Classic Font: Offenbach Chancery

Our featured classic font for this month is a special selection for Christmas, one of our most popular fonts for designing seasonal cards, our classic blackletter style font, Offenbach Chancery.
Offenbach Chancery is based on samples of 18th century German gothic calligraphy. It has a simple and elegant lowercase character set with ornate and decorative uppercase characters. It’s one of the staple fonts in our popular Holiday Fonts and Art package, and we’ve used it as the font of choice for Christmas cards and holiday address labels.
You can download and try the demo version of Offenbach Chancery. The full version of the font is available from our ordering site.

The Graveyard Book by Neil Gaiman
Neil Gaiman has made a very impressive transition from writing popular graphic novels like Sandman to some very successful adult-oriented fantasy novels, including the recent Anansi Boys
. Along the way he’s also produced all sorts of other interesting expressions of his storytelling skills, including movies based on his books like the forthcoming animated film based on his childrens graphic novel Coraline
.
One interesting recent release is The Graveyard Book, an illustrated young adult novel which ought to appeal to a fairly broad audience beyond just the age group it is being superficially marketed to. The idea of the book is a macabre variation of Kipling’s The Jungle Book
. The twist is that instead of being raised by animals in the jungle, after fleeing from the murder of his family, young Noboby Owens ends up being raised by friendly ghosts in a graveyard. It’s a clever concept, and the story unfolds well, with several of the ghosts and Noboby’s mysterious undead guardian developed as interesting characters. The exploration of the problems faced by a kid raised by ghosts as he becomes a teenager and ultimately an adult is interesting. The resolution of the meta-plot of a shadowy worldwide organization which wants Nobody dead is in the background for most of the book, but gets wrapped up nicely by the end. It actually left me hoping for a sequel and more adventures of Nobody Owens, which I hadn’t really expected.
In length it is actually more of a novella, given some added substance with black and white illustrations by Dave McKean. I found the interior artwork less than engaging, though the cover design is good. The style is evocative but rudimentary and not particularly engaging. But the writing and the story are first rate, and I’d recommend The Graveyard Book for adult readers as well as the teen audience it’s targeted to.
New Font: Atkinson Egyptian

We’ve done several fonts based on lettering from early 20th century sign designer Frank Atkinson, including Atkinson Eccenteric and Plowright. Along the way we also developed a font based on one of Atkinson’s lettering samples which he called Atkinson Egyptian, despite the fact that the only relationship it has to what most people call ‘egyptian’ type or lettering is that it originated in the same time period when discoveries in Egypt were influencing font designers.
Atkinson Egyptian is a very plain font, but it has a pleasant appearance and nicely balanced character shapes. One of the main reasons we developed it from the lettering samples we had, was to use as a basis for developing specialty fonts and it has already been used for the base character forms for the Texas Star font. It’s attractive and functional. It’s kind of a utility font — something you need to have around even if it’s not terribly exciting — but it’s full of potential and adaptable to many purposes.
Atkinson Egyptian has a full character set with capitals and lowercase letters, plus numbers and punctuation. You can download and try out the free demo version of Atkinson Egyptian (will work on Mac or PC). If you like it you can buy the complete character set with all the extra features from our Ordering Site.

Our new Art Deco font collection includes a remarkable selectiion of fonts from the design movements of the 1920s and 1930s, focusing on the kinds of fonts which were generally associated with the decorative arts movement which developed out of the Arts and Crafts movement.
Our Wild West font collection features 14 fonts based on designs from the classic days of the American West (1870-1890). They are typical of the type and lettering styles used in signs, circulars, posters and newspapers during that era. The selection includes both decorative, display and text fonts. All the fonts are historically accurate and they are not available from any other source. While they are basically fonts of the Victorian era, they represent a subset of the typefaces popular in that period particularly slanted to the environmnet of the wild west, frontier newspapers and wild west shows.
The art of the Pre-Raphaelites recreated classical and legendary themes, fascination with architectural elements and realistic drapery, and the use of models who fit a particular style and appearance, usually with thick, curly hair and voluptuous figures. Our Pre-Raphaelite collection features select images from the most prominent artists of the movement in high-resolution suitable for use in print.
Or latest collection based on one of Walter Crane's childrens book is our comprehensive presentation of The Baby’s Opera, Crane's compilation of childrens songs (including music and lyrics) with detailed illustrations, hand lettering and clever decorations on every page. Many of the designs and motifs can easily be extracted for use in your own designs.
You've got to have text fonts, so wny not make them interesting and unique rather than the same old boring set that come with every computer. Our Text Fonts Collection has more variety and more style than you'll find anywhere else.
Howard Pyle was one of the most renowned illustrators of the 19th century. His work was widely published in adventure novels, magazines and romances. He was the founder of the Brandywine school and artists colony in Chadd's Ford Pennsylvania, where he taught artists like N. C. Wyeth, Frank Schoonover and Thornton Oakley their craft. Our Pyle collection includes a large selection of Pyle's art and designs plus original fonts based on his hand lettering.
In the Middle Ages the demand for written documents required new and better forms of writing, styles which were readable, consistent, efficient to produce, and sometimes decorative as well. This package features a selection of fonts and art based on designs from the Middle Ages, emphasizing the years from 1100 to 1400. The 25 fonts include versions of the major popular lettering styles of this period and the art includes beautiful borders, frames and other decorative elements based on medieval designs.
Howard Pyle’s illustrated edition of Tennyson’s Lady of Shalott is probably the single greatest expression of book design in the American arts and crafts movement of the late 19th century. This early Pyle work combines his vivid illustrative style with exceptional decoration and lettering into a modern illuminated masterpiece. Our Lady of Shalott CD package has every page from the book in high resolution format, including the decorated verses, the full-page illustrations and the embellished titles and flyleaves. It also includes extracted and instantly usable versions of the initials, illustrations background patterns, borders and frames from the book.
This collection brings together all of our best fonts based on Art Nouveau period designs into an extensive collection, with over 30 unique fonts, including text, title faces and even decorative initials. This includes new fonts created just for this package plus classics in the Art Nouveau tradition. It also features a bonus collection of frames and borders based on designs from magazines and books of the period. Altogether it makes the ultimate resource for Art Nouveau style design.
About once a year we release a special sampler package with a collection of selected fonts and art from our most recent and forthcoming packages, including some unique items not available anywhere else, all brought together as an overview of what we've been up to at the Scriptorium during the past year at a special, extremely low price. This latest sampler has four complete new fonts, 15 demo fonts and a special selection of art and graphics which includes a special set of illustrations of Celtic mythology by Katherine Cameron.
This collection presents calligraphy and art based on the traditions of historic Germanic cultures. It draws on the broad scope of early Germanic design, from the pre-Christian era through the early middle ages, including not just Scandinavia, but other elements of Germanic culture from the Franks to the Saxons to the Normans and beyond. The main component is a collection of historic fonts which is complemented by a unique set of historic borders and motifs, plus art based on Viking myth and legend.
A collection of our best fonts based on gothic type and late medieval calligraphy. It covers the range from the historical styles in which gothic printing had its inspiration to the ornate heights of complex gothic fonts from 19th century Germany. This includes fonts in the style sometimes called 'Old English', as well as what calligraphers sometimes call 'Black Letter'. If you like your fonts dark, angular and complex, this is your dream collection. 


