Ancient and Arcane Fonts
While developing more traditional fonts based on historical material, we have occasionally hit upon historical oddities or lettering styles of exceptional antiquity which have interesting qualities and in which there is enough interest to justify the effort needed to make them into fonts.
As a result, our collection has come to include a substantial number of fonts based on the earliest ancient languages as well as fonts based on a variety of magical, fantastical and arcance lettering styles.
Languages like Ugaritic, Chaldean and Phoenician may have become extinct long ago, but they are still of interest to scholars and have a suprising attraction for many graphic designers who want to use lettering in a decorative way to create an arcane appearance without using any comprehensible modern language. Ancient scripts are perfect for this, because they give the appearance of genuine writing, while not being recognizable to the lay viewer. Our selection of ancient scripts is large and growing, focused on the more obscure lettering styles, though we also offer fonts for more familiar languages like Greek, Coptic and Cyrillic.
Down the centuries, mystics and kabbalists have sought to understand the universe by learning the secret scripts which would unlock the door to arcane knowledge. We have a number of fonts based on the languages of demons, angels and mad alchemists of one kind or another.
In addition, we have several fonts which
feature regular characters, plus arcane symbols as special characters, and art fonts with mystical images, including fonts like our Marseille Tarot font where ever letter is a card from the Major Arcana of a classic Tarot deck.
The worlds of the ancient past and magical aracana are not that far from the worlds of pure fantasy, which explains why we have such a large selection of completely fantastical fonts.
Most of these are drawn from the intricately developed background of the Ysgarth roleplaying game, which has gone farther than most games in exploring the details of fantasy world language and society. You can find out more about Ysgarth at the
Regardless of the use you put them to, there is a special fascination to these strange and arcane fonts. We’re planning on developing more of them in the future, including heiroglyphic, demotic and other lost languages. Plus, if you like this sort of font, check out our calligraphy page, because at there is a point at which calligraphy crosses over a line into the bizarre and magical when the artistry of the lettering overwhelms the pure representational aspect of the characters.
These fonts are all available collected together in our Arcane Fonts package which you can ORDER ONLINE and download immediately for only $59. You may also be interested in our Russian and Cyrillic fonts collection. All of the fonts are also available individually. Just do a search for them by name.
To get an idea of what our arcane fonts are like, try out the shareware version of our new Malachim font. It’s based on an alphabet which purports to be a version of the script used by angels. It should give you a good idea of what our fonts can look like on your computer: Download Malachim
New Font: BigBlok
A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.
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Alecto was originally released in 2002 and was one of the fonts developed for our Futuristic Fonts package. It has a unique science fictional look, combining some of the look of an OCR font with pure fantasy elements. It's just the kind of thing you'd expect to see on the side of a spaceship in an epic space ope[...]
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While I still think it may be some sort of obscure and premature April Fool's joke, an article called Kerning, Kerning, kerning through the years in the Washington Post presents a mildly humorous presentation of the story of a 14 year old research genius who figured out that switching from a heavier weight font to a li[more]
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