Austin de Croze’s Calendrier Magique
In stumbling around art resources on the internet I sometimes run into amazing resources and collections of art which I never expected to see online or anywhere else for that matter. But there are some conscientious archivists and academics out there who react properly when they see something rare and strange. Too many of their colleagues react defensively and want to hoard their treasures, but some few noble souls realize that unique works need to be shared and that the internet is a fantastic way to do it.
One example of this is Cornell University’s Division of Rare and Manuscript Collections and their charming online museum of The Fantastic in Art and Fiction, an online collection of historical images on themes of the fantastic and magical, taken from printed works of the 18th and 19th century. There are lots of great images included from various rare books on magic and mysticism. Some of the images are fairly familiar, but what really stands out in the collection is one of the few books they have preserved all the images from, Austin de Croze’s amazing Art Nouveau Calaedrier Magique. It’s a remarkable work of French art nouveau graphic arts design, reminiscent of the best of the Jugendstil movement of the same period. It’s a unique work which was produced in an edition of only 777 copies in 1895 making it rare enough that you’ll likely never see a copy in person much less have a chance to buy and own one. So it’s great that Cornell has preserved the whole thing.
Obviously, it’s a calendar. Producing calendars was a common practice of the art book and magazine publishers of the art nouveau period. In fact, Munchner Jugend produced some very interesting calenders. But nothing I’ve seen is like this work. The integration of unique art, hand lettering, graphic decoration and fantastic themes is phenomenal. Each page is a revelation and at first look I found it hard to believe it was over 100 years old. Some of the designs are so clever and so modern looking that at first I thought it must be a hoax, but by all appearances it’s the real thing. Some of the images are disturbing, some are erotic and all of them are rich fodder for the imagination.
The only thing to do if you’re at all interested in art nouveau design or fantastic-themed art is to go look at it for yourself. You’ll enjoy the tour. Although I suspect the pages could be in better condition, my one real complaint it’s that the images aren’t in higher resolution. I’m guessing the original calendar was about 4 by 11, but with the digital images at only 72dpi I found myself disappointed in the lack of zoomability. But the presentation is nice and you can get a great feel for this fascinating work. If you happen to see a copy in a rare book store, pick it up and send it to me. My birthday is just around the corner.
New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
BUY NOW TRY DEMO Custom Preview Our original Folkard font has achieved near legendary status as one of the most interesting calligraphic title fonts of the contemporary era. It has been enormously popular and appeared on movie titles, book covers, t-shirts and games. However it is not the only [...]
BUY NOW TRY DEMO Custom Preview Slava is based on lettering by legendary Art Nouveau master Alphons Mucha from his later post-Parisian period when he returned to Prague and did a lot of design work in support of the slavic nationalist movement. The letter forms still have many of the characteristics of[...]
It's the time of year when we do a lot of design for political posters and some of those projects need special fonts. On this kind of work we already get a lot of mileage out of fonts like Aventine and Atinson Egyptian, but we needed more diversity and something with a different look. Fonts for campaign posters c[...]
BUY NOW TRY DEMO Malagua was originally released in 1999 and has been revised several times since then, culminating in this new release with improved weighting and additional special characters. MAlagua is based on examples of rough hand lettering from the 17th century. It has characteristics [...]
BUY NOW TRY DEMO Custom Preview Escargot is based on lettering from the cover of an early pulp novel I came across a couple of months ago. It's a strong example of a distinctive style of sign and poster lettering from the 1930, characterized by super high contrast between the weighting on the le[...]
BUY NOW TRY DEMO Custom Preview Doge is a new font based on samples of late-renaissance period lettering from Venice, preserved and reproduced by early 20th century calligrapher and designer J. M. Bergling. It has some similarity to some of our other fonts based on lettering from the same period[...]
Langdon is our first new font of 2012. It's based on samples of hand-rendered poster lettering from the early 1900s by J. M. Bergling. It has a strong, distinctive look with demi-serifs and an art nouveau or art deco look. It's very much the kind of font which we might include in a new release of our Steampunk co[...]
When we did a font (and a feature article) recently based on a design by Alexander Rodchenko, the result was a very cool font, but while it was based on Rodchenko lettering, it is not the style most associated with his work. The tall thin look of the Rodchenko font is less typical of his work than the heavier,[...]
Abdiel originated in 2005 as a custom design for a company logo. All they wanted was a few of the letters done in a flourished Renaissance style, but we decided to expand the effort for our own purposes to create a complete font with an expanded character set and lots of flourishes, taking humanist style letteri[...]
Black Cow is a unique original font designed for our Horror Fonts and Art collection several years ago. It's one of the most interesting fonts in the large selection of fonts in that package, but it hasn't had the huge level of popularity which some of the other fonts have enjoyed. It has an all uppercase chara[...]
It has taken a lot of hours of development, but we finally have our promised Walter Crane Initials font. Or should I say FOUR fonts, because in the process of developing the font it turned out that we ended up with more than we bargained for. One reason that there are four fonts is that there was so[...]
Engrossing is one of our earliest fonts, originally released in the early 1990s. It is based on one of the very first examples of printed type in a script style. The historic source design was derived from common 17th century calligraphy, simplified for conversion to type and it became the precursor of all of t[...]
BUY NOW TRY DEMO Potsdam was one of our earliest font releases, first produced in 1992 based on samples of 19th century decorative German type. It was one of our first fonts designed for MacIntosh computer users and follows the naming convention for Mac fonts of that era, being named after a city. [...]
When I was a kid I wasn't allowed to buy comic books, so when I began to earn some money of my own as a young teen, I hit that market right at the peak of the 1970s boom in alternative large-format comics which were much more salacious - with more gore and sex - than the comics I would have read as a kid. I wen[...]
Treadway is a new, original design in the tradition of futuristic advertising scripts of the mid-20th century, inspired by fonts like Kaufmann and Gillies, but with a stronger, more clearly defined look, stripped down to its most stylized essentials for a very powerful visual impact. It is the kind of type you'[...]
Every year we try to amuse with some sort of April Fools prank. This year visitors to the site were first greeted by what looked like a hacker takeover, a modest joke, but we've done some even bigger and sillier things in previous years. Here are some examples preserved as best we could. 1998 April Fools Page 1999[more]
Citing the boring sameness of their web presentation, the management of social media giant Facebook has contacted us here at the Scriptorium to purchase two new proprietary colors and 3 new custom fonts for $1.2 billion. Facebook CEO Mark Zuckerberg observed that now that his company has topped the $100 billion mark[more]
We've got five designs were considering for out next font. They all fairly similar so we need some help choosing. Which one would you like to see next?[more]
It's been a while since we released any new art from our collection of fairytale books illustrated by Charles Folkard. So it's about time we make available this collection of his illustrations for Grimm's Fairy Tales. This mini-package includes 8 beautifully drawn and colored images from stories by the Brothers Grim[more]
At the start of every year we put out a special sampler package of the fonts and art which we released in the previous year at a very low introductory price. It's a great way to try out some of our products. Now it's time to release the sampler for 2013, with a great selection o[more]
Our gothic font collection is a compilation of our most interesting fonts based on gothic type and late medieval calligraphy. It covers the range from the historical styles in which gothic printing had its inspiration to the ornate heights of complex gothic fonts from 19th century Germany. This includes fonts in the[more]
There are many good things about Typecon and many nice things I could say, but instead I find myself seized with a compulsion to recast Typecon like old metal type that's melted down and mold into a new font. I've got lots of experience with conferences in a number of different industries, as an attendee. a sponsor,[more]
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