Sighting – Joan of Arc Brie

There’s nothing more exciting than going down to the supermarket and finding a product right there on the shelf featuring one of our fonts. Even better if it’s a product that the family likes to consume and I can bring it home and show it to the wife and kids and point to the font as one I designed or had a role in developing.

Earlier this week, while on vacation, I was sent down to the local store to get some Brie for family snacks. Although the selection was limited, my eye was caught by the attractive package of Joan of Arc Brie and especially by the prominent use of our Ganelon font on the cover of the small round of the cheese.

The cheese eaters among us were happy to declare the brie to be quite palatable, so I’m glad to report that it tastes as good as it looks with Ganelon as it’s signature font. And in fact, the makers of Joan of Arc have expanded their use of the font to include a full line of other cheeses under that imprint as well. If you want to try the font, you can get it right here. If you want to try the cheese, the only online source I found is on Amazon.com where they have the same cheese in a large size, but sadly in the older packaging which doesn’t feature our font. However, the price is reasonable so you could buy the brie and still afford the font and put them together yourself, if you’re strangely obsessed in some way.

Rating 3.00 out of 5

Tangle Font

Tangle is a fun font drawn by hand to have the look of twining vines, reminiscent of a grape arbor in the winter. The inspiration is from my front gate which is twined with an endless tangle of mustang grape vines. It was designed on a whim, but turned out pretty well. It has a full upper and lower case character set, plus numbers and punctuation and special characters. Maybe some clever vintner will notice it and put it to use on a wine label. You can try out the free demo version of Tangle for either MacOS or Windows. It features just the upper case characters. The full version of Tangle is available on our Ordering Site.

Rating 3.00 out of 5

Psychedelic Artist Alton Kelley, 1940-2008

Last week legendary psychedelic poster artist Alton Kelley passed away. Kelley was best known for defining the unique styles of the album covers and posters of the Grateful Dead and Journey. He was one of the best known of the artists to come out of the San Francisco scene of the 1960s who got their start designing posters for concerts at the Fillmore. His style was distinctive, and while he may not have been as diverse and productive as his contemporary Rick Griffin, his designs for the Grateful Dead were probably the very best known of the era. His skeleton with roses motif, which draws on the designs of Edmund Dulac, is probably the single most recognized graphic design theme to come out of the psychedelic era.

Like the other poster artists of the psychedelic period, Kelley drew on font designs from the Art Nouveau period for inspiration. A number of psychedelic poster fonts derive from hand drawn styles used by Kelley and his contemporaries. Particularly characteristic of Kelley’s style are the Pantagruel, Bad Acid and Hendrix fonts. Kelley’s illustrative work was also influenced by artists from the Art Nouveau period, particularly poster designer Alphons Mucha. Kelley’s work was a continuation and augmentation of the genius of earlier eras and artists, and his work will live on as part of the legacy of one of the most interesting American movements in the design arts.

There are a number of good, profusely illustrated books on the psychedelic poster art period available on Amazon. Particularly notable are High Art: A History of the Psychedelic Poster and The Art of the Fillmore.

Rating 3.00 out of 5

Sighting – Abaddon

As I’ve written before, Abaddon is our most overused font. Everyone seems to love it, from fantasy book publishers to heavy metal bands like Godsmack. In its latest appearance it’s coupled with the work of one of the best young writers of fantastic fiction in The Hounds of Ash a forthcoming collection of related short stories from Greg Keyes. Keyes’ background is as an anthropologist and he builds extraordinarily interesting and detailed fantasy worlds full of rich and original mythology which draws on real-world archtypes but is often startlingly different. Every Keyes book is a must-read for me and you won’t go wrong starting to discover his work with this collection.

Rating 3.00 out of 5

New Font and Art Sampler

Our previous font and art sampler has been a pretty popular item for people wanting to check out our offerings for the first time at a low price. It’s now been a couple of years since we released it, so it seemed like time to offer a new sampler put together on the same model.

The 2008 Scriptorium Sampler includes a selection of representative fonts and art. It has includes a set of fonts in their full-release versions and a set of demo versions of recent font releases. The three full fonts included in the package are Aventine, Burnham, Turkey Day and Freebooter. The demo fonts included are Groningen, Gwionbach, Imprimato, Damariscotta, Marfield and Berenicia.

The sampler also includes two art mini-packages. The first is a collection of mermaid images from artists like Pyle, Dulac, Burne-Jones and Pogany. It even includes a couple of sea-themed borders. The second is a collection of images of Arthurian Knights by Howard Pyle which is part of our forthcoming Arthurian Fonts and Art package.

And of course, the best thing about the sampler is that you get all of this for only $9.95. To order the sampler just go to our Online Ordering Section.

Rating 3.00 out of 5

New Font: Aventine

It’s a very political year so we’re releasing a political poster font, Aventine. From time to time we’ve been asked to work on some political designs for local campaigns. One offshoot of that is that we have developed some poster font designs specifically tailored to the needs of campaign posters, and as we did with Texas Star back in 2002, we’re making one of those designs available in our general catalog. Aventine is a very clean, very bold, modern-looking font. It’s designed to look like the kind of sans serif fonts you see on political posters all the time, but with a few twists which may be hard to notice by themselves, but which add up to just a tiny bit more of an art deco look than you’d normally expect in a straightforward poster font. If you wonder where the name comes from, it was inspired by the excellent HBO series Rome where, in the final season, the main character entered into a political career with his power base as a captain in the merchant district of Rome called The Aventine. You can try out the free demo version of Aventine for either MacOS or Windows. The full font is available on our Ordering Site.

Rating 3.00 out of 5


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