New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
I was playing around with some paint at our chicken coop and realized I had an opportunity to do some hands-on design work for a brush-style font, so I did a set of sample brush strokes on a piece of the recycled coroplast which cover[...]
Fougasse is a bold title font which has a unique combination of elements, including an unusually heavy weight, some unusual Art Deco period character forms and rough outlines to the character which are not too pronounced, but give i[...]
Nostromo is based on a sample of early 1900s period advertising lettering with a particularly dramatic personality and a look which really grabs the eye. The font includes all uppercase characters, with some variants, plus the unique [...]
Langdon is our first new font of 2012. It's based on samples of hand-rendered poster lettering from the early 1900s by J. M. Bergling. It has a strong, distinctive look with demi-serifs and an art nouveau or art deco look. It's very m[...]
We've been working hard on developing a new package of fonts based on classic Letterpress designs and that package is almost complete. Rounding out the collection is our new Big Show font, which is a kind of a swanky 1960s take on the clas[...]
Our new Barnabas font is the result of our Dark Shadows font design project. It's an original font inspired by the original titles for the Dark Shadows television show, but updated for a more contemporary audience with the upcoming re[...]
Scrapple is a new font based on the idea of constructing characters from a limited selection of wood blocks featuring round and rectangular shapes. Scrapple has a cool, crude and industrial look. It's all uppercase, but the lowercase[...]
BUY NOW TRY DEMO Potsdam was one of our earliest font releases, first produced in 1992 based on samples of 19th century decorative German type. It was one of our first fonts designed for MacIntosh computer users and fol[...]
Hadrianus has been one of our most popular text fonts for a while and it was recently featured here on the site. There has been a lot of demand to expand the features available with Hadrianus beyond the usual bold and italic versions, so t[...]
Leodegar is based on samples of 7th century Frankish hand lettering. The characters draw on the minuscule calligraphic tradition, but are a bit more decorative and somewhat whimsical. They occupy an appealing position somewhere betwee[...]
Gjallarhorn is based on uncial-style lettering by artist Willy Pogany from his titles for Padraig Colum's classic collection of Scandinavian myths, The Children of Odin. It is reminiscent of runic lettering carved in wood and is evocative o[...]
It has taken a lot of hours of development, but we finally have our promised Walter Crane Initials font. Or should I say FOUR fonts, because in the process of developing the font it turned out that we ended up with more [...]
BUY NOW TRY DEMO Our Munich font was first released in 1998 and has been revised several times since then. This latest version includes substantial improvements in the outlines of the characters and a new set of simple upper [...]
Once again we are calling on the classic early 20th century lettering work of J. M. Bergling to produce a new font with a timeless look which combines elements of text and titling styles for a versatile and elegant effect. Diomedes[...]
When we did a font (and a feature article) recently based on a design by Alexander Rodchenko, the result was a very cool font, but while it was based on Rodchenko lettering, it is not the style most associated with his work. The ta[...]
In working on graphic design projects I've been repeatedly frustrated by the lack of interesting medium-weight script fonts which are simple enough to be readable, but not too plain to be interesting. So with the latest project which neede[...]
Some years ago, while traveling in Cornwall I saw some unique hand lettering on a signboard outside of a pub and later I reconstructed the fanciful Celtic lettering style from memory to produce what became the Coverack font. Coverack[...]
Swithin was designed to be our featured holiday font for 2003. It is based on samples of advertising lettering from posters produced during the 1920s. The whimsical nature of the characters and the decorative elements make it an exc[...]
Bridgeport was first released in 2003 and is one of several fonts based on lettering by legendary artist and calligrapher Eric Sloane, including Queensland and Guilford. Bridgeport has the look of hand lettered capitals, with strong [...]
Lachesis was one of our earliest text font designs, a unique font deliberately designed to have an antique wood-cut look. It is based on samples of vintage type taken directly from letterpress type blocks found at the type museum in [...]
Illuminata was inspired by lettering from a poster from the Fillmore in the 1960s. It was originally released in 2001 as part of the Psychedelic Fonts package and then later further developed for the Oroborosgame project. This latest [...]
Film director Sergei Eisenstein was a major influence on the Constructivist movement through his collaboration with Alexander Rodchenko and by inspiring other artists of the era. Thus it seems appropriate that the final font i[...]
Art & Symbol Fonts Collection
Art fonts (sometimes called “dingbats”) have their origins in early printers ornaments used to fill space on a printed page. Traditionally these ornaments took the form of floral or geometric designs, and were inserted when the page was set, just like type.
Traditionally most art fonts are fairly primitive, drawing on mostly functional
themes, such as international sign symbols or recreating antique printers ornaments. But the medium of digital type is capable of much more, and we try to explore some of those possibilities with our art fonts. They go beyond the primitive concept of the “dingbat” and provide a more sophisticated range of small, versatile illustrations which will enhance documents very effectively.
