco look. It’s very much the kind of font which we might include in a new release of our Steampunk collection. It has some interesting features, including some alternative characters and a meticulously designed custom small-caps character set.

You can try the DEMO version of Langdon for free. Or you can ORDER the full version for only $24 online and download it right away.

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Rating 3.50 out of 5

Classic Font: Swithin

Swithin was designed to be our featured holiday font for 2003. It is based on samples of advertising lettering from posters produced during the 1920s. The whimsical nature of the characters and the decorative elements make it an excellent font for holiday cards. It features a full uppercase character set and offset small caps for the lowercase. It looks great on Christmas cards. Swithin is available singly or in our Holiday Fonts and Art package.

You can try the DEMO version of Swithin for free. Or you can ORDER the full version for only $24 online and download it right away.

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Rating 4.00 out of 5

J. M. Bergling Art Nouveau Fonts

Over the last few years we’ve developed a number of fonts based on the hand lettering of early 20th century calligrapher J. M. Bergling. A lot of his work fits into the Art Nouveau category and of the notable calligraphers of the period his work particularly stands out as influential in the development of Art Nouveau derived poster lettering of the psychedelic era of the 1960s.

When you look at Bergling’s designs it is impossible not to see that they are the direct antecedents of some of the most famous styles of the lettering on show posters from clubs like the Fillmore. Some of the fonts in our Psychedelic Fonts package show their influence like Hendrix and Pantagruel.

As we developed more fonts based on Bergling’s lettering it seemed inevitable that we should put together a package focusing just on his fonts, and the obvious first choice was his most typically art nouveau style designs. We had already released Belgravia and Boetia in 2008, and Belgravia was one of our featured fonts for the Font Club. That wasn’t enough fonts, so we moved two more up in our production schedule and in the last month they were completed and thus came the release of Beaumains and Bosphoros – we thought we’d stick with names starting with “B” for the series since Bergling starts with it.

So we gathered the four fonts together into a mini-collection and it’s now released and available so you can get the set at more than half off the price of buying the fonts individually. The package is only $39 and can be bought in our ONLINE STORE.

Rating 3.00 out of 5

New Font: Bosphoros

We don’t normally like to follow the same theme too much with our new font releases, but because we wanted to put together a special package of fonts by J. M. Bergling we’re following the release of Beaumains with Bosphoros, another font based on Bergling’s series of art nouveau themed lettering styles. Bosphoros fits the same general style but has a unique form and a lot of alternate characters. Of our various Bergling fonts it is one of the ones which is closest to the style of the psychedelic poster lettering which Bergling’s designs influenced and which you can find many eamples of in our Psychedelic Fonts collection.

You can try the DEMO version of Bosphoros for free by registering. Or you can ORDER the full version for only $24 online and download it right away.

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Rating 4.00 out of 5

Beehive Collective

So I’m on vacation with the kids and we happened to stop in to Finelli’s Pizza in Ellsworth, Maine. On the wall in Finelli’s is a mural-style poster of a banner opposing the Free Trade Area of the Ameircas from Beehive Collective, which reminded me that I had intended to give them a plug after seeing their work displayed at The Common Ground Country Fair (AKA Unity Fair) last fall in Unity, Maine. So that’s the context, and here’s the plug.

I don’t agree with 90% of the political ideas espoused by the folks involved in Beehive Collective, but I do admire the work which they do. They are a printing and design collective – a business model which I think has a lot of potential and is underused here in the US – and they do work which is unique and fascinating even if I find some of the political content naive and unappealing. They specialize in printing large posters and banners – and I mean really large. The minimum size printing job they will normally take on is 20 square feet. They also tour the country selling posters and banners and reproduction prints of their works at fairs and art shows, mostly in the northeast and midwest.

What’s particularly interesting about their work is the peculiar design style which they’ve developed in these murals, which are crowded with messages and images which are striking and even disturbing. They’re kind of a combination of Where’s Waldo and the work of Heironymous Bosch, telling a story with multiple little vignettes and images mixed in together in a gigantic maze of information and political statements and allegory and just pure bizarreness. The style of their work owes something to the underground comics of the 60s and also to editorial cartoons of the 19th and early 20th centuries, plus a sold dose of pure paranoid mania. It’s also interesting that they work only in black and white. They are what they call “narrative posters” and every one tells a story, but they are so complicated that it helps to have a guide to explain them, and they do have several pages on their website where they break down the content of the poster and explain the included elements. See this example from their Plan Colombia column-style banner. Or check out the more traditional shaped banner for their Free Trade Area of the Ameircas campaign which they also explain in detail.

