New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
Guilford is one of several fonts we've released based on the hand lettering of classic American artist Eric Sloane. It fits in with the colonial theme of many of his book designs, with an antique, rustic look. It is one of several Slo[...]
Abdiel originated in 2005 as a custom design for a company logo. All they wanted was a few of the letters done in a flourished Renaissance style, but we decided to expand the effort for our own purposes to create a complete font with[...]
We don't normally like to follow the same theme too much with our new font releases, but because we wanted to put together a special package of fonts by J. M. Bergling we're following the release of Beaumains with Bosphoros, another f[...]
Semiramis was originally released in 1997. It's an arts and crafts style font based on samples of lettering from books published by the Roycrofters in the early 1900s. It has a truly unique look, the most extreme example of the decorative[...]
For our first font of the new year we're offering up the brand new San Lorenzo font. It's an original hand-drawn font with a rustic decorative look which is reminiscent of the ironwork on Mission Style furniture or decorative lettering cha[...]
Serenissima takes its name from a nickname for the city of Venice which means "The Serene One." It's a particularly inappropriate name considering what a huge and absolutely unserene effort went into the creation of this digital versi[...]
Bridgeport was first released in 2003 and is one of several fonts based on lettering by legendary artist and calligrapher Eric Sloane, including Queensland and Guilford. Bridgeport has the look of hand lettered capitals, with strong [...]
Scrapple is a new font based on the idea of constructing characters from a limited selection of wood blocks featuring round and rectangular shapes. Scrapple has a cool, crude and industrial look. It's all uppercase, but the lowercase[...]
Leodegar is based on samples of 7th century Frankish hand lettering. The characters draw on the minuscule calligraphic tradition, but are a bit more decorative and somewhat whimsical. They occupy an appealing position somewhere betwee[...]
BUY NOW TRY DEMO Our Froissart font was first released in 2000 as part of our Medieval Fonts and Art package. It is an accurate recreation of the Littera Bastarda calligraphic style which was popular in the 14th and 15t[...]
BUY NOW TRY DEMO Malagua was originally released in 1999 and has been revised several times since then, culminating in this new release with improved weighting and additional special characters. MAlagua is based on [...]
Once again we are calling on the classic early 20th century lettering work of J. M. Bergling to produce a new font with a timeless look which combines elements of text and titling styles for a versatile and elegant effect. Diomedes[...]
Black Cow was originally developed back in 1998 as an addition to our Horror Fonts and Art collection. It has since been through several revisions with the addition of lots of alternate character forms. It's a super quirky font with very [...]
I was playing around with some paint at our chicken coop and realized I had an opportunity to do some hands-on design work for a brush-style font, so I did a set of sample brush strokes on a piece of the recycled coroplast which cover[...]
Schoolhand was originally commissioned by the Education Department at a major Christian university, which will remain nameless. It was developed to their specifications in order to teach cursive handwriting to children, sharing some charac[...]
Film director Sergei Eisenstein was a major influence on the Constructivist movement through his collaboration with Alexander Rodchenko and by inspiring other artists of the era. Thus it seems appropriate that the final font i[...]
We originally released Paleos back in 2002. It was inspired by kinds of titles used for B grade movies in the cavegirl/junglegirl genre. Movies so bad that they're good in a way that appeals to cult movie fans. The concept is that the[...]
Goodfellow was first released in the spring of 1993. It was based on Art Nouveau period metal type designed for titles and logos. It became a surprise hit when Tim Burton used it as the title font for his hit animated film A Nightmare Bef[...]
We've done a number of fonts based on lettering by vintage calligrapher and design historian J. M. Bergling, including several with an Art Nouveau flavor like Boetia and Belgravia. Our newest font is in that same tradition, but it [...]
Hadrianus has been one of our most popular text fonts for a while and it was recently featured here on the site. There has been a lot of demand to expand the features available with Hadrianus beyond the usual bold and italic versions, so t[...]
BUY NOW TRY DEMO Our Munich font was first released in 1998 and has been revised several times since then. This latest version includes substantial improvements in the outlines of the characters and a new set of simple upper [...]
Chaillot is based on 12th century gothic calligraphy which has some characteristics of early black letter calligraphy and stylistic holdovers from late Carolingian lettering. It is a very bold and distinctive calligraphic style with u[...]
BUY NOW TRY DEMO Custom Preview Script fonts can be a real challenge to design, especially when they are designed to have interconnecting characters which require exacting kerning and character positioning. Whe[...]
Although judging has begun on the Make Your Font Contest and we do have a number of promising entries, we’ve decided to extend the deadline for entries until the 7th of September while we process the initial entries and prepare them for judging. So if you wanted to take part, but missed the deadline, you have an additional week to get your entry in.