We also have many of historically based art fonts, drawn from ancient images and
decorative arts, including Roman tiles, Native American pottery painting and medeival
heraldry, plus a selection of humorous and whimsical silhouettes.
All of our art fonts are available in both True Type and Postscript format for Macintosh and PC computers. They can be purchased individually for prices ranging from $9 to $12, or in a special CD collection with more than 25 of our art fonts for $69.00.
Our single fonts and art font packages can be ordered online, by mail or by
phone for delivery online or by mail. The special collection of all of the initials includes dozens of unique art fonts suitable to a wide variety of uses.
We’ve also got a free sample art font for you to try out. It features selected characters from some of our most popular art fonts and you can download it for free.
This font includes characters from Sigil (A-D), Decoration (E-H), Sangrael (I-K), Zapatec (L-N), Spirals (O-P), Florissant (Q-R), Mesoglyphs (S-T), Emblem (U-V), Hexstar (W-X) and Celtic Borders (Y-Z) – all upper case letter positions. Click here to download it for either WINDOWS or MacOS
As a special holiday gift to our customers we've put together a special selection of Christmas present labels using traditional art from our collection. There are 13 labels in PDF format, perfect for printing out and using to label your pre[more]
Back in the 1970s my IBM Selectric Typewriter had a great font specifically designed for high readability when typing scripts and speeches called Orator. It has gone the way of most typewriter fonts, but we recently had a client who wanted [more]
In 2012 we released 18 new fonts. 14 of these were released as new, "featured" fonts and 4 were special releases as part of packages or promotions. The featured fonts also went out to our Font Club, while s[more]
We released the Art Deco Borders font as a special Font Club bonus font in 2009 and then somehow forgot to ever release it for purchase as a single font to the general market. A terrible oversight because it's such an excellent font w[more]
Click to see larger sample. It's not easy to define what the future of font design will be, but we can certainly identify fonts which look like something from what we imagine the future to be[more]
Click any font to see a larger sample. // he Middle Ages saw calligraphy and book decoration emerge as significant art forms. The[more]
I stopped into our local barbeque parlor for dinner this evening, and parked out front I found a stylishly decorated Mini Cooper wrapped with art promoting DragonsLair, Austin's preeminent comic book and game emporium. Even better, the stor[more]
The Victorian tradition of coupling bad literature with great art and decoration has been a rich source of material for us. We found another resource in this tradition in the book A Checked Love Affair written (badly) by Paul Leicester Ford[more]
Every year we try to amuse with some sort of April Fools prank. This year visitors to the site were first greeted by what looked like a hacker takeover, a modest joke, but we've done some even bigger and sillier things in previous years. H[more]
Since there seemed to be some real interest in seeing a fully developed font similar to the one used for the titles for the new Tarantino movie Django Unchained, I decided to take it on as a project. This kind of project always involves a l[more]
After a long search we've managed to find a new tool called Typeshow which will allow visitors to the site to create custom samples of any of our fonts. It is similar in design to the Texter tool which we experimented with in the past, but [more]
Byam Shaw was one of the outstanding artist illustrators of the Victorian period in England. Stylistically he inherited many of the characteristics of the Pre-Raphaelite and Arts and Crafts artists of the earlier 19th century, putting him [more]
Along with Arthur Rackham and Kate Greenaway, Cicely Mary Barker was one of the three great fairy illustrators of the early 20th century. Her Flower Fairies books were enormously popular and influential on illustrators of the period. willy [more]
he Celts have been acclaimed for their remarkable artistic legacy - far more substantial than that of other ancient societies of Western Europe. They left behind a fascinating tradition of visual and literary art,and can be credited wi[more]
hatever holiday you celebrate, it's probably a time of cards and presents and decorations and parties -- that means you're going to need great fonts and art to add elegance and unique flare to your seasonal projects. The Scriptorium Holiday[more]
One of our upcoming fonts is the result of an interesting project, developing original initials based on designs by Walter Crane. We recently acquired an obscure edition of French tales of Reynard the Fox illustrated by Crane with a series [more]
Eleanor Fortesque Brickdale was one of the great illustrators of the later Victorian era, even though she is not as well known as some of her male contemporaries. She was strongly influenced by the Pre-Raphaelites like Waterhouse and Mi[more]
Silhouettes by Charles Folkard from Land of Nursery Rnyme Who killed Cock Robin? I, said the Sparrow, With my bow and arrow I killed Cock Robin. Chorus: All the birds in the air Fell a'sighing and a'sobbin[more]
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- Futuristic Fonts - Updated and Expanded
- Cicely Mary Barker Fairies Mini-Package
- Nancy West Johnson: What are the names of the fairies included?
- A Special Offer on Our Font Club
- Script Fonts Package