Art Deco Font Collection
Our new Art Deco font collection includes a remarkable selectiion of fonts from the design movements of the 1920s and 1930s, focusing on the kinds of fonts which were generally associated with the decorative arts movement which developed out of the Arts and Crafts movement.
Because we already have collections of Arts and Crafts and Art Nouveau fonts from related periods, we were able to narrow the focus of this collection very specifically to concentrate exclusively on those fonts which were most typical of the Art Deco genre. Some fonts outside the collection like Semiramis and Chelsea Studio could probably also be classed as Art Deco, but because they are already in other collections they were not included here. The same is true of the Roycroft fonts which are in the Arts and Crafts package. We’ve also tried to avoid any fonts which would be typical of the German Bauhaus movement which overlaps with Art Deco in the same way that the Jugendstil movement overlaps with Art Nouveau, mainly because we may want to release a Bauhaus collection in the future.
The package includes traditional text fonts from the Art Deco period like Broadley, Advertising Gothic, Falmouth and Gargantua. It also includes two purely decorative fonts, Decoration and Art Deco Borders which are ideal for completing the overall look of an art deco project with floral and geometric motifs to accompany your text. Together they make lots of unique and complex art deco designs possible.
Many of these fonts are among our newest designs, like Broadley and Madding, some are older and have been waiting for an opportunity to be released in a collection like this, and Art Deco Borders and Magnin are new releases put out to coincide with the release of this package, though Magnin was originally designed on a commission for a vintage clothing outlet some years ago.
Art Deco fonts are interesting, because although they may vary considerably in style they all share characteristics necessary for their use in graphic design, ornamentation and industrial design. In many cases they are fonts designed to be molded in metal, etched in glass, carved from wood or embossed on leather and they have peculiarities related to the mediums in which they were intended to be used.
The package includes 12 original fonts in postscript and true type format for both MacOS and Windows. It also includes a bonus set of selected full-color art deco motifs from our collection of designs by Pedro Lemos. You can order the complete package now and takje delivery online or by main from our ONLINE STORE.
October 21, 2009 | Filed Under Uncategorized
New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
Once again we are calling on the classic early 20th century lettering work of J. M. Bergling to produce a new font with a timeless look which combines elements of text and titling styles for a versatile and elegant effect. Diomedes includes a full set of upper and lower case characters plus an interesting sele[...]
Langdon is our first new font of 2012. It's based on samples of hand-rendered poster lettering from the early 1900s by J. M. Bergling. It has a strong, distinctive look with demi-serifs and an art nouveau or art deco look. It's very much the kind of font which we might include in a new release of our Steampunk co[...]
BUY NOW TRY DEMO Custom Preview Squiffy is a fun font. It has a background in arts and crafts style font design, but rather than the regular, architectural character forms and arrangements, the characters are wild and irregular and highly varied. There are two distinct versions of every character, with[...]
Abdiel originated in 2005 as a custom design for a company logo. All they wanted was a few of the letters done in a flourished Renaissance style, but we decided to expand the effort for our own purposes to create a complete font with an expanded character set and lots of flourishes, taking humanist style letteri[...]
In honor of Cyber Monday, which some people are now expanding to be a whole Cyber Week, we're releasing St. Ives, a new modernistic font with unique riser and descender characters which give it an unusual linear look. It will be featured in a new edition of our Futuristic Fonts which will be released late[...]
BUY NOW TRY DEMO Custom Preview Startling Stories was a pulp-era science fiction magazine known for its lurid covers by Earle K. Bergey and its eye-catching title designs. It was a companion to Thrilling Wonder Stories and Fantastic Stories. The magazine was very successful in the immediate pos[...]
When I was a kid I wasn't allowed to buy comic books, so when I began to earn some money of my own as a young teen, I hit that market right at the peak of the 1970s boom in alternative large-format comics which were much more salacious - with more gore and sex - than the comics I would have read as a kid. I wen[...]
Engrossing is one of our earliest fonts, originally released in the early 1990s. It is based on one of the very first examples of printed type in a script style. The historic source design was derived from common 17th century calligraphy, simplified for conversion to type and it became the precursor of all of t[...]
BUY NOW TRY DEMO Custom Preview Sanhedrin is a decorative futuristic font, which features two distinct sets of different characters and a number of additional special characters. It draws some characters from the Greek alphabet and also has some unusual art nouveau character forms and a strange biblic[...]
It's time for something new and strange, our new and original Monstrous font. Monstrous is a titling font which offers a striking look and special features which make it truly unique. The characters are stylized and super-bold, but what really sets the font apart is that there are two complete character sets w[...]
BUY NOW TRY DEMO Malagua was originally released in 1999 and has been revised several times since then, culminating in this new release with improved weighting and additional special characters. MAlagua is based on examples of rough hand lettering from the 17th century. It has characteristics [...]
BUY NOW TRY DEMO Custom Preview Lyceum has the stylized shape and look of a font designed for the program at a lecture hall, hence the name. It is super bold but remains highly readable at fairly small sized, though the contrasts are dramatic. It features only an uppercase characters set because the st[...]
BUY NOW TRY DEMO Custom Preview Escargot is based on lettering from the cover of an early pulp novel I came across a couple of months ago. It's a strong example of a distinctive style of sign and poster lettering from the 1930, characterized by super high contrast between the weighting on the le[...]
BUY NOW TRY DEMO Custom Preview Slava is based on lettering by legendary Art Nouveau master Alphons Mucha from his later post-Parisian period when he returned to Prague and did a lot of design work in support of the slavic nationalist movement. The letter forms still have many of the characteristics of[...]
BUY NOW TRY DEMO Custom Preview Doge is a new font based on samples of late-renaissance period lettering from Venice, preserved and reproduced by early 20th century calligrapher and designer J. M. Bergling. It has some similarity to some of our other fonts based on lettering from the same period[...]
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While I still think it may be some sort of obscure and premature April Fool's joke, an article called Kerning, Kerning, kerning through the years in the Washington Post presents a mildly humorous presentation of the story of a 14 year old research genius who figured out that switching from a heavier weight font to a li[more]
There was an interesting report on NPR today about the history of Olympic pictograms, the special sets of custom international symbols used to help people from many different linguistic backgrounds find their way around the Olympics and identify things like sports venues and restrooms. There is a long history of speci[more]
There are many good things about Typecon and many nice things I could say, but instead I find myself seized with a compulsion to recast Typecon like old metal type that's melted down and mold into a new font. I've got lots of experience with conferences in a number of different industries, as an attendee. a sponsor,[more]
Our newest release is our collection of Constructivist Fonts based on poster lettering from the early post-revolutionary period in Russia, including designs based on the styles of famous designers of the period like Alexander Rodchenko, Mikhail Vrubel and Sergei Eisenstein. These are typical of the m[more]
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