They use a lot of interesting hand lettering in their posters and tend towards certain styles which you can also find preserved in our font designs. They seem to like Art Nouveau styles, or maybe they’re just influenced by 1960s concert posters which were heavily influenced by Art Nouveau. You’ll find fonts similar to those they use in our Art Nouveau and Psychedelic Fonts collections. They particularly favor the more topheavy Art Nouveau styles like our Fnchley, Gehenna and Estoril fonts. We may have more fonts along similar lines in a forthcoming collection of fonts which sort of bridge the gap between Art Nouveau and psychedelic styles.

Rating 4.00 out of 5

New Font: Beaumains

We’ve done a number of fonts based on lettering by vintage calligrapher and design historian J. M. Bergling, including several with an Art Nouveau flavor like Boetia and Belgravia. Our newest font is in that same tradition, but it is an unusual simplified alternative to traditional Art Nouveau lettering styles. It’s also set apart by having both a full upper and lowercase character set, while most Art Nouveau lettering only has an uppercase character set. The relative simplicity of the characters and the full set of characters makes it much more versatile and suitable for uses which more decorative fonts don’t adapt to well. It could even be used for text in select situations. The name of the font comes from Arthurian legend.

You can try the DEMO version of Beaumains for free by registering. Or you can ORDER the full version for only $24 online and download it right away.

 

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Rating 4.00 out of 5

Classic Font: Goodfellow

Goodfellow was first released in the spring of 1993. It was based on Art Nouveau period metal type designed for titles and logos. It became a surprise hit when Tim Burton used it as the title font for his hit animated film A Nightmare Before Christmas later that year. The downside was that we had released a demo version at that time and someone with more enterprise than integrity renamed it and released it all over the free font download sites under the name “Burton’s Nightmare.” Unfortunately, the version they pirated was full of design defects which we had corrected in our released version, but that pirated version was so widely circulated that it kind of undermined the distribution of the real font. Since then it has sold well and we’ve done many revisions and improvements, including cleaning the outlines and developing custom bold and italic weights and adding special foreign language characters, but the pirate version with its name association has become so ubiquitous that the real font has always languished in its shadow.

Nonetheless, we’ve worked hard to make Goodfellow a really excellent font, and with its Christmas association we thought it made sense to release the latest revision of Goodfellow during the holiday season, so we’ve made it our featured font for this week. The new version includes the latest version of all three weights with some new added features and improvements.

You can try the demo version of Goodfellow for free, or order the full version online with the alternate characters and special symbols.

Rating 4.33 out of 5

New Font – Malvern

Malvern is a new Celtic-style font with upper case letters which are an attractive variant on insular minuscule lettering but with a unique lowercase character set which is stylistically compatible but not really part of the Celtic tradition. It fits well with the style of the fonts from our Celtic Fantasy collection, which it will probably eventually be added to. The uppercase characters are somewhat similar to our classic Durrow font, but with some additional flourishes. Download and try out the free demo version of Malvern (will work on Mac or PC). If you like it you can buy the complete character set with all the extra features from our Ordering Site.

Rating 3.00 out of 5

New Font: Valentin

Valentin is an Art Nouveau font with an eccentric, stylized look. It has the same fixed-weight characteristics as Ganelon and Gaheris, but the character forms are dramatically different. It’s clean and clear and very readable, very much the kind of lettering you’d have seen on 1920s vaudeville playbills. The graphic with the letter sample to the right isn’t part of the font, but seemed to fit stylistically. It’s a bit of decorative marginalia from a book illustrated by Clara Peck which is just full of Arthurian theme illustrations and decorative motifs which are going to be included in our forthcoming Arthurian Fonts and Art package. You can try out the free demo version of Valentin for either MacOS or Windows. It features just the characters of the standard set. The full combined version of Valentin is available on our Ordering Site.

Rating 3.00 out of 5

Berenicia Font

I’ve been working on a number of new fonts at the same time, and the first one to pop out in finished form is Berenicia. It’s based on samples of Art Nouveau period advertising lettering, with a custom lower case character set added and the original hand lettered characters cleaned up and regularized. When I first started working on it I thought that the shape of the A and some of the other characters reminded me of Celtic square uncial styles, but on consideration I actually think it bears more resemblance to Church Slavonic and lettering styles from Russia or even the Byzantine Empire. Not entirely shocking, since there was a history of cultural contact between the Byzantines and the early Christian Celts. You can try out the free demo version of Berenicia for either MacOS or Windows, and the full version of Berenicia is available on our Ordering Site.

Rating 3.00 out of 5


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