The Make Your Font Contest is a chance for people with great ideas but no font design experience to see their design turned into an original font. You draw your font and we digitize the winning entries. We will take submissions of hand drawn or computer rendered fonts in three categories. The designers of the winning entries will receive a Scriptorium gift certificate as a prize and their designs will be made into a font which will they will get a copy of and which will be added to our product line. Winners will also receive a royalty on any future sales of their font. The three categories are:
- Calligraphic – Entries should be complete alphabets hand lettered with a pen with the look of traditional or free form calligraphy.
- Constructed – Entries should be complete aphabets drawn or constructed, either physically or digitally.
- Ornaments – Entries should be sets of at least 26 original ornamental glyphs with a common theme.
The Make Your Font Contest is open to anyone who wants to enter who is 18 years or older and agrees to some simple rules which will be available in complete form when the contest starts. We will be taking entries starting on August 15th and ending on August 29th. One winner will be picked in each category. All entries must be original designs, submitted in JPG format of sufficiently high resolution to render good outlines. For more information see the contest rules and guidelines (PDF). Questions and submissions can be emailed to: email@example.com.
Memorial Day is a great American tradition, recognizing the sacrifices made by those who have served our country in war and in peace. The tradition began during the Civil War as a day when flowers, flags and wreaths were placed on the grave[more]
For a PDF of art samples click HERE Click any font to see a larger sample. Vafthrudnir is a new, original font design which draws on the tradition of Germanic uncial and early gothic calligraphy. It is desi[more]
Silhouettes by Charles Folkard from Land of Nursery Rnyme Who killed Cock Robin? I, said the Sparrow, With my bow and arrow I killed Cock Robin. Chorus: All the birds in the air Fell a'sighing and a'sobbin[more]
Last year we featured an overview article on pulp novel cover design, and since then we've continued to look for other resources on mass market book and magazine cover design from the 30s, 40s and 50s. In a recent search I stumbled on pulpc[more]
One of our upcoming fonts is the result of an interesting project, developing original initials based on designs by Walter Crane. We recently acquired an obscure edition of French tales of Reynard the Fox illustrated by Crane with a series [more]
Byam Shaw was one of the outstanding artist illustrators of the Victorian period in England. Stylistically he inherited many of the characteristics of the Pre-Raphaelite and Arts and Crafts artists of the earlier 19th century, putting him [more]
I run into our fonts in the strangest places, but it was an unexpected surprise the other day when I was playing SongPop on my iPhone with my daughters and I got a pop-up ad for a iPhone game called War of the Fallen with the title done in [more]
BUY NOW TRY DEMO Custom Preview Ripley is a new titling font with a bold character weight and a somewhat randomly distressed and unbalanced, tall and narrow sans serif look. It includes capital letters and custom sma[more]
At the end of every year we put together a special sampler package of releases from that year. This year our 2012 Font and Art Sampler has a large and outstanding collection selected from the many releases we've had during the year. It's th[more]
As a special gift for our newsletter subscribers and social media followers we're making the very Christamssy Candlemass font available as a free download through midnight on the 25th. To download Candlemass just CLICK HERE And don't for[more]
Eleanor Fortesque Brickdale was one of the great illustrators of the later Victorian era, even though she is not as well known as some of her male contemporaries. She was strongly influenced by the Pre-Raphaelites like Waterhouse and Mi[more]
I didn't get to go to the Flatstock Poster Show this Spring because I was out of town, but Austin is always a great town for show posters and I regularly come across interesting examples of local design, as happened today when I was out sho[more]
In 2012 we released 18 new fonts. 14 of these were released as new, "featured" fonts and 4 were special releases as part of packages or promotions. The featured fonts also went out to our Font Club, while s[more]
One of the amusing things about Typeshow, our new font preview tool, is that it logs what people type in as their sample text. This provides an interesting insight into how it is being used and the personalities of the users. The number[more]
In honor of Labor Day we're offering a special for all the hard working designers and art fans out there. We're offering a special bonus of $20 off of any purchase from our collection of Owen Jones packages. It can be applied to any one i[more]
Since there seemed to be some real interest in seeing a fully developed font similar to the one used for the titles for the new Tarantino movie Django Unchained, I decided to take it on as a project. This kind of project always involves a l[more]
With Halloween looming, thoughts naturally turn to issues of horror and to classic horror films, particularly the creative title design and unique lettering which some of these classics feature in their titles, but even more especially in t[more]
Back in the 1970s my IBM Selectric Typewriter had a great font specifically designed for high readability when typing scripts and speeches called Orator. It has gone the way of most typewriter fonts, but we recently had a client who wanted [more]